本文關鍵詞： 蘇軾 詩畫觀 文學創(chuàng)作 文學接受 視覺文化　出處：《湖北民族學院》2017年碩士論文　論文類型：學位論文

【摘要】：讀圖時代的圖文關系是當代文藝界不可忽視的重要問題,關于圖文關系之如何,圖文關系之何解,圖文關系之憂慮等諸多問題的討論日漸豐富。當代圖文關系的走向關涉到文學、文化的發(fā)展,對圖文關系的研究也是對文學、文化的研究。若能從中國古典文論中尋找到對當代圖文關系的啟示,既有利于我國古典文化的傳承,又能豐富當代圖文關系的理論思路。通過閱讀蘇軾詩畫觀的相關文論,直觀感受到這些理論對當代圖文關系有所啟示,經過后期系統(tǒng)閱讀和認真探索,認為蘇軾詩畫觀在文學創(chuàng)作和文學接受兩方面對當代圖文關系有所啟示。文章從以下三方面展開討論:首先解釋詩畫觀與圖文關系在理論上的互通性,詩與文,畫與圖,是兩組對應的概念和范疇,梳理詩與畫的關系對探討圖與文的關系具有可借鑒性;再通過分析當代圖文關系,立足文學創(chuàng)作中的文學性缺失與文學接受上的審美問題,對比蘇軾詩畫觀,去反思當代圖文關系;最后嘗試從文學創(chuàng)作與文學接受兩方面去探討蘇軾詩畫觀的當代啟示,一是創(chuàng)作時應該是構思,而非構圖,二是讀者應遵循非功利性審美,而非“娛樂至上”的功利性審美。
[Abstract]:The relationship between picture and text in the time of reading pictures is an important problem which can not be ignored by the contemporary literary and art circles. The trend of contemporary graphic and text relations is related to the development of literature and culture, and the study of the relationship between picture and text is also a kind of literature. The study of culture. If we can find out the enlightenment to the relationship between the contemporary pictures and texts from the classical Chinese literary theory, it will not only benefit the inheritance of the classical culture of our country, but also enrich the theoretical thinking of the relationship between the contemporary pictures and texts. By reading the relevant literary theories of Su Shi's view of poetry and painting, It is intuitively felt that these theories have some enlightenment on the relationship between modern graphics and text, and after the later period of systematic reading and careful exploration, The author holds that Su Shi's view of poetry and painting has some implications for the relationship between contemporary graphics and texts in both literary creation and literary acceptance. The article discusses the following three aspects: first, it explains the intercommunication between the view of poetry and painting in theory, the relationship between poem and article, painting and drawing. It is the corresponding concept and category of two groups, combing the relation between poem and painting has the reference to discuss the relation between picture and text, and then through analyzing the relation of contemporary picture and text, it bases itself on the lack of literariness in literary creation and the aesthetic problem of literary acceptance. Comparing Su Shi's view of poetry and painting to reflect on the relationship between contemporary pictures and texts, and finally trying to explore the contemporary enlightenment of Su Shi's view of poetry and painting from two aspects of literary creation and literary acceptance. One is that the creation should be a conception, not a composition. Second, readers should follow non-utilitarian aesthetics, not utilitarian aesthetics.
【學位授予單位】：湖北民族學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22;J205

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