本文關(guān)鍵詞：日本政治小說《經(jīng)國美談》在中韓兩國的接受　出處：《山東大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 《經(jīng)國美談》 周宏業(yè) 玄公廉 政治小說 接受

【摘要】：近代以降,中日韓三國間文學(xué)關(guān)系愈發(fā)密切,日本明治時期的文學(xué)作品大量傳入中韓兩國,在兩國掀起一股翻譯·翻案熱潮,其中政治小說作為一種較為特殊的小說類型,在翻譯·翻案的過程中對中韓兩國近代化以及對西方先進(jìn)思想的接受產(chǎn)生了廣泛而深遠(yuǎn)的影響。《經(jīng)國美談》作為日本近代政治小說的"三部曲"之一,先后傳入中韓兩國,在兩國受到極大歡迎,其重要性自不待言。本文旨在從跨文化接受的角度切入,在現(xiàn)有研究成果的基礎(chǔ)上,結(jié)合歷史、政治語境,運用比較文學(xué)的接受研究等理論,探討《經(jīng)國美談》在中韓兩國的接受過程�！督�(jīng)國美談》是日本明治時期著名政治家、小說家矢野龍溪的代表作,借用古希臘歷史,意在宣揚恢復(fù)民權(quán)、振張國威的主題,給人們以政治性啟示,大大激勵了當(dāng)時日本的有志青年。隨后1900年與1904年《經(jīng)國美談》分別被譯介至中韓兩國,頗受兩國讀者歡迎。在中國,《經(jīng)國美談》首先在《清議報》連載,后出現(xiàn)了多個單行本,還產(chǎn)生了不少《經(jīng)國美談》的衍生作品,李伯元根據(jù)中譯本改編成《前本經(jīng)國美談新戲》發(fā)表并演出,鋒郎則發(fā)表了《題經(jīng)國美談前編十一首》,通過詩作表達(dá)對愛國志士的敬佩之情與保家衛(wèi)國的決心。1904年《經(jīng)國美談》首先在韓國《漢城新報》連載,卻只有5回,1908年才出版了由玄公廉翻譯的《經(jīng)國美談》全本,卻不幸在1914年被禁。中韓兩國在接受《經(jīng)國美談》的過程中可謂是"同中有異、異中有同"。中韓譯本與原作不同,更為強(qiáng)調(diào)的都是爭取民族獨立與驅(qū)逐侵略勢力,且在獨立之后的'守業(yè)'方面達(dá)成共識,'創(chuàng)業(yè)'難,守業(yè)更為不易,此為'同'。此處兩者出發(fā)點雖然相同,但具體內(nèi)容也是有較大差別的,中譯本主干內(nèi)容沒有很大變化,甚至為了便于中國讀者理解,在解釋阿善都城的繁華之時增添了類似'揚子江'、'倫敦'等內(nèi)容;玄公廉譯本卻選擇將原作及中譯本中涉及文化、文明、哲學(xué)等相關(guān)內(nèi)容大部刪除,更明顯地集中于"正黨"與"奸黨"、"民主"與"獨裁"這兩組對立方面,主要描述齊武國如何取得獨立、戰(zhàn)勝強(qiáng)敵的過程。雖然玄公廉譯本《經(jīng)國美談》將涉及文明、文化的部分大為省略,卻在翻譯的過程中將表現(xiàn)政治意識的內(nèi)容全部保留下來,更為突出善與惡、正與邪的對立,甚至還增添了原著及中譯本均沒有的內(nèi)容。如此強(qiáng)調(diào)此種對立以及各種政治觀點的凸顯,包括其他各種文明、文化相關(guān)內(nèi)容的刪除都是面臨亡國之危機(jī)的玄公廉為強(qiáng)調(diào)愛國精神與民眾教化而做出的選擇。而中國保留這些部分卻表明不僅是要民族獨立,還蘊含著期待再次成為世界文明大國的愿望,此為'異'�！督�(jīng)國美談》是傳入中韓兩國的政治小說中十分具有代表性的作品,深入研究《經(jīng)國美談》在中韓兩國的接受過程,并進(jìn)行系統(tǒng)考證分析,具有重要意義當(dāng)時東亞三國近代化進(jìn)程中文學(xué)作品擔(dān)當(dāng)著十分重要的角色,在東亞視域下對這些作品的探討也是十分重要的課題,那些作品雖已成歷史,卻可為我們了解那一時代的東亞三國關(guān)系提供有價值的參考。
[Abstract]:In the modern times, the relationship between Japan and South Korea literature more closely, the Meiji period of Japan's literary works spread into China and South Korea, in the two countries set off a boom in reverse translation of political novels, as a special type of fiction, in the process of translation, the verdict of both Chinese and Korean modern and Western ideas to accept have extensive and profound influence. The story > as modern Japanese political novel "trilogy", has spread to China and South Korea, welcome in the two countries, the importance of this paper. From the point of It goes without saying that cross cultural acceptance angle, based on the previous research results, combined with the historical and political context, by comparison the study of literary acceptance theory, discuss the character of < > in China and South Korea. The country received the acceptance process "is a famous Japanese politician Meiji, novelist yelong vector Xi's masterpiece, from ancient Greek history, intended to promote restoration of civil rights, vibration of the theme of Zhang Guowei, giving people with political enlightenment, greatly inspired the Japanese aspiring youth. Then in 1900 and 1904 by the well were < > translated and introduced to China and South Korea, the two popular readers. In China, "by the story first serialized in < > > discussion, after the emergence of a number of pamphlets, also have a lot of work in the < > derivative works, according to Li Boyuan and adapted by the country well before < > and published new drama performances, Feng Lang published by the China story < title > eleven the Patriots, admiration and determination of.1904" protect our homes and defend our country by country legend > first serialized in < Seoul Meirixinbao > poems by Korean expression, but only 5 times, was published in 1908 by the mysterious Kung Lian translation by the whole work of < >, but unfortunately was banned in China and South Korea in 1914. The work process in accepting < > it is "has some similarities and differences have the same". Korean translation and the original, more emphasis is to strive for the national independence and the expulsion of the invading forces, and it '' after independence to reach a consensus, the 'Entrepreneurship' is more difficult, it is not easy, this is the 'same'. Here the two starting points are the same, but the specific content is different, and the main content of no great changes, even for China readers, in the interpretation of a good bustling capital of the Yangtze River is similar to 'Add', 'London' content; Xuan Lian Gong they prefer to be involved in cultural translation, translation and the original in the culture, philosophy and other related content, delete, more clearly focused on the "party" and "party", "democracy" and "dictatorship" of these two groups of opposition, mainly describes how to Wuguo Qi independence. Although the process of overcoming the enemy Xuan the low-cost versions of < The work will involve > civilization, culture part is omitted, but in the performance of political consciousness during the translation of the contents of all preserved, more prominent of good and evil, and evil is opposite, and even add the original version and are not content. So this is emphasized and various political opposition point of view, including other civilizations and cultural content are related to delete the crisis facing the subjugation of the public to emphasize the patriotic spirit of Xuan Lian and public education and make a choice. Chinese and retain these part suggests not only to national independence, but also contains a look forward to once again become the world civilization desire, this is different. 'the story is'.< > into China and South Korea in political novels very representative works, in-depth study of the work of < > in China and South Korea to accept the process, and system analysis research, has important significance At that time, the East Asian modern literary works in the process play a very important role in East Asia, from the perspective of these works is very important, although those works has become history, but for our understanding of the East Asian relations of that era to provide valuable reference.

【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I106

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