本文關(guān)鍵詞：哥爾多尼喜劇中人物性格分析　出處：《西安外國(guó)語(yǔ)大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 即興喜劇 戲劇改革 人物性格塑造

【摘要】：十八世紀(jì)后半葉,意大利劇作家卡爾洛·哥爾多尼一改傳統(tǒng)“即興喜劇”的種種弊端,提出了了比較完整的意大利喜劇改革理論,強(qiáng)調(diào)喜劇是對(duì)自然和生活的真實(shí)模仿,要用自然的人物性格來(lái)引起人們的共鳴。從這一點(diǎn)上看,他對(duì)意大利喜劇的發(fā)展,尤其是在人物塑造方面的貢獻(xiàn)無(wú)疑是巨大的。每每提到意大利喜劇,人們還是反射性地想到哥爾多尼和他的《女店主》,因此無(wú)論是對(duì)哥爾多尼“性格喜劇”的整體理解,還是基于現(xiàn)在喜劇創(chuàng)作的考量,都有必要對(duì)特定意義的“喜劇改革”進(jìn)行回顧與梳理,并結(jié)合具體作品中的人物加以深入分析,這不僅有利于我們了解當(dāng)時(shí)意大利喜劇是如何地走向現(xiàn)代,且更為重要的是通過(guò)這種梳理與分析,從中吸取經(jīng)驗(yàn),亦能夠更好地指導(dǎo)我們新世紀(jì)中國(guó)現(xiàn)當(dāng)代喜劇的創(chuàng)作,因?yàn)殡m然“喜劇改革”已然終結(jié),但喜劇的創(chuàng)作卻遠(yuǎn)未終結(jié)。論文以“人物性格分析”為切入點(diǎn),將全文分為四章:第一章主要是對(duì)哥爾多尼生平及時(shí)代背景介紹,因?yàn)閷?duì)作者生平和文化背景的了解,有助于我們更好的理解其創(chuàng)作思路。第二章的內(nèi)容是本文的核心,一方面對(duì)哥爾多尼喜劇本身的特點(diǎn)和重要性進(jìn)行了詳細(xì)論述;另一方面對(duì)其喜劇改革的理論體系進(jìn)行較為完整的梳理,如發(fā)生的背景(政治與學(xué)術(shù)角度、地理文化角度);過(guò)程中所討論的焦點(diǎn)問(wèn)題(性格塑造的創(chuàng)作方法)及意義,揭示哥爾多尼喜劇中塑造人物性格方面的學(xué)術(shù)價(jià)值。最后兩章,則是對(duì)哥爾多尼“人物性格塑造”在具體作品的的體現(xiàn)進(jìn)行舉例與(比較)分析。因?yàn)闊o(wú)論哥爾多尼式的“人物性格塑造”有著怎樣的局限或者理論功績(jī),最能夠體現(xiàn)其價(jià)值的則必定是優(yōu)秀喜劇作品問(wèn)世,和意大利喜劇的現(xiàn)代化進(jìn)程。
[Abstract]:The second half of the eighteenth Century, Italy playwright Carlo Goldoni changed the shortcomings of the traditional "improvisational comedy", put forward a relatively complete reform of Italy comedy theory, emphasizes the comedy of nature and life real imitation, must use natural character to get people's sympathy. From this point of view, he the Italy comedy development, especially in the contribution of characterization is undoubtedly enormous. Often referred to the Italy comedy, people still think of reflective Goldoni and his female owner of < >, so it is of Geerduo, "comedy of character" of the overall understanding, or now comedy considerations are necessary for specific the significance of comedy "reform" reviewing and combing, combined with the specific characters to be in-depth analysis, which not only helps us to understand that Italy is like a comedy Where to modern, and what is more important is that through the carding and analysis, draw lessons from the experience, but also better able to guide us in the new century Chinese contemporary comedy, because although "comedy reform" has ended, but the comedy is far from the end. The "character analysis" as a breakthrough point, the text is divided into four chapters: the first chapter is an introduction to the life and times of Goldoni background, because of the author's life and cultural background, will help us better understand their creative ideas. The second chapter is the core of this paper, the characteristic and the importance of a comedy of Goldoni detail; on the other hand the theoretical system of his comedy reform in a more complete review, such as the background (political and academic point of view, geographical and cultural angle); focal point discussed the problems in the process of character (plastic The creation method made) and the significance, to reveal the characters in the comedy Goldoni academic value. Finally the two chapter is on "characterization" Goldoni for example and in the works reflect the (relatively) analysis. Because what are the limitations or theoretical achievements both Goldoni style "characters" the most able to reflect its value must be the advent of outstanding works of comedy and comedy, Italy's modernization process.

【學(xué)位授予單位】：西安外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I546.073

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相關(guān)碩士學(xué)位論文 前2條

1 姜墨;現(xiàn)代舞編創(chuàng)的結(jié)構(gòu)與形式的探索[D];北京舞蹈學(xué)院;2016年

2 鄭龍飛;哥爾多尼喜劇中人物性格分析[D];西安外國(guó)語(yǔ)大學(xué);2017年

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