本文選題：方大曾 + 戰(zhàn)地記者　； 參考：《內(nèi)蒙古大學(xué)》2017年碩士論文

【摘要】：方大曾是20世紀(jì)30年代活躍在抗戰(zhàn)前線的攝影記者,他是綏遠(yuǎn)抗戰(zhàn)的見證者,他是"七七事變"報(bào)道的第一人,也是"抗戰(zhàn)時(shí)期第一個(gè)為國(guó)捐軀的記者"。他在新聞史上占有如此重要的位置,卻在25歲時(shí)神秘失蹤,一度"消失"于歷史。經(jīng)過了七十多年的沉寂,近年來,隨著他的攝影作品陸續(xù)被展出,這個(gè)名字才再次回到人們的視野。本文通過查找關(guān)于方大曾的研究文獻(xiàn),先結(jié)合時(shí)代背景對(duì)方大曾的生平及采訪歷程進(jìn)行了縱向的梳理;在此基礎(chǔ)上,從已出版的研究著作、各攝影展覽和民國(guó)報(bào)刊資料庫中收集并篩選了方大曾抗戰(zhàn)時(shí)期的新聞作品,包括200幅攝影作品和20篇文字報(bào)道。通過圖像分析法,從主體、視覺表現(xiàn)、呈現(xiàn)體裁等方面對(duì)其攝影作品進(jìn)行分析;通過內(nèi)容分析法,從報(bào)道內(nèi)容、寫作形式、寫作結(jié)構(gòu)和方法等角度對(duì)其文字報(bào)道進(jìn)行分析�；谝陨系姆治�,發(fā)現(xiàn)了方大曾的作品具有極高的歷史文獻(xiàn)價(jià)值、社會(huì)價(jià)值,填補(bǔ)了抗戰(zhàn)初期尤其是綏遠(yuǎn)抗戰(zhàn)歷史資料的空白,記錄了 20世紀(jì)30年代的社會(huì)風(fēng)貌;作品中的獨(dú)特風(fēng)格,極富感染力的藝術(shù)表現(xiàn)手法,和人文主義、愛國(guó)主義思想的體現(xiàn),使它們具有很高的藝術(shù)價(jià)值和新聞價(jià)值。雖然方大曾身處的時(shí)代比較特殊,但他身為記者所表現(xiàn)出的專業(yè)素質(zhì)、報(bào)道思維、社會(huì)責(zé)任感和他所堅(jiān)持的價(jià)值信仰,是值得所有新聞從業(yè)者繼承和學(xué)習(xí)的榜樣。本文從方大曾戰(zhàn)地采訪、新聞作品、價(jià)值意義三個(gè)主維度進(jìn)行了較為宏觀、系統(tǒng)性的架構(gòu),使得對(duì)方大曾及其作品的研究有了一個(gè)清晰的脈絡(luò)和整體的把握。
[Abstract]:Fang Da was a photojournalist who was active in the front line of the War of Resistance in the 1930s. He was the witness of the War of Resistance in Suiyuan. He was the first person in the report of the July 7th incident and the first reporter who died for his country during the War of Resistance against Japan. He held such an important place in the history of journalism that he mysteriously disappeared at the age of 25. After more than 70 years of silence, in recent years, as his photographic works have been exhibited, the name came back to view. By looking up the research literature about Fang Da Zeng, this paper firstly combines the background of the times with the life story and interview process of the other side, and on this basis, from the published research works, Two hundred photographic works and 20 written reports were collected and screened from various photographic exhibitions and press databases of the Republic of China during the War of Resistance against Japan. Through the image analysis, from the main body, visual performance, presentation genre and other aspects of the analysis of his photographic works; through the content analysis, from the report content, writing form, writing structure and methods to analyze its writing report. Based on the above analysis, found that Fang Dazeng's works have very high historical document value, social value, filled the gap of historical data in the early stage of the Anti-Japanese War, especially Suiyuan War, and recorded the social style of the 1930s. The unique style of the works, the infectious artistic expression techniques, and the embodiment of humanism and patriotism make them have high artistic value and news value. Although Fang Da used to live in a special age, his professional quality, reporting thinking, social responsibility and his value belief are worthy of inheriting and learning from all journalists. This article carries on the relatively macroscopic and systematic structure from three main dimensions of Fang Da Zeng's war interview, news works and value meaning, which makes the research of the other party's Dazeng and his works have a clear thread and overall grasp.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：G219.29;J419.1

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