本文選題：陽新布貼 + 女裝設(shè)計��； 參考：《武漢紡織大學》2017年碩士論文

【摘要】：陽新布貼作為中國傳統(tǒng)手工藝為什么越來越受到人們的追捧,這不免會讓人追尋和探索是什么影響著人們的喜好。隨著全球化浪潮,現(xiàn)代生活節(jié)奏的不斷加快,人們開始反思傳統(tǒng)文化,追求安寧、平靜的生活。傳統(tǒng)的手工藝開始欣欣向榮,民族的和傳統(tǒng)的文化漸漸開始流行成為時尚,傳統(tǒng)的陽新布貼作為一門綜合傳統(tǒng)的手工藝術(shù)在女裝裝飾中的應(yīng)用更成為新的流行趨勢。陽新布貼作為中國民間傳統(tǒng)手工藝美術(shù)中一朵嬌艷的瑰寶,它是在剪紙、刺繡、民間繪畫和雕塑等藝術(shù)形式上的另外一種開拓與擴展。本人希望借用這個具有地域性特色的民間布貼藝術(shù)來豐富現(xiàn)代女裝設(shè)計中一些不足與開創(chuàng),以彌補現(xiàn)代化女裝設(shè)計中形式感與各地域民族文化特有的創(chuàng)意不足和功能性欠缺,同時對我們本土的文化與工藝也有著積極的推動作用和弘傳意義。如今經(jīng)濟不斷發(fā)展、科技不斷進步,傳統(tǒng)的布貼工藝也隨之發(fā)展并不斷被提上日程,走上時尚的舞臺,越來越多的人開始關(guān)注布貼,他們?nèi)ネ诰蚝脱芯科渲械膬?nèi)涵。當布貼作為一種裝飾手法與現(xiàn)代服裝設(shè)計相結(jié)合時會呈現(xiàn)出很多的創(chuàng)新形式。本文將對陽新布貼在現(xiàn)代化女裝設(shè)計中創(chuàng)新應(yīng)用形式做出具體分析與研究,挖掘其在圖案紋樣、色彩、制作工藝技巧等方面的精髓,不斷開拓創(chuàng)新,使布貼在時尚的舞臺上有更廣闊的發(fā)展空間,使布貼所蘊藏的精神得到真正的傳承,使其具有了時代新特征。因此,我們要不斷的學習與吸收傳統(tǒng)手工藝的精華為現(xiàn)代設(shè)計所用,使我國的服裝設(shè)計在國際的大舞臺上也可以展現(xiàn)出耀眼的光輝。論文總共分為六個章節(jié):第一章為緒論,首先闡述了本課題的來源和選題背景,通過對其來源和背景的深入探討和研究,通過大量的文獻及書籍對陽新布貼進行分析和總結(jié)�？偨Y(jié)出國內(nèi)陽新布貼研究概述和現(xiàn)狀,可有效的作為支撐選題的依據(jù)。并對古今中外的研究方法進行了一系列的回顧和分析。最后對此研究對象的對象進行了相關(guān)的界定。第二章為布貼的藝術(shù)形式概括,分別概括了國內(nèi)陽新布貼的起源歷史以及圖案紋樣從宗教信仰到人們豐富的對生活充滿美好而寓意,從開始的用衣服剩下的邊角余料到最后各式各樣的面料裝飾,詳細的描述了陽新布貼從起源到發(fā)展的過程概述,以及其他布貼的起源歷史與發(fā)展歷程,比如歐美的拼布,拼布則是發(fā)揮人們豐富的想象力,表現(xiàn)的是人們對生活的理解與感悟以及在工藝材質(zhì)上沒有特別多的局限性。由此章節(jié)可以清晰的知道陽新布貼與其他布貼的起源到發(fā)展以及不同之處。第三章為布貼元素在現(xiàn)代女裝中的應(yīng)用,首先通過分析現(xiàn)代女裝設(shè)計的特點及需求然后進行分析國內(nèi)外女裝中有哪些品牌使用過布貼的元素,最后進行總結(jié),雖然國內(nèi)外之前使用布貼元素的女裝品牌不是很多,但是隨著時代的變化、女性的心里變化發(fā)現(xiàn)個性時尚具有民族特色與文化底蘊的傳統(tǒng)手工藝必將是一個流行的發(fā)展趨勢,所以我們要更加深入的去研究傳統(tǒng)手工藝的創(chuàng)意與傳承。第四章為陽新布貼在現(xiàn)代女裝中創(chuàng)新意的表現(xiàn),分別通過分析圖案紋樣的創(chuàng)新運用形式、色彩創(chuàng)新的運用形式和制作工藝及材料的創(chuàng)新應(yīng)用形式來總結(jié)陽新布貼在現(xiàn)代女裝設(shè)計中的運用和表現(xiàn)形式以及創(chuàng)新點,為下一章節(jié)陽新布貼在現(xiàn)代女裝中創(chuàng)新運用實踐起到很好的實踐準備。第五章為陽新布貼在現(xiàn)代女裝設(shè)計中創(chuàng)新表現(xiàn)實踐,通過第四章節(jié)的分析與總結(jié)我總共做了三組創(chuàng)新實踐:第一組系列設(shè)計是在陽新布貼的圖案基礎(chǔ)上進行創(chuàng)新。將純度、明度較高的緞面面料裁剪成三角形、菱形,的幾何形狀相互拼接在一起,而制作形式保留布貼傳統(tǒng)的手工藝。第二組系列設(shè)計則是著重于改變陽新布貼本來原有濃烈的色彩如黑色、深藍色、紅、黃、藍、綠等飽和色,而去使用一些比較柔和結(jié)合流行趨勢的色彩,使陽新布貼更貼合現(xiàn)代人的審美與個性。第三組系列設(shè)計則是著重于材料及工藝制作的改變,拋開陽新布貼原有的一切一針一線式的制作過程可以貼合面料的二次改造,結(jié)合縫、繡、印花、以及更豐富流行的輔料與更現(xiàn)代化的機器設(shè)備進行設(shè)計與制作,通過這三組系列的創(chuàng)新設(shè)計可以為接下來自己的畢業(yè)設(shè)計打下良好的基礎(chǔ)。最后將整體的論文進行了提煉與總結(jié)。此次分析研究工作也是一次十分好的總結(jié)與推廣,讓更多的人認識到中國民俗的一些民族特色,運用并設(shè)計好傳統(tǒng)的文化與工藝,并對這種民族的進文化行規(guī)模上的開拓與創(chuàng)新。使我們在認識和研究中國傳統(tǒng)手工藝的過程中,對歷史文化的轉(zhuǎn)變進行更詳細,更準確的了解,同時更好的時中國傳統(tǒng)文化更源遠流長的延續(xù)傳承下去。
[Abstract]:As the traditional Chinese handicraft, Yangxin's traditional handicraft is becoming more and more popular, it can not help people to pursue and explore what affects people's preferences. With the tide of globalization, the pace of modern life is accelerating, people begin to reflect on the traditional culture, pursue peace and calm life. National and traditional culture has gradually become fashionable, the traditional Yangxin cloth paste as a comprehensive traditional handicraft in the application of women's clothing decoration has become a new trend. Yangxin cloth paste as a Chinese folk traditional handicraft art in a beautiful treasure, it is in paper cutting, embroidery, folk painting and sculpture, and other arts Another kind of development and expansion in the form of art. I hope to use this folk art to enrich the design of modern women's dress in order to make up for the lack of creativity and lack of function in the design of modern women's dress and the national culture of each region, and to our native culture. And technology also has a positive role in promoting and spreading the meaning. Nowadays, the economy is developing and science and technology is progressing, and the traditional technology has also been progressing. It has also been put on the agenda and on the fashion stage. More and more people begin to pay attention to the cloth paste. They go to excavate and study the connotation. With the combination of clothing design, there will be a lot of innovative forms. This article will make a concrete analysis and Research on the innovative application form of Yangxin cloth in the design of modern women's wear, excavate the essence of its pattern pattern, color, technology and technique, and continue to develop and innovate, so that the cloth has a wider development on the fashion stage. Space, so that the spirit of the cloth attached to the true heritage, make it have the new characteristics of the times. Therefore, we should continue to learn and absorb the essence of traditional handicrafts for modern design, so that the design of Chinese clothing in the international stage can also show dazzling brilliance. The thesis is divided into six chapters: the first chapter is The introduction first expounds the source and background of this topic, through a thorough discussion and study of its source and background, and through a large number of documents and books to analyze and summarize the Yangxin cloth stickers. Summarize the overview and present situation of the research on Yangxin cloth paste in the country, which can be used as the basis for the selection of the support and the research methods of the ancient and modern times and in the world. A series of review and analysis are carried out. Finally, the object of this research object is defined. The second chapter summarizes the art form of the cloth paste, summarizes the origin history of the domestic Yangxin cloth paste, and the pattern patterns from religious belief to the rich and beautiful meaning of life full of beauty, from the left side of the clothes with the beginning. At the end of a variety of fabric decoration, detailed description of the Yangxin cloth paste from the origin to the development of the process overview, as well as the origin of the other cloth history and development history, such as the European and American Mosaic, the spread of people's rich imagination, the expression of people's understanding and understanding of life, as well as in the process of material is not. The chapter can clearly know the origin, development and difference of the Yangxin cloth paste and other cloth paste. The third chapter is the application of the cloth sticking element in the modern women's wear. First, through the analysis of the characteristics and needs of modern women's clothing design, the paper analyzes which brands used in the women's clothes at home and abroad to use the cloth. In the end, we conclude that although there are not many women's clothing brands which have used cloth elements before and abroad, with the change of the times, the changes in women's hearts find that the traditional handicrafts with national characteristics and cultural details are bound to be a popular trend, so we should study the traditional handicraft more deeply. The fourth chapter is the performance of Yangxin cloth in modern women's clothes. Through the analysis of the innovative use of pattern patterns, the use of color innovation and the production process and the innovative application of materials, the paper summarizes the application and expression of Yangxin cloth in the design of modern women's wear and the innovation point, which is the next one. Chapter Yangxin cloth in the modern women's clothing in the creative practice of practice has played a good practice preparation. The fifth chapter for the Yangxin cloth paste in the modern women's design innovation performance practice, through the analysis and summary of the fourth chapters I have done a total of three groups of innovative practices: the first series of design is based on the Yangxin cloth pattern based on innovation. The high lightness of the satin fabric is cut into triangle, the diamond shape is spliced together, and the production form keeps the traditional handicraft. The second series of series design focuses on changing the original strong color of Yangxin cloth, such as black, dark blue, red, yellow, blue, green and so on, and use some softer knots. The color of popular trend makes the Yangxin cloth paste more suitable to the aesthetic and personality of modern people. The third series of series design focuses on the change of material and process production. The process of throwing Kai Yang new cloth to paste all the original stitches can fit the two transformation of the fabric, combined with seams, embroidery, printing, and more popular accessories and more. The modern machine and equipment are designed and made. Through these three series of innovative designs, we can lay a good foundation for the next graduation design. Finally, the whole paper is refined and summed up. The analysis and research work is also a very good summary and push to make more people realize the Chinese folk custom. Some national characteristics, the use and design of the traditional culture and technology, and the development and innovation of the culture of this nation. In the process of understanding and studying traditional Chinese handicraft, we have more detailed and more accurate understanding of the transformation of history and culture. Continue to pass on.
【學位授予單位】：武漢紡織大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：TS941.717

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