傳統(tǒng)中式柜體在整體家居設(shè)計中的運用
本文關(guān)鍵詞:傳統(tǒng)中式柜體在整體家居設(shè)計中的運用 出處:《安徽工程大學》2017年碩士論文 論文類型:學位論文
更多相關(guān)文章: 傳統(tǒng) 中式柜體 創(chuàng)新性 造型設(shè)計 整體家居
【摘要】:隨著現(xiàn)代文化的發(fā)展和交流,在家居設(shè)計中對外國文化及元素借鑒應(yīng)用的比例過大,以至于自身的民族藝術(shù)漸漸被忽略,流失傳統(tǒng)文化的精神內(nèi)涵和藝術(shù)魅力。柜體在現(xiàn)在家居的生活環(huán)境里無處不見,作為實用性最強的家具,功能性和藝術(shù)性的結(jié)合是十分重要的。本文將探究傳統(tǒng)中式柜體在整體家居設(shè)計中的運用,分別對傳統(tǒng)中式柜體的式樣、造型特點、雕刻紋樣及寓意進行研究,以輔助傳統(tǒng)中式柜體的創(chuàng)新性設(shè)計,為的就是將失去的民族特色尋找回來。柜體設(shè)計作為家居中的一個重要部分,應(yīng)該重現(xiàn)傳統(tǒng)設(shè)計的獨立性和獨特性,具備本民族應(yīng)該有的特質(zhì)。本人將通過資料的收集、商場調(diào)研、外出考察和實踐來把傳統(tǒng)柜體的造型元素、構(gòu)建元素與文化結(jié)合起來,設(shè)計出一套以櫥柜、鞋柜、衣柜、酒柜、洗漱柜這五種功能性為代表的室內(nèi)配套中式柜體。通過對傳統(tǒng)柜體式樣的匯總,了解到柜體的多樣化是從明代開始的。由于古代受到儒學和道教的思想,所以當時柜體的設(shè)計是莊重、內(nèi)斂、沉穩(wěn)的。裝飾性較少,柜體簡潔、大氣。因此,在創(chuàng)新設(shè)計中,主要是以明代柜體進行延伸演變,與現(xiàn)代化工藝、電器相結(jié)合。從傳統(tǒng)柜體造型特點上,對各類柜體進行分析并從中提煉元素,將其進行延伸并運用到柜體的造型設(shè)計當中。通過在東陽紅木家具廠的考察,對雕刻紋樣進行篩選,最終選擇本民族最具有象征性的龍紋作為柜體設(shè)計中的裝飾紋樣,收集龍紋后繪制圖樣、篩選。本文研究成果是將中式的經(jīng)典文化、傳統(tǒng)藝術(shù)、構(gòu)成部分同時運用到柜體的創(chuàng)新設(shè)計中。并且將五類柜體的色彩、設(shè)計元素相互統(tǒng)一的運用到整體家居中,以此表達對傳統(tǒng)文化、傳統(tǒng)藝術(shù)及其元素的重視和發(fā)掘。在整體家居生活中,讓柜體能夠使空間環(huán)境富有藝術(shù)氣息和文化內(nèi)涵。
[Abstract]:With the development and exchange of modern culture, the proportion of foreign culture and elements used for reference in household design is too large, so that their own national art is gradually ignored. Loss of the spiritual connotation of traditional culture and artistic charm. Cabinet in the living environment of home everywhere, as the most practical furniture. The combination of function and art is very important. This paper will explore the application of traditional Chinese cabinet in the overall household design, respectively to the traditional Chinese cabinet style, modeling characteristics, carving patterns and implications of research. To assist the innovative design of the traditional Chinese cabinet, is to find the lost national characteristics. Cabinet design as an important part of the home, should reproduce the independence and uniqueness of the traditional design. With the characteristics of this nation. I will through the collection of information, market research, inspection and practice to the traditional cabinet modeling elements, building elements and cultural integration, design a cabinet. Shoe cabinet, wardrobe, wine cabinet, gargle cabinet, these five functions for the representative of the indoor supporting Chinese cabinet. Through the collection of traditional cabinet style. Understand that the variety of cabinets began in the Ming Dynasty. Because of the Confucianism and Taoism in ancient times, the design of cabinets at that time was solemn, restrained and steady. In the innovative design, the main is to extend the evolution of the Ming Dynasty cabinet, and modern technology, electrical appliances. From the traditional cabinet modeling characteristics, the analysis of all kinds of cabinet body and extract elements. Through the investigation in Dongyang mahogany furniture factory, the engraving pattern is screened. The final selection of the nation's most symbolic dragon pattern as decorative patterns in the cabinet design, collection of dragon patterns after drawing patterns, screening. The results of this study is the classical Chinese culture, traditional art. The components are applied to the innovative design of the cabinet body at the same time. And the color and design elements of the five types of cabinet body are applied to the whole household in order to express the traditional culture. Traditional art and its elements are emphasized and excavated. In the whole household life, the cabinet can make the space environment full of artistic flavor and cultural connotation.
【學位授予單位】:安徽工程大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:TS664.01
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