【摘要】： “十王信仰”源于中國古代鬼魂意識(shí)、對祖先的崇拜和敬仰,經(jīng)歷了漫長的歷史沉淀,不斷的吸收、融合外來文化,最終形成的一種民間信仰。它具有獨(dú)特的民間信仰特質(zhì),擁有廣大信眾。最早形成系統(tǒng)的“十王”出自唐代藏川《十王經(jīng)》,完善于宋代淡癡《玉歷至寶鈔》,擴(kuò)充于清代陳仲遠(yuǎn)《廣成儀制》�！妒踅�(jīng)》雖是首先提出十王系統(tǒng)的經(jīng)典文獻(xiàn),但經(jīng)考證,其內(nèi)容上很大程度受道教經(jīng)典文獻(xiàn)影響。有關(guān)清代時(shí)期十王信仰的研究較少,但對于現(xiàn)今流傳的大量民俗都可以在相關(guān)圖畫中找到依據(jù),因此對于該時(shí)期遺存的水陸畫的研究也就具有相當(dāng)意義。以現(xiàn)遺存的大量四川清代水陸畫為例,其展現(xiàn)出的佛道性以及道教十王信仰內(nèi)容,都能印證十王信仰在借鑒佛教思想的同時(shí),以中國本土鬼神文化這一深遠(yuǎn)的底蘊(yùn)為依托,形成一個(gè)內(nèi)容豐富、傳播多樣化,具有強(qiáng)大救贖功能的冥界系統(tǒng)。可以說十王信仰的起源發(fā)展離不開各時(shí)代背景下的現(xiàn)實(shí)社會(huì),其統(tǒng)治階級的思想、文人墨客的思想、佛道教信眾的思想,都貫穿至這一逐步形成的民間信仰之中。在圖像中展示出的豐富內(nèi)容,對推進(jìn)中國傳統(tǒng)孝道文化以及流行于現(xiàn)世的民俗傳播有積極作用。
[Abstract]:The belief of the Ten kings originated from the ghost consciousness in ancient China, worshipped and admired the ancestors, experienced a long historical precipitation, constantly absorbed, integrated with foreign culture, and finally formed a kind of folk belief. It has a unique folk belief characteristics, with a large number of followers. The earliest systematic "Ten kings" came from the "Ten King Sutra" of Tibetan Sichuan in Tang Dynasty, perfected in the Song Dynasty, and expanded in Chen Zhongyuan's "Guangcheng instrument system" in Qing Dynasty. Although the Ten Wang Sutra was the first classical literature of the ten kings system, However, it has been proved that its content is greatly influenced by Taoist classical literature. There are few studies on the belief of the ten kings in the Qing Dynasty, but a large number of folk customs spread today can be found in the relevant pictures, so the study of the remaining land and water paintings in this period is of great significance. Taking a large number of Sichuan Qing Dynasty land and water paintings as an example, the Buddhist Taoist nature and the content of Taoist belief of the ten kings can confirm that the belief of the ten kings can not only draw lessons from Buddhist thought, but also rely on the profound connotation of Chinese local ghost and god culture. Form a rich content, spread diversity, with a strong redemption function of the underworld system. It can be said that the origin and development of the belief of the ten kings can not be separated from the real society under the background of various times. The thought of the ruling class, the thought of the literati and the followers of Buddhism and Taoism run through this gradually formed folk belief. The rich content shown in the image plays a positive role in promoting Chinese traditional filial piety culture and the spread of folklore popular in the world.
【學(xué)位授予單位】：四川省社會(huì)科學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：B958

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