波斯“摩尼畫死狗”故事的文圖源流探析
發(fā)布時間：2018-12-21 12:53
【摘要】：傳說摩尼教的創(chuàng)始人摩尼從中國學習了高超的繪畫藝術,他在水池(或水晶蓋)上畫死狗的故事膾炙人口。波斯詩人尼扎米《五部詩》中的《亞歷山大故事·光榮篇》中詠贊了此故事�！段宀吭姟分羞�贊嘆了羅馬畫家和中國畫家比拼技藝的故事。在《五部詩》的插圖本中,也有對此兩個故事的描繪。在波斯作家賈米的《瑪斯納維》、阿米爾·霍斯陸的《五部詩·亞歷山大寶鑒》等著作中,同樣有關于二畫師競技故事的敘述。摩尼畫死狗故事的源頭應與印度佛教文獻有關,漢譯佛教律典《根本說一切有部毗奈耶藥事》卷十六中的一個畫師畫死狗的故事可視為其源頭之一。佛經(jīng)中記載的二畫師相爭的故事,對波斯文學也有一定的影響。波斯語作品對畫師故事的變形書寫,反映了不同宗教之間的競合以及三種不同文化(波斯、中國和印度)之間的相遇和互動。
[Abstract]:It is said that Manichaeism founder of Manichaeism learned excellent painting art from China, and his paintings of dead dogs on pools (or crystal covers) are very popular. The Persian poet Nizami "five Poems" the Glorious Story of Alexander "chanted the story. The" five Poems "also extolled the story of the competing skills of Roman and Chinese painters. These two stories are also depicted in the illustrations of the five Poems. In the Persian writer Jami's Masnavi and Amir Hoslu's five Poems Alexandria, there is also a narrative of the second artist's athletic story. The source of the story of Mani's painting dead dog should be related to the Indian Buddhist literature. The story of painting dead dog by a painter in Volume 16 of the Chinese translation of the Buddhist Code of Buddhism saying that there is a medicine in Penaya can be regarded as one of its sources. The story of the struggle between the two painters recorded in the Buddhist scriptures also had an impact on Persian literature. Farsi works' metamorphosis of painters' stories reflects the competition between different religions and the encounter and interaction between three different cultures (Persia, China and India).
【作者單位】： 北京大學東方文學研究中心;
【基金】：2016年度國家社會科學基金重大項目《古代東方文學插圖本史料集成及其研究》(批準號16ZDA199)的成果之一
【分類號】：B989.1
[Abstract]:It is said that Manichaeism founder of Manichaeism learned excellent painting art from China, and his paintings of dead dogs on pools (or crystal covers) are very popular. The Persian poet Nizami "five Poems" the Glorious Story of Alexander "chanted the story. The" five Poems "also extolled the story of the competing skills of Roman and Chinese painters. These two stories are also depicted in the illustrations of the five Poems. In the Persian writer Jami's Masnavi and Amir Hoslu's five Poems Alexandria, there is also a narrative of the second artist's athletic story. The source of the story of Mani's painting dead dog should be related to the Indian Buddhist literature. The story of painting dead dog by a painter in Volume 16 of the Chinese translation of the Buddhist Code of Buddhism saying that there is a medicine in Penaya can be regarded as one of its sources. The story of the struggle between the two painters recorded in the Buddhist scriptures also had an impact on Persian literature. Farsi works' metamorphosis of painters' stories reflects the competition between different religions and the encounter and interaction between three different cultures (Persia, China and India).
【作者單位】： 北京大學東方文學研究中心;
【基金】：2016年度國家社會科學基金重大項目《古代東方文學插圖本史料集成及其研究》(批準號16ZDA199)的成果之一
【分類號】：B989.1
【相似文獻】
相關期刊論文 前10條
1 李方;;摩尼和摩尼教[J];書城;2003年01期
2 芮傳明;;佛耶,魔耶?——略說摩尼教在中國古代社會中的兩種角色[J];尋根;2006年01期
3 桂林;董華鋒;;柏林吐魯番文獻中的《摩尼教徒懺悔詞》殘片譯釋[J];敦煌學輯刊;2007年02期
4 榮新江;森安孝夫著《回鶻摩尼教史之研究》評介[J];西域研究;1994年01期
5 宗德曼,楊富學;吐魯番文獻所見摩尼的印度之旅[J];敦煌學輯刊;1996年02期
6 林悟殊;;明教:扎根中國的摩尼教[J];尋根;2006年01期
7 傳超;;式叉摩尼法的修行意義[J];佛學研究;2012年00期
8 馬小鶴;;摩尼“想威感波斯”——福建霞浦民間宗教文書閱讀筆記[J];西域研究;2013年01期
9 陸蕓;福建摩尼教初探[J];龍巖師專學報;2004年05期
10 王媛媛;中國東南摩尼教研究評述[J];中國史研究動態(tài);2005年07期
相關會議論文 前3條
1 芮P趁，
本文編號：2388935
本文鏈接：http://sikaile.net/shekelunwen/zjlw/2388935.html
