本文選題：評(píng)張 + 澤洪��； 參考：《文藝研究》2013年05期

【摘要】：正《道教唱道情與中國(guó)民間文化研究》(張澤洪著,人民出版社2011年版。以下簡(jiǎn)稱《唱道情》,引文凡出自該著者均只標(biāo)注頁碼)一書的出版引起了相當(dāng)大的反響,四川師范大學(xué)文學(xué)院王小盾教授等稱其為"一部‘亦雅亦俗’的學(xué)術(shù)精品"①;華東師范大學(xué)宗教文化研究中心劉仲宇教授稱其為"中國(guó)道教、民間文化交叉研究領(lǐng)域的一部力作"②。筆者通讀該書,發(fā)現(xiàn)諸多學(xué)術(shù)疑問和嚴(yán)重的學(xué)風(fēng)問題,難稱"學(xué)術(shù)精品"和"力作",故撰寫此文。
[Abstract]:The study of Taoist Daoism and Chinese Folk Culture (by Zhang Ze-hong, people's Publishing House, 2011). Hereinafter referred to as "singing", citations from the author only note the page number) the publication of a book caused a considerable response, Sichuan normal University School of Arts Professor Wang Xiaodun called it "also elegant and vulgar academic boutique" 1; Professor Liu Zhongyu, Center for religious and Cultural Studies at East China normal University, calls it a masterpiece in the intersecting field of Chinese Taoism and folk culture. The author read the book and found many academic questions and serious problems in the style of study, which could not be called "academic excellence" and "masterpiece", so he wrote this article.
【作者單位】： 山西師范大學(xué)文學(xué)院;
【分類號(hào)】：B958;G122
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本文編號(hào)：2099242