本文選題：道教 + 善書��； 參考：《四川大學》2003年碩士論文

【摘要】： 道教是中華文化的三大支柱之一，且是中國固有的、源遠流長的傳統(tǒng)宗教，道教及其思想的復雜性和兼收并蓄特點是極為引人注目的，道教美學思想作為中國自己“土生土長”的民族宗教美學思想，具有鮮明的民族特色，其中引人注目的一點是道教美學思想的民族“倫理”化色彩，道教美學思想將“善—美”觀點作為自己的美學—倫理判斷的核心標準，并將其建立在“忠”“孝”“仁”“愛”等等傳統(tǒng)的“禮教”化了的美學—倫理觀點之上，道教的這種“善—美”觀明顯地保持了中國傳統(tǒng)文化特色，“忠”“孝”被自始自終強調(diào)并作為道教倫理美學的核心范疇，這在世界主要宗教美學中是別具一格的，集中體現(xiàn)了道教美學的民族特色。 道教勸善書是通俗的道教倫理教化書，，它是在道教世俗化的必然產(chǎn)物，也是在宋元之際儒釋道“三教合一”的大時代背景下道教進行自身改革所推出的道教經(jīng)典。道教勸善書的宗教倫理美學是建立在中華傳統(tǒng)的“天人感應”說基礎之上，依靠道教具有宗教神學色彩的“司命信仰”方式，強調(diào)“善美—惡丑”報應的因果觀念，通過宗教“承負”等方式來付諸實踐的。在廣為流傳的“善書三圣經(jīng)”中，道教勸善書還歸納于大量具體的、客觀化的“善—美”倫理道德規(guī)范，將人與人之間、人與社會之間、人與自然之間應該遵循的基本倫理道德規(guī)范作了一個概括和總結(jié)。 本文分三個部分對道教善書的倫理美學思想進行了梳理和歸納；第一部分簡略概說了道教善書的產(chǎn)生、定義、分類、主要思想及美學特征；第二部分集中闡明了道教善書“善—美”的倫理美精神及其實現(xiàn)方式和主要倫理美規(guī)范；第三部分探討了道教善書倫理美學對當代社會的若干啟示。
[Abstract]:Taoism is one of the three pillars of Chinese culture, and it is an inherent and long-standing traditional religion in China. The complexity and eclectic characteristics of Taoism and its thoughts are extremely noticeable. As China's own "native" national and religious aesthetic thought, Taoist aesthetic thought has distinct national characteristics, one of which is the national "ethical" color of Taoist aesthetic thought. Taoist aesthetic thought regards the viewpoint of "goodness and beauty" as the core standard of its aesthetic-ethical judgment, and it is based on the traditional aesthetic-ethical viewpoint of "loyalty", "filial piety", "benevolence", "love" and so on. This view of "goodness and beauty" of Taoism obviously maintains the Chinese traditional cultural characteristics. "loyalty" and "filial piety" have been emphasized from beginning to end as the core category of Taoist ethical aesthetics, which is unique in the world's major religious aesthetics. It embodies the national characteristics of Taoist aesthetics. The book of Taoist persuasion is a popular book of Taoist ethics education, which is an inevitable product of Taoism secularization and a Taoist classic which was introduced by Taoism under the background of "integration of Confucianism, Buddhism, Taoism and Taoism" during the period of Song and Yuan dynasties. The religious ethical aesthetics of Taoist books of persuasion to the good is based on the traditional Chinese theory of "natural and human induction". It relies on the religious theology of Taoism and emphasizes the concept of causality and causality of retribution of "good beauty-evil ugliness". Put into practice by means of religion "bearing the burden" and so on. In the widely circulated "three Scriptures of good Books", Taoist books of persuasion are also summed up in a large number of concrete and objective ethical and moral norms of "goodness and beauty", which bring people together and between people and society. The basic ethical norms which should be followed between man and nature are summarized and summarized. This paper is divided into three parts to sort out and summarize the ethical aesthetic thoughts of Taoist good books: the first part briefly describes the emergence, definition, classification, main ideas and aesthetic characteristics of Taoist good books; The second part focuses on the ethical beauty spirit of the Taoist good book "good-Beauty" and its realization way and the main ethical beauty norms; the third part discusses the enlightenment of Taoist good book ethics aesthetics to the contemporary society.
【學位授予單位】：四川大學
【學位級別】：碩士
【學位授予年份】：2003
【分類號】：B95

【引證文獻】

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本文編號：2016505