本文選題：薩迦派 + 求吉寺　； 參考：《西藏大學(xué)學(xué)報(社會科學(xué)版)》2017年03期

【摘要】："多吉普爾羌姆"是藏傳佛教薩迦派法舞文化的典型代表,源于后藏薩迦寺,又被稱作"金剛橛法舞"。如今只有在后藏薩迦寺、康區(qū)德格更慶寺和安多若爾蓋求吉寺有傳承。若爾蓋求吉寺的"多吉普爾羌姆"在原薩迦寺羌姆原型的基礎(chǔ)上,融入本土文化內(nèi)容,形成了風(fēng)格獨特的法舞儀式,在安多藏區(qū)有較大的影響。2006年求吉寺"多吉普爾羌姆"被列入了四川省非物質(zhì)文化遺產(chǎn)名錄,隨之該法舞儀式也得到了重視和保護(hù)。文章以若爾蓋求吉寺為中心,將"多吉普爾羌姆"作為研究對象,通過宗教學(xué)和人類學(xué)的視角,重點解析法舞儀式中各類宗教符號蘊含的文化內(nèi)涵及象征意義。
[Abstract]:Dorjpur Qom is a typical representative of the Tibetan Buddhism Sakya-style Dancing Culture. It originated from the Sagya Temple and is also known as the "Jungang Chuan Dancing". Today, only the Sagar Temple, Kang District Deggingqing Temple and Ando Joel Keiki Temple have heritage. On the basis of the original archetype of Zacha Temple Qom, the "Dorjipur Qiang" of the Johor Qiuji Temple, incorporated into the local cultural content, formed a unique style of the French dance ceremony. It has a great influence in Ando Tibetan area. In 2006, Qiuji Temple "Dujipur Qiang" was listed on the list of intangible cultural heritage of Sichuan Province, and the dance ceremony of this law was also paid attention to and protected. This paper focuses on the Joergai Qiji Temple, takes Dorjipur Qiang Mu as the research object, through the perspective of religion and anthropology, analyzes the cultural connotation and symbolic significance of various religious symbols in the ritual of law and dance.
【作者單位】： 西南民族大學(xué)西南民族研究院;
【分類號】：B948
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本文編號：1924201