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沖突與調(diào)和——藏傳佛教人骨法器在內(nèi)地的流傳及其影響

發(fā)布時(shí)間:2018-04-03 20:09

  本文選題:藏傳佛教 切入點(diǎn):人骨法器 出處:《世界宗教研究》2017年05期


【摘要】:人骨法器源自印度,是藏傳佛教最具有神秘色彩的法器種類,因材料的特殊性而備受爭(zhēng)議。文章在厘清人骨法器源流的基礎(chǔ)上,闡明人骨法器在內(nèi)地流傳較為廣泛,因其所處的文化情境有別,沖突與調(diào)和始終存在,對(duì)帝王、文人士大夫及下層民眾產(chǎn)生了不同程度的影響,反映了中華文化既具有排他性,又具有包容性。
[Abstract]:Human bone ware originated from India and is the most mysterious kind of Tibetan Buddhism. It is controversial because of the particularity of material.On the basis of clarifying the origin and course of human bone art, the article expounds that human bone art is widely spread in the interior, because of its different cultural situation, conflict and harmony always exist, and to emperors,Literati, literati and officials and the lower class had different influences, reflecting the exclusiveness and inclusiveness of Chinese culture.
【作者單位】: 首都師范大學(xué)美術(shù)學(xué)院;
【分類號(hào)】:B949
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本文編號(hào):1706725

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