發(fā)布時(shí)間：2018-03-23 20:26

  本文選題：宋無忌　切入點(diǎn)：演化　出處：《中華文化論壇》2017年10期

【摘要】：作為民間傳統(tǒng)中的一位重要火神,宋無忌形象曾廣為流傳。從歷史的視角看,這一形象也經(jīng)歷過漫長而復(fù)雜的演化歷程。宋無忌形象源出于古印度神話,后傳入中土。兩漢之前,文獻(xiàn)記載的宋無忌有兩種形象:"方士"與"月仙"。漢唐之間,宋無忌形象又演化為"火精"、道教的仙將,并進(jìn)而演化成為民間信奉的"火神"。宋元以降,宋無忌形象呈現(xiàn)出多元化的特點(diǎn),"仙將"、"火神"、"月仙"等幾個形象同時(shí)并存。在漫長的演化歷程中,宋無忌形象受到了古印度神話、方術(shù)讖緯、道教與民間信仰等古代文化、知識的熏染,有著深厚的文化積淀和底蘊(yùn),從文化史的角度看,是一個多元文化交融的產(chǎn)物。
[Abstract]:As an important god of fire in the folk tradition, Song Wuji's image was widely spread. From the historical point of view, this image has also experienced a long and complicated evolution process. The Song Wuji image originated from ancient Indian mythology. Before the Han Dynasty, there were two images of Song Wuji recorded in the literature: "Fang Shi" and "Moon Immortals". Between the Han and Tang dynasties, the image of Song Wuji evolved into "fire essence", and Taoist immortals would, And then evolved into the folk belief of "god of fire." in the Song and Yuan dynasties, the image of Song Wuji showed the characteristics of diversity, such as "immortal will", "god of fire", "moon fairy", and so on. The image of Song Wuji was influenced by ancient Indian mythology, Fangzhu prophecy, Taoism and folk belief and other ancient cultures. The influence of knowledge has profound cultural accumulation and inside information. From the perspective of cultural history, it is a product of multi-cultural blending.
【作者單位】： 中國人民大學(xué)文學(xué)院;
【基金】：北京市社科基金重大項(xiàng)目“國學(xué)子部小說研究”(項(xiàng)目編號:15ZDA36)成果
【分類號】：B933;I206
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本文編號：1655055