本文選題：陜北宋金石窟　切入點：金剛界大日如來　出處：《故宮博物院院刊》2013年03期 　論文類型：期刊論文

【摘要】：作者等經(jīng)過歷年調(diào)查,在延安市所屬區(qū)縣的宋金石窟中發(fā)現(xiàn)一批密教大日如來圖像。這些圖像包括多種存在形式,或?qū)儆诮饎偨缏绷_成身會內(nèi)容,或為金剛界與胎藏界大日如來組合,或為金剛界大日如來與《華嚴經(jīng)》毗盧遮那佛混合,反映了唐代密教藝術(shù)的后續(xù)發(fā)展情況。其大日如來組織在當?shù)匾詢敉列叛鰹楹诵牡某淌交瘓D像體系之中,密教成就法身思想與顯教修菩薩行、往生凈土等內(nèi)涵,共同發(fā)揮教化眾生的作用。陜北宋金石窟大日如來圖像構(gòu)成中國密教遺存的重要組成部分,擴充并深化了學界以往的認知范圍和程度。
[Abstract]:The author, after years of investigation, a number of esoteric Tathagata image that belongs to the county in the city of Yanan song stone cave in. These images include many forms, or belong to the mandala and the body content, or for the diamond and the back of beyond boundaries dainichi combination, or for the diamond sector Tathagata "Sutra > Vairocana mixed, reflect the follow-up development of Esoteric Buddhism art in the Tang Dynasty. The stylized image system of the Tathagata in the local organization in pure land faith as the core, Buddhism thought and explicit teaching achievement the Bodhisattva, Pureland in Han, to play the enlightened role. The song on the big cave in Northern Shaanxi the Buddha image constitutes an important part of China Tantra remains, expand and deepen the cognition of the previous academic degree and range.

【作者單位】： 清華大學美術(shù)學院;
【基金】：2010年度國家社會科學基金藝術(shù)學一般項目《兩宋時期佛教圖像研究》(立項批準號10BF050)中的部分內(nèi)容
【分類號】：K879.2

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