本文關(guān)鍵詞：論中國(guó)花卉文化的繁榮狀況、發(fā)展進(jìn)程、歷史背景和民族特色，由筆耕文化傳播整理發(fā)布。

論中國(guó)花卉文化的繁榮狀況、發(fā)展進(jìn)程、歷史背景和民族特色

On Prosperous Situation, Development Process, Historical Background and National Characteristics of Chinese Flower Culture

[1]

CHENG Jie （ Nanjing Normal University, Nanjing 210097, China）

南京師范大學(xué),南京210097

文章摘要：我國(guó)是一個(gè)花卉文化極其繁榮燦爛的國(guó)度，無(wú)論是園藝種植、花事觀賞，還是文學(xué)、藝術(shù)創(chuàng)作都極為豐富繁盛。我國(guó)花卉文化的歷史大致可以分為三個(gè)階段，即先秦的始發(fā)期、秦漢至盛唐的漸盛期和中唐以來(lái)的繁盛期。從審美認(rèn)識(shí)水平著眼，我們將這三個(gè)階段分別稱為“物質(zhì)實(shí)用時(shí)代”、“花色審美時(shí)代”和“文化象征時(shí)代”，三個(gè)階段間呈不斷累積演進(jìn)之勢(shì)。我國(guó)花卉文化的繁榮發(fā)展，，有著我國(guó)自然條件、社會(huì)文化廣泛的歷史基礎(chǔ)。我國(guó)地大物博，植物資源豐富，給花卉園藝的發(fā)展提供了極為優(yōu)越的自然條件。我國(guó)發(fā)達(dá)的農(nóng)耕文明對(duì)花卉園藝生產(chǎn)促進(jìn)良多。我國(guó)傳統(tǒng)士大夫階層構(gòu)成了花卉文化創(chuàng)造的主力，無(wú)論是外延的拓展，還是內(nèi)涵的提升，都主要得力于他們的奉獻(xiàn)，也主要體現(xiàn)他們的生活方式、生活情趣和文化理想。我國(guó)古代“天人合一”、物我一體、崇尚自然的文化觀念對(duì)花卉觀賞的影響從來(lái)都是正面、積極的，歷史上從未出現(xiàn)其他民族那種基于特定教義對(duì)花卉使用的嚴(yán)格限制，西方中世紀(jì)普遍禁止那樣的現(xiàn)象。這些因素共同作用，有力地促進(jìn)了我國(guó)花卉文化的繁榮發(fā)展，同時(shí)也決定了我國(guó)花卉文化的民族風(fēng)格。我國(guó)觀賞花卉以我國(guó)原產(chǎn)的木本和經(jīng)濟(jì)應(yīng)用品種為主，形成了獨(dú)特的名花、名樹(shù)體系。我國(guó)人民比較重視自然生長(zhǎng)、園藝種植的植物生姿，特別欣賞植物的生機(jī)天趣，西方社會(huì)那種花環(huán)、花冠等采結(jié)獻(xiàn)贈(zèng)為禮的方式在我國(guó)并不多見(jiàn)。在花卉象征上，我國(guó)士大夫階層最終形成了“比德”、“寫意”傳統(tǒng)，即通過(guò)花卉形象寄托人的道德品格和高雅情趣，體現(xiàn)了我國(guó)崇尚倫理道德的文化精神，與西方花卉象征多具宗教意義頗有異致。我國(guó)花卉象征中的吉祥寓意，體現(xiàn)著我國(guó)民眾獨(dú)特的幸福觀，有著鮮明的民間、民?

Abstr：China is a country with tremendously splendid culture of flowers, whether in the gardening plantation, appreciation during the blooming seasons, or in literature and other artistic creation. Chinese flower culture can be divided into three stages, which are initial period of Pre-Qin Dynasty; the prosperous period of growth during Qin-Han Period till flourishing Tang Dynasty; and the thriving period since Mid-Tang Dynasty. Judging from the aesthetic level, the period of Pre-Qin Dynasty is a stage oriented toward practical value, while Qin-Han Period till flourishing Tang Dynasty paid close attention to the pattern and color of flowers which a- roused people＇s enthusiasm of appreciation. After Mid-Tang Dynasty, especially since Song Dynasty, there is growing emphasis on the verve and specific characters of flowers, serving as the medium of human morality and interest. From this perspective, the three stages were known as ＂practical value period＂, ＂pattern and color appreciation period＂ and ＂cultural symbol period＂. Chinese culture of flowers prosperously developed, it pos- sesses the historical foundation of natural conditions and extensive social culture. China owns vast territory and abundant resources, including opulent plantation resources, which provide extremely favorable natural conditions for the development of gardening. Chinese developed culture of agriculture and farming greatly pro- mote the horticultural production of flowers. Besides, traditional literati class in the Chinese society constitutes the main force in the creation of flowers culture, which embodied both in the extension and connotation. It was also reflected in their life style, life interest and cultural ideals. Those ideals like attention to ＂

文章關(guān)鍵詞：

Keyword：:Chinese flower culture prosperity development historical background national character-istics

作者信息：會(huì)員可見(jiàn)

  本文關(guān)鍵詞：論中國(guó)花卉文化的繁榮狀況、發(fā)展進(jìn)程、歷史背景和民族特色，由筆耕文化傳播整理發(fā)布。