本文選題：《山海經》　切入點：黃帝　出處：《河南社會科學》2016年01期 　論文類型：期刊論文

【摘要】：《山海經》所載的黃帝是較早階段的黃帝形象的代表,在此書的記載中,黃帝是人而非鬼神,它是諸帝之一而非諸帝之長,更不是諸帝之君。"黃帝"從傳說到進入史載,成為"人文初祖",經歷了一個比較漫長的時段,這個時段中又分幾個各具特點的不同階段�！渡胶＝洝返囊恍┝钊松分F被郭璞稱為"畏獸",漢魏時期應當有稱為《畏獸》的書,其中描繪畏獸的畫,即當時人所言的"《畏獸》畫"�！渡胶＝洝匪d"天毒"和"離朱"之意,亦是應當再作詳察的問題。
[Abstract]:The Yellow Emperor in the Book of Mountains and Seas is the representative of the image of the Yellow Emperor in the early stage. In this book, the Yellow Emperor is a man, not a ghost and a god. It is one of the emperors, not one of the emperors, much less the monarch of the emperors. Became the "first ancestor of humanity", experienced a relatively long period of time, During this period, there were also several different stages with different characteristics. Some formidable beasts of the Shanhai Classic were called "fear of beasts" by Guo Pu. During the Han and Wei dynasties, there should be a book called "fear of beasts", which depicts pictures of fearsome animals. In other words, the painting of "fear of beasts" and the meaning of "celestial poison" and "leaving Zhu" contained in "Shan Hai Jing" are also issues to be examined in detail.
【作者單位】： 北京師范大學歷史學院;
【基金】：國家社科基金重大項目(13&ZD085)
【分類號】：K21

【相似文獻】

相關期刊論文 前3條

1 馬若瓊;;《中國祆教藝術史研究·莫高窟322窟持動物畏獸圖像》讀后感[J];藝術與設計(理論);2014年05期

2 馬昌儀;從戰(zhàn)國圖畫中尋找失落了的山海經古圖[J];民族藝術;2003年04期

3 ;[J];;年期

，

本文編號：1619174