《北洋畫報》之日本形象研究
發(fā)布時間：2019-05-12 15:54
【摘要】：20世紀20年代前后,由于印刷術(shù)和攝影術(shù)的改進,圖像這一視覺傳播通過畫報進入了人們的視野�！侗毖螽媹蟆繁挥鳛楫敃r中國傳媒界的“北方巨擘”,內(nèi)容涉及政治、軍事、藝術(shù)、社會生活等諸方面,以圖文結(jié)合的報道形式,向受眾展示了一個五彩斑斕的民國社會。在其創(chuàng)刊的11年中,不乏對日本的報道。20年代至40年代是中國的多事之秋,內(nèi)憂外患。尤其在日本不斷加緊對華侵略的過程中,《北洋畫報》通過編輯者的挑選重組將這一日本侵略形象展現(xiàn)在受眾面前,對喚起名族意識和覺醒產(chǎn)生了重大影響。 區(qū)別于文字傳播,本文以圖像傳播的視角來闡述和分析《北洋畫報》中所構(gòu)建的日本形象,具體分為中日戰(zhàn)事、日本時事、人文社會、中日交流這四個日本形象。同時,結(jié)合《北洋畫報》創(chuàng)辦人、主編等重要人物的背景、編輯理念來分析日本形象構(gòu)建的原因,以及通過不同視域間日本形象的比較研究,使我們能夠更好地了解民國時期的中日交流和中日關(guān)系。
[Abstract]:Around the 1920s, due to the improvement of printing and photography, the visual dissemination of images entered people's horizons through pictures. the Beiyang Illustrated newspaper was described as the "northern giant" of the Chinese media at that time, involving politics and military affairs. Art, social life and other aspects, in the form of a combination of graphics and text, to show the audience a colorful society of the Republic of China. In the 11 years since its inception, there have been reports of Japan. From the 1920s to the 1940s, it was a troublesome period in China, with internal and external problems. Especially in the process of Japan's incessant aggression against China, Beiyang Illustrated displayed this image of Japanese aggression in front of the audience through the selection and reorganization of editors, which had a great influence on arousing the consciousness and awakening of famous ethnic groups. Different from text communication, this paper expounds and analyzes the Japanese image constructed in Beiyang Pictures from the perspective of image communication, which is divided into four Japanese images: Sino-Japanese war, Japanese current affairs, human society and Sino-Japanese exchange. At the same time, combining the background of the founder and editor-in-chief of Beiyang Illustrated, this paper analyzes the reasons for the construction of the Japanese image, and through the comparative study of the Japanese image from different perspectives. So that we can better understand the Sino-Japanese exchanges and Sino-Japanese relations during the Republic of China.
【學(xué)位授予單位】：浙江工商大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：K25
本文編號：2475501
[Abstract]:Around the 1920s, due to the improvement of printing and photography, the visual dissemination of images entered people's horizons through pictures. the Beiyang Illustrated newspaper was described as the "northern giant" of the Chinese media at that time, involving politics and military affairs. Art, social life and other aspects, in the form of a combination of graphics and text, to show the audience a colorful society of the Republic of China. In the 11 years since its inception, there have been reports of Japan. From the 1920s to the 1940s, it was a troublesome period in China, with internal and external problems. Especially in the process of Japan's incessant aggression against China, Beiyang Illustrated displayed this image of Japanese aggression in front of the audience through the selection and reorganization of editors, which had a great influence on arousing the consciousness and awakening of famous ethnic groups. Different from text communication, this paper expounds and analyzes the Japanese image constructed in Beiyang Pictures from the perspective of image communication, which is divided into four Japanese images: Sino-Japanese war, Japanese current affairs, human society and Sino-Japanese exchange. At the same time, combining the background of the founder and editor-in-chief of Beiyang Illustrated, this paper analyzes the reasons for the construction of the Japanese image, and through the comparative study of the Japanese image from different perspectives. So that we can better understand the Sino-Japanese exchanges and Sino-Japanese relations during the Republic of China.
【學(xué)位授予單位】：浙江工商大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：K25
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，本文編號：2475501
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