清末民初長沙城市公共文化發(fā)展初探(1895-1924)
發(fā)布時(shí)間:2018-08-23 11:49
【摘要】:長沙城市發(fā)展的現(xiàn)代性轉(zhuǎn)變,是一個(gè)緩慢而又激烈的過程。特別在清末民初(1895-1924)這一段歷史時(shí)期內(nèi),城市的整個(gè)面貌發(fā)生了重大改變。在國家和社會(huì)這兩個(gè)層面之間,長沙的城市公共空間和公共文化的發(fā)展,是最終促成城市現(xiàn)代轉(zhuǎn)型的一個(gè)重要因素。 本文主要探討的就是長沙的城市公共文化,也即城市精神文化中具有公共性的部分,在清末民初這一轉(zhuǎn)型時(shí)期如何參與和構(gòu)建了市民文化、街頭文化的重大轉(zhuǎn)向,并試圖分析長沙城市公共文化的發(fā)展對(duì)市民精神的轉(zhuǎn)變和早期市民社會(huì)的孕育產(chǎn)生了怎樣的影響。從傳統(tǒng)到現(xiàn)代,從私人到公共,從等級(jí)到平等,從封閉到開放,長沙城市文化的這種公共性轉(zhuǎn)變的過程和動(dòng)因,是這篇論文所關(guān)注的重點(diǎn)。 本文主要用到的理論和方法,主要參考自國內(nèi)外關(guān)于文化公共性的相關(guān)研究。如漢娜·阿倫特以及哈貝馬斯的關(guān)于公共空間、公共領(lǐng)域的研究,是本文立論的理論基礎(chǔ)之一;另外王笛、小浜正子等人對(duì)成都及上海等城市的相關(guān)研究,也對(duì)本文的研究思路產(chǎn)生了指導(dǎo)和借鑒的作用。
[Abstract]:The transformation of the modernity of Changsha's urban development is a slow and intense process. Especially in the late Qing Dynasty and the early Republic of China (1895-1924), great changes have taken place in the whole appearance of the city. Between the two levels of the state and society, the development of public space and public culture in Changsha is the ultimate impetus to the transformation of the modern city. An important factor.
This paper mainly discusses the urban public culture of Changsha, that is, the part of the urban spiritual culture with publicity, how to participate in and construct the civic culture and the great turn of street culture in the transition period of the late Qing Dynasty and the early Republic of China, and tries to analyze the transformation of the civic spirit and the early civic society caused by the development of Changsha's urban public culture. From tradition to modern, from private to public, from hierarchy to equality, from closure to openness, the process and motivation of Changsha's urban culture's public transformation are the focus of this paper.
The theories and methods used in this paper mainly refer to the relevant research on cultural publicity at home and abroad. For example, the research on public space and public sphere by Hannah Arendt and Habermas is one of the theoretical bases of this thesis. In addition, the research on Chengdu and Shanghai by Wang Di, Ohama Zhengzi and others is also true. The research idea of this paper has a guiding and reference role.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:K25;F299.29;G127
本文編號(hào):2198998
[Abstract]:The transformation of the modernity of Changsha's urban development is a slow and intense process. Especially in the late Qing Dynasty and the early Republic of China (1895-1924), great changes have taken place in the whole appearance of the city. Between the two levels of the state and society, the development of public space and public culture in Changsha is the ultimate impetus to the transformation of the modern city. An important factor.
This paper mainly discusses the urban public culture of Changsha, that is, the part of the urban spiritual culture with publicity, how to participate in and construct the civic culture and the great turn of street culture in the transition period of the late Qing Dynasty and the early Republic of China, and tries to analyze the transformation of the civic spirit and the early civic society caused by the development of Changsha's urban public culture. From tradition to modern, from private to public, from hierarchy to equality, from closure to openness, the process and motivation of Changsha's urban culture's public transformation are the focus of this paper.
The theories and methods used in this paper mainly refer to the relevant research on cultural publicity at home and abroad. For example, the research on public space and public sphere by Hannah Arendt and Habermas is one of the theoretical bases of this thesis. In addition, the research on Chengdu and Shanghai by Wang Di, Ohama Zhengzi and others is also true. The research idea of this paper has a guiding and reference role.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:K25;F299.29;G127
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