晚清（1840-1911）文人鑒藏活動(dòng)研究
發(fā)布時(shí)間：2018-08-08 12:01
【摘要】：清代，隨著考據(jù)學(xué)的繁榮發(fā)展與金石學(xué)的復(fù)興，文人士子借證經(jīng)補(bǔ)史、考釋著錄而大肆搜集古物、器玩的現(xiàn)象較為普遍，這一時(shí)期各類鑒藏活動(dòng)日益頻繁，乾嘉之際達(dá)到鼎盛階段。嘉道以后因國(guó)勢(shì)漸衰，官府收藏古物的力度較之此前相對(duì)削弱，，相比之下的私家收藏卻漸趨興盛。文人作為晚清私家收藏的主體，在古物鑒藏活動(dòng)中愈來愈發(fā)揮著主導(dǎo)作用，并直接影響到社會(huì)其他階層，進(jìn)而形成了崇古、玩古、鑒古、藏古的社會(huì)風(fēng)尚。道咸已降，在內(nèi)憂外患不斷加劇、時(shí)局動(dòng)蕩的前提下，文人的境遇、習(xí)尚、心態(tài)等較之歷史上任何一個(gè)新舊交替時(shí)期都更為復(fù)雜，其所從事的古物鑒藏也有別于其他歷史階段。因此，本文以晚清（1840-1911）文人的鑒藏活動(dòng)為切入，主要圍繞雅集和游藝加以論述。旨在理清這一時(shí)期文人鑒藏活動(dòng)發(fā)展、演變的基本脈絡(luò)，闡明其鑒藏活動(dòng)的主要方式，探尋其鑒藏活動(dòng)的基本特征，并揭示此間崇古、玩古、鑒古之鑒藏風(fēng)尚形成的內(nèi)在原因，以及文人的審美趣味和精神追求，試圖還原一個(gè)以文人為主體而構(gòu)筑的“亂世”鑒藏生態(tài)。 本文共分為三個(gè)部分： 第一部分，從晚清文人所開展的文會(huì)、結(jié)社兩種雅集活動(dòng)中來看此間文人的鑒藏活動(dòng)。 第二部分，圍繞晚清文人的游藝活動(dòng)，從市肆游藝和交游兩個(gè)層面來看考量文人的鑒藏活動(dòng)。 第三部分，探析晚清文人鑒藏活動(dòng)對(duì)當(dāng)時(shí)的藝術(shù)創(chuàng)作、學(xué)術(shù)研究、藝術(shù)品市場(chǎng)以及文化生活等多方面所產(chǎn)生的影響。 本文在一定程度上彌補(bǔ)了晚清藝術(shù)品鑒藏、藝術(shù)市場(chǎng)發(fā)展史等研究的不足，以期從藝術(shù)品鑒藏這一角度，重新審視晚清藝術(shù)史，并對(duì)推動(dòng)藝術(shù)史及相關(guān)領(lǐng)域研究進(jìn)一步走向深入有所助益。
[Abstract]:In the Qing Dynasty, with the flourishing development of textual research and the revival of petrology, literati scholars collected antiquities by means of evidences and records, and collected antiquities. The phenomenon of playing with instruments was relatively common. During this period, various kinds of collecting activities became more and more frequent. The Qianjia period reached its peak. Due to the decline of state power, the strength of the government collection of antiquities was relatively weakened, but the private collection gradually flourished. As the main body of the private collection in the late Qing Dynasty, the literati played a more and more leading role in the collection of antiquities, and directly affected other social strata, and then formed the social custom of worshiping, playing, discriminating and hiding. Under the premise of increasing internal and external troubles and turbulence, the situation of literati, Xi Shang, mentality and so on are more complicated than any new and old period in history, and their collection of ancient treasures is different from other historical stages. Therefore, this paper focuses on the collection activities of literati in the late Qing Dynasty (1840-1911). The purpose of this period is to clarify the basic context of the development and evolution of the activities of the literati in this period, to elucidate the main ways of the activities, to explore the basic characteristics of the activities, and to reveal the internal causes of the custom of worshiping the ancient, playing with the ancient and the customs of discriminating the ancient. As well as the aesthetic taste and spiritual pursuit of literati, trying to restore a "troubled times" collection ecology constructed by literati as the main body. This article is divided into three parts: the first part, from the late Qing literati's literary meeting, association two kinds of elegant collection activities to see the literati's collection activities here. The second part focuses on the recreation activities of literati in the late Qing Dynasty. The third part analyzes the influence of the late Qing Dynasty literati collection activities on the artistic creation, academic research, art market and cultural life. To a certain extent, this paper makes up for the deficiency of the research on the collection of artistic traits and the history of the development of art market in the late Qing Dynasty, in order to re-examine the art history of the late Qing Dynasty from the perspective of the collection of artistic traits. It is helpful to promote the art history and related field research.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：G894;K252
本文編號(hào)：2171728
[Abstract]:In the Qing Dynasty, with the flourishing development of textual research and the revival of petrology, literati scholars collected antiquities by means of evidences and records, and collected antiquities. The phenomenon of playing with instruments was relatively common. During this period, various kinds of collecting activities became more and more frequent. The Qianjia period reached its peak. Due to the decline of state power, the strength of the government collection of antiquities was relatively weakened, but the private collection gradually flourished. As the main body of the private collection in the late Qing Dynasty, the literati played a more and more leading role in the collection of antiquities, and directly affected other social strata, and then formed the social custom of worshiping, playing, discriminating and hiding. Under the premise of increasing internal and external troubles and turbulence, the situation of literati, Xi Shang, mentality and so on are more complicated than any new and old period in history, and their collection of ancient treasures is different from other historical stages. Therefore, this paper focuses on the collection activities of literati in the late Qing Dynasty (1840-1911). The purpose of this period is to clarify the basic context of the development and evolution of the activities of the literati in this period, to elucidate the main ways of the activities, to explore the basic characteristics of the activities, and to reveal the internal causes of the custom of worshiping the ancient, playing with the ancient and the customs of discriminating the ancient. As well as the aesthetic taste and spiritual pursuit of literati, trying to restore a "troubled times" collection ecology constructed by literati as the main body. This article is divided into three parts: the first part, from the late Qing literati's literary meeting, association two kinds of elegant collection activities to see the literati's collection activities here. The second part focuses on the recreation activities of literati in the late Qing Dynasty. The third part analyzes the influence of the late Qing Dynasty literati collection activities on the artistic creation, academic research, art market and cultural life. To a certain extent, this paper makes up for the deficiency of the research on the collection of artistic traits and the history of the development of art market in the late Qing Dynasty, in order to re-examine the art history of the late Qing Dynasty from the perspective of the collection of artistic traits. It is helpful to promote the art history and related field research.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：G894;K252
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