本文選題：夏衍 + 九六�。� 參考：《讀書》2014年10期

【摘要】：正隨著毛澤東關(guān)于文藝問題的兩個批示先后下達,一九六三、一九六四年文藝界刮起凌厲的整風(fēng)運動,原本是領(lǐng)導(dǎo)機構(gòu)的文化部黨組被中央高層點名痛責(zé),狼狽不堪,很快就成了群起攻擊的靶子,至一九六五年初春,調(diào)整文化部領(lǐng)導(dǎo)班子,原黨組全班端掉。時任黨組副書記、主管電影的副部長夏衍一貫被視為右傾,自然成為此次運動的核心。一文化部機關(guān)向來是歷次政治運動的重災(zāi)區(qū),每一場慘烈的斗爭之后,總有若干部長被斗得灰溜溜地下臺。日積月累,文化部一逢運動總有自生的內(nèi)部規(guī)律可循,大家多年形成的斗爭經(jīng)驗總會得心
[Abstract]:With the issuance of the Mao Zedong's two instructions on literary and art issues one after another, in 1963 and 1964, the literary and art circles staged a fierce rectification movement. Originally, the party group of the Ministry of Culture, which was the leading organization, was named and blamed by the top officials of the Central Committee, and was in a state of unease. It soon became the target of mass attacks, and by the early spring of 1965, the leadership of the Ministry of Culture had been adjusted and the entire class of the former Party group had been eliminated. Xia Yan, then deputy party secretary and film minister, has long been seen as right-leaning and naturally at the heart of the campaign. The Ministry of Culture has always been the epicenter of political movements. After every bitter struggle, a number of ministers were defeated. Over the years, the Ministry of Culture always has its own internal laws to follow when it comes to sports, and the struggle experience that we have formed over the years will always get our hearts.
【分類號】：K27

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