狄?jiàn)W尼索斯崇拜研究
發(fā)布時(shí)間：2018-08-31 15:16
【摘要】：本文是以古典文獻(xiàn)和考古發(fā)掘資料為基礎(chǔ)、對(duì)古希臘狄?jiàn)W尼索斯崇拜這一宗 教現(xiàn)象所作的一項(xiàng)專(zhuān)題研究。 狄?jiàn)W尼索斯崇拜受到人們的關(guān)注是在尼采的《悲劇的誕生》發(fā)表之后。在這 本書(shū)里，尼采提出狄?jiàn)W尼索斯精神和阿波羅精神這一對(duì)立統(tǒng)一的藝術(shù)原則，認(rèn)為 悲劇的誕生就是這兩種因素的結(jié)合，而且狄?jiàn)W尼索斯精神要遠(yuǎn)遠(yuǎn)重要于阿波羅精 神。顯然，尼采是從哲學(xué)和美學(xué)的視角來(lái)看待狄?jiàn)W尼索斯崇拜的，那么，在古希 臘社會(huì)中存在的狄?jiàn)W尼索斯崇拜是一種什么樣的宗教文化現(xiàn)象呢?這就是本項(xiàng) 研究的目的所在。 狄?jiàn)W尼索斯崇拜是一種特殊的文化現(xiàn)象，又是一種較為普遍的文化現(xiàn)象。類(lèi) 似的宗教存在于世界各地，比如對(duì)葡萄樹(shù)或酒的崇拜，比如以神附體的形式達(dá)到 與神的溝通，比如以狂歡的形式發(fā)泄內(nèi)心的緊張感等等；但是，值得我們注意的 是，只有狄?jiàn)W尼索斯崇拜在古希臘城邦民主制條件下得到了較充分的發(fā)展，也就 是說(shuō)，希臘多神教的宗教體系和民主制的發(fā)展是促進(jìn)狄?jiàn)W尼索斯崇拜發(fā)展的兩個(gè) 因素。所以，這篇論文在研究方法上，非常注意把狄?jiàn)W尼索斯崇拜納入到希臘整 個(gè)歷史和文化背景之下，通過(guò)對(duì)它各方面的考察和分析，揭示蘊(yùn)含在這一現(xiàn)象之 后的希臘精神，以及探索希臘社會(huì)文化的演進(jìn)過(guò)程。 這篇論文通過(guò)兩種視角考察狄?jiàn)W尼索斯崇拜，一是從歷時(shí)性的角度考察狄?jiàn)W 尼索斯崇拜歷史性的發(fā)展，探討狄?jiàn)W尼索斯崇拜的起源和發(fā)展。論文認(rèn)為，狄?jiàn)W 尼索斯崇拜的起源地在希臘本土，流行于底層民眾中間，只是在后來(lái)的發(fā)展中受 到了東方文明尤其是古埃及文明的影響，增加了某些神秘主義的因素。公元前7 -6世紀(jì)，在希臘民主政治的進(jìn)程中，狄?jiàn)W尼索斯崇拜因?yàn)檫h(yuǎn)離貴族控制，成為 平民與貴族政治斗爭(zhēng)中的一種有力的思想武器，漸漸進(jìn)入城邦政治的“中心”， 城市酒神節(jié)的舉辦、大規(guī)模的游行和戲劇演出等等都成為城邦政治生活的一部 分。 二是以“宗教四要素”為理論框架分析狄?jiàn)W尼索斯崇拜作為一種宗教現(xiàn)象的 基本特點(diǎn)。狄?jiàn)W尼索斯崇拜通過(guò)神話(huà)傳說(shuō)表達(dá)自己獨(dú)特的宗教觀(guān)念，以宗教節(jié)日 和神秘儀式兩種方式開(kāi)展自己的宗教實(shí)踐活動(dòng)，，體現(xiàn)了不同于其他宗教的鮮明特 點(diǎn)。在狄?jiàn)W尼索斯的宗教節(jié)日上，有神圣的殺牲祭祀和集體大餐，這與希臘人對(duì) 其他神如宙斯和阿波羅的祭祀是一樣的：但同時(shí)，它還有不同于公民宗教的 另一面，即神秘的一面，花月節(jié)上秘密的婚禮、酒神的女祭司每?jī)赡暌淮蔚牡聽(tīng)?斐朝拜活動(dòng)、巴庫(kù)斯秘儀等等又都體現(xiàn)了狄?jiàn)W尼索斯崇拜脫離城邦政治生活、但 又得到城邦默許的一面。所以，論文同時(shí)闡述了狄?jiàn)W尼索斯崇拜的節(jié)日和它的神 秘儀式。其中，狄?jiàn)W尼索斯的節(jié)日是同城邦的政治生活緊緊聯(lián)系在一起的，而狄 奧尼索斯的神秘儀式讓我們看到了希臘宗教向高級(jí)宗教發(fā)展的過(guò)渡階段。 古希臘戲劇是希臘人留給人類(lèi)的最輝煌的精神遺產(chǎn)，其源頭卻是狄?jiàn)W尼索斯 崇拜。在古希臘戲劇產(chǎn)生和發(fā)展的過(guò)程中，狄?jiàn)W尼索斯崇拜一直發(fā)生著影響和作 用，戲劇成功地表達(dá)了城邦尤其是雅典城邦的政治思想和城邦理念，其本身也在 雅典的民主政治體制下進(jìn)行運(yùn)作，但是戲劇的演出始終都是狄?jiàn)W尼索斯祭祀儀式 的一部分，始終沒(méi)有脫離古希臘社會(huì)濃厚的宗教氛圍。 論文以狄?jiàn)W尼索斯崇拜在古希臘城邦中的作用為結(jié)語(yǔ)部分，分析了狄?jiàn)W尼索 斯崇拜在古希臘社會(huì)存在的原因以及它給人們帶來(lái)的精神上的滿(mǎn)足。作為一種心 理療法，它緩解了人們的社會(huì)壓力，為婦女們暫時(shí)遠(yuǎn)離繁重瑣碎的家庭勞作提供 了神圣的借口，調(diào)節(jié)了男性和女性之間的關(guān)系，同時(shí)也為不甚關(guān)注“死者亡國(guó)” 和死后生活的奧林匹斯宗教提供了一種合理的補(bǔ)充，這種補(bǔ)充，不僅是對(duì)希臘宗 教是有益的，對(duì)希臘人的精神生活也是必需的。 作為一種特定的宗教文化現(xiàn)象，狄?jiàn)W尼索斯崇拜顯示了它與古希臘城邦政 治、經(jīng)濟(jì)、文化等方方面面千絲萬(wàn)縷的聯(lián)系，表達(dá)了人們思想意識(shí)、情感觀(guān)念所 發(fā)生的變化。對(duì)狄?jiàn)W尼索斯崇拜的研究，也可以為我們考察整個(gè)希臘古典文明提 供一個(gè)有效的視窗。
[Abstract]:Based on classical literature and archaeological excavations, this article is devoted to the worship of Dionysus in ancient Greece.
A thematic study of teaching phenomena.
Dio Nirsos's worship has been paid attention to after the birth of Nietzsche's tragedy.
In this book, Nietzsche puts forward the artistic principle of the unity of opposites between Dionysus spirit and Apollo spirit.
The birth of tragedy is a combination of these two factors, and the spirit of Dionysus is far more important than Apollo.
God, obviously, Nietzsche viewed Dio Nirsos's worship from the perspective of philosophy and aesthetics.
What kind of religious culture phenomenon does Dio Nirsos worship exist in the wax society?
The purpose of the study.
Dio Nirsos worship is a special cultural phenomenon. It is also a common cultural phenomenon.
Similar religions exist all over the world, such as the worship of grapes or wine, as in the form of an appendage to God.
Communication with God, such as venturing inner tension in the form of carnival, is noteworthy.
Yes, only the worship of Dionysus had been fully developed under the conditions of the ancient Greek polis democracy, and so did the worship of Dionysus.
That is to say, the development of the religious system and democracy of Greek polytheism are the two that promote the development of Dionysus worship.
Therefore, this thesis pays great attention to the incorporation of Dio Nirsos worship into Greek.
Under the background of history and culture, this paper reveals the implication of this phenomenon through the investigation and analysis of its various aspects.
The Greek spirit and the process of exploring Greek social culture.
This paper examines Dio Nirsos worship from two perspectives: one is diachronic from a diachronic perspective.
The history and development of Dio Nirsos worship were discussed.
The origin of the worship of Nisos was native to Greece, popular among the lower classes of the people, but in later development by
The influence of Eastern civilization, especially the ancient Egyptian civilization, increased some mysticism factors. 7 B.C.
In the -6 century, in the process of democratic politics in Greece, Dio Nirsos's worship was controlled by the aristocracy.
A powerful ideological weapon in the political struggle between the common people and the aristocracy gradually entered the "center" of polis politics.
The city Dionysian Festival, mass parade, drama and so on have become part of the political life of the city.
Points.
The two is the analysis of Dio Nirsos worship as a religious phenomenon based on the four elements of religion.
Fundamentals. Dionysus worship expresses its unique religious ideas through mythology and legend, with religious festivals
The practice of religion in two ways, i.e. mystical rituals and mystical rituals, is different from other religions.
There are sacred sacrifices and collective meals on Dio Nirsos's religious festivals.
The sacrifices of other gods, such as Zeus and Apollo, are the same: but at the same time, they are different from civil religion.
On the other side, the mysterious side, the secret wedding at the flower and Moon Festival, the Del of the Bacchus twice every two years.
Philadelphia worship, Bakus mystery and so on all manifested Dionysus worship from the city-state political life, but
So the thesis also expounds the festival of Dionysus'worship and its god.
Secret ceremony. Dio Nirsos's festival is closely linked with the political life of the city.
O Nirsos's mysterious ceremony shows us the transition from Greek religion to advanced religion.
Ancient Greek drama is the most brilliant spiritual legacy left by the Greeks, but its source is Dionysus.
Worship. Dionysus worship has been influencing and writing in the process of the emergence and development of ancient Greek drama.
The drama succeeds in expressing the political thoughts and ideas of the city-state, especially the Athenian city-state.
Athens operates under a democratic political system, but theatrical performances are always Dionysus rituals.
A part of it has never been divorced from the strong religious atmosphere of ancient Greek society.
The paper takes the role of Dio Nirsos worship in the ancient Greek city states as the concluding part, and analyzes de Noni Alfonso.
The reason why worship existed in ancient Greek society and the spiritual satisfaction it brought to people.
Physiotherapy, which relieves people's social pressure, provides women with a temporary escape from the burdensome and trivial family work
It regulates the relationship between men and women under the sacred excuse, and it also pays little attention to the "death of the country"
And the Olympus religion of living after death provides a reasonable complement, not only to the Greek sect.
Teaching is beneficial and necessary for the spiritual life of the Greeks.
As a specific phenomenon of religious culture, Dio Nirsos's worship shows its relationship with ancient Greek polis.
Governance, economic, cultural and other aspects of countless ties, expressing people's ideological and emotional concepts.
The changes that have taken place. The study of Dionysus worship can also serve as a reference to the whole Greek classical civilization.
For an effective window.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2004
【分類(lèi)號(hào)】：K125
本文編號(hào)：2215377
[Abstract]:Based on classical literature and archaeological excavations, this article is devoted to the worship of Dionysus in ancient Greece.
A thematic study of teaching phenomena.
Dio Nirsos's worship has been paid attention to after the birth of Nietzsche's tragedy.
In this book, Nietzsche puts forward the artistic principle of the unity of opposites between Dionysus spirit and Apollo spirit.
The birth of tragedy is a combination of these two factors, and the spirit of Dionysus is far more important than Apollo.
God, obviously, Nietzsche viewed Dio Nirsos's worship from the perspective of philosophy and aesthetics.
What kind of religious culture phenomenon does Dio Nirsos worship exist in the wax society?
The purpose of the study.
Dio Nirsos worship is a special cultural phenomenon. It is also a common cultural phenomenon.
Similar religions exist all over the world, such as the worship of grapes or wine, as in the form of an appendage to God.
Communication with God, such as venturing inner tension in the form of carnival, is noteworthy.
Yes, only the worship of Dionysus had been fully developed under the conditions of the ancient Greek polis democracy, and so did the worship of Dionysus.
That is to say, the development of the religious system and democracy of Greek polytheism are the two that promote the development of Dionysus worship.
Therefore, this thesis pays great attention to the incorporation of Dio Nirsos worship into Greek.
Under the background of history and culture, this paper reveals the implication of this phenomenon through the investigation and analysis of its various aspects.
The Greek spirit and the process of exploring Greek social culture.
This paper examines Dio Nirsos worship from two perspectives: one is diachronic from a diachronic perspective.
The history and development of Dio Nirsos worship were discussed.
The origin of the worship of Nisos was native to Greece, popular among the lower classes of the people, but in later development by
The influence of Eastern civilization, especially the ancient Egyptian civilization, increased some mysticism factors. 7 B.C.
In the -6 century, in the process of democratic politics in Greece, Dio Nirsos's worship was controlled by the aristocracy.
A powerful ideological weapon in the political struggle between the common people and the aristocracy gradually entered the "center" of polis politics.
The city Dionysian Festival, mass parade, drama and so on have become part of the political life of the city.
Points.
The two is the analysis of Dio Nirsos worship as a religious phenomenon based on the four elements of religion.
Fundamentals. Dionysus worship expresses its unique religious ideas through mythology and legend, with religious festivals
The practice of religion in two ways, i.e. mystical rituals and mystical rituals, is different from other religions.
There are sacred sacrifices and collective meals on Dio Nirsos's religious festivals.
The sacrifices of other gods, such as Zeus and Apollo, are the same: but at the same time, they are different from civil religion.
On the other side, the mysterious side, the secret wedding at the flower and Moon Festival, the Del of the Bacchus twice every two years.
Philadelphia worship, Bakus mystery and so on all manifested Dionysus worship from the city-state political life, but
So the thesis also expounds the festival of Dionysus'worship and its god.
Secret ceremony. Dio Nirsos's festival is closely linked with the political life of the city.
O Nirsos's mysterious ceremony shows us the transition from Greek religion to advanced religion.
Ancient Greek drama is the most brilliant spiritual legacy left by the Greeks, but its source is Dionysus.
Worship. Dionysus worship has been influencing and writing in the process of the emergence and development of ancient Greek drama.
The drama succeeds in expressing the political thoughts and ideas of the city-state, especially the Athenian city-state.
Athens operates under a democratic political system, but theatrical performances are always Dionysus rituals.
A part of it has never been divorced from the strong religious atmosphere of ancient Greek society.
The paper takes the role of Dio Nirsos worship in the ancient Greek city states as the concluding part, and analyzes de Noni Alfonso.
The reason why worship existed in ancient Greek society and the spiritual satisfaction it brought to people.
Physiotherapy, which relieves people's social pressure, provides women with a temporary escape from the burdensome and trivial family work
It regulates the relationship between men and women under the sacred excuse, and it also pays little attention to the "death of the country"
And the Olympus religion of living after death provides a reasonable complement, not only to the Greek sect.
Teaching is beneficial and necessary for the spiritual life of the Greeks.
As a specific phenomenon of religious culture, Dio Nirsos's worship shows its relationship with ancient Greek polis.
Governance, economic, cultural and other aspects of countless ties, expressing people's ideological and emotional concepts.
The changes that have taken place. The study of Dionysus worship can also serve as a reference to the whole Greek classical civilization.
For an effective window.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2004
【分類(lèi)號(hào)】：K125
【引證文獻(xiàn)】
相關(guān)博士學(xué)位論文 前3條
1 徐媛媛;德?tīng)栰成裰I研究[D];南開(kāi)大學(xué);2010年
2 張之薇;獻(xiàn)祭[D];中國(guó)藝術(shù)研究院;2011年
3 梁小平;埃琉息斯秘儀研究[D];南開(kāi)大學(xué);2009年
相關(guān)碩士學(xué)位論文 前10條
1 于玲;論古希臘人的宗教命運(yùn)觀(guān)念[D];遼寧大學(xué);2011年
2 田泥;論《仲夏夜之夢(mèng)》的狂歡化特征[D];華中師范大學(xué);2006年
3 金瑩;葡萄酒與雅典城邦[D];安徽師范大學(xué);2007年
4 顏旭;阿提卡舊喜劇研究[D];西南大學(xué);2008年
5 黃慧娟;古希臘城邦時(shí)代的文化娛樂(lè)活動(dòng)[D];內(nèi)蒙古大學(xué);2008年
6 李曉丹;古希臘會(huì)飲研究[D];哈爾濱師范大學(xué);2009年
7 鄭秀艷;試論狄?jiàn)W尼索斯崇拜[D];內(nèi)蒙古大學(xué);2010年
8 陳明明;對(duì)古希臘悲劇藝術(shù)興亡的思考[D];安徽大學(xué);2012年
9 位慧慧;酒神崇拜視野下龐培城的日常生活[D];上海師范大學(xué);2012年
10 吳娟;古希臘共餐研究[D];上海師范大學(xué);2012年
本文編號(hào)：2215377
本文鏈接：http://sikaile.net/shekelunwen/xifanglishiwenhua/2215377.html
最近更新
教材專(zhuān)著
