本文選題：大秦國　切入點：羅馬帝國　出處：《世界歷史》2017年05期

【摘要】：大秦國形象在中國人心目中的正面呈現(xiàn)始于兩漢,魏晉之際達于極致。但與真實的羅馬帝國稍加比對,中國人依據(jù)輾轉(zhuǎn)獲得的羅馬知識所塑造的大秦國西方大國形象、富麗多寶形象、清明安樂形象、有類中國的人類形象、近乎仙界的神異形象、眾香薈萃的芬芳形象,除在某些方面與羅馬帝國相像吻合外,大體是對以大秦國為地標的西方世界的整體幻像。從形象的生成機制看,古代中國的大秦國形象的生成演變不僅要受先秦以來對外觀念的規(guī)范制約,還要受到羅馬歷史與現(xiàn)實、中西之間交流互動,以及居間傳遞羅馬信息之絲路國家的多重影響。作為古代中國文化景觀中的"他者"鏡像,漢晉時代的大秦形象不僅展示一幅中國人描繪的羅馬文明圖景,也為一窺當(dāng)時中國之對外觀念與時代精神開啟一扇特殊窗口。
[Abstract]:The positive appearance of the Great Qin Dynasty in the Chinese mind began in the Han Dynasty and reached the extreme in the Wei and Jin dynasties.But compared with the real Roman Empire, the Chinese, based on their knowledge of Rome, created the image of the Great Qin country as a big western country, the image of the rich and the rich, the image of Pure Brightness, the image of human beings of the kind of China, and the image of the gods and gods of the world of immortals.The fragrant image of the great Qin Dynasty, except in some respects similar to that of the Roman Empire, is an overall illusion of the Western world with the Great Qin Kingdom as its landmark.From the perspective of the formation mechanism of the image, the formation and evolution of the image of the Great Qin State in ancient China is not only restricted by the external concepts since the pre-Qin Dynasty, but also by the history and reality of Rome and the exchange and interaction between China and the West.And the multiple influences of the Silk Road countries that mediate the message of Rome.As a mirror image of "the other" in the ancient Chinese cultural landscape, the image of the Great Qin in the Han and Jin dynasties not only shows a picture of Roman civilization depicted by the Chinese, but also opens a special window for a glimpse of China's foreign concept and the spirit of the times at that time.
【作者單位】： 南開大學(xué)歷史學(xué)院;
【分類號】：K126
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本文編號：1717246