日本江戶時(shí)代前期大眾文化雛形研究
本文選題:日本 切入點(diǎn):江戶時(shí)代 出處:《南開大學(xué)》2012年博士論文 論文類型:學(xué)位論文
【摘要】:日本的近代化歷程一直是中外史學(xué)界研究的重點(diǎn)和熱點(diǎn)問題。傳統(tǒng)的日本經(jīng)濟(jì)史學(xué)界一般認(rèn)為明治期才是日本資本主義和近代化真正意義上的起點(diǎn),直到上世紀(jì)70年代在“數(shù)量經(jīng)濟(jì)史研究會(huì)”的帶動(dòng)下,越來越多的學(xué)者才意識(shí)到并認(rèn)可了這樣的觀點(diǎn):日本前工業(yè)化的近世與工業(yè)化的近代是連貫的,近世作為前近代(或者說準(zhǔn)近代)在其社會(huì)內(nèi)部已經(jīng)蘊(yùn)含了近代化所需的經(jīng)濟(jì)要件。從經(jīng)濟(jì)基礎(chǔ)到文化上層建筑的馬克思辯證唯物主義歷史觀的觀點(diǎn)考慮,經(jīng)濟(jì)史的“前近代”里很可能包含著文化史的“前近代”。這即是本文最初的問題意識(shí)。本文把“大眾文化雛形”作為日本文化的“近代萌芽”來進(jìn)行把握,通過證明“大眾文化雛形”的存在,并分析其性質(zhì),以說明日本文化走向近代化的原因。 一般認(rèn)為日本的大眾文化濫觴于大正年間(1912-1926)。然而,日本的大眾文化作為商品經(jīng)濟(jì)(消費(fèi)生活)的雙生子,其實(shí)在江戶庶民文化勃興期的江戶時(shí)代前期(17世紀(jì)早期~18世紀(jì)早期)就已初露端倪。據(jù)筆者所知這是還未被日本大眾文化研究界予以充分重視的問題。不過,在西方史學(xué)界我們已經(jīng)看到了一些將大眾文化研究理論帶入前工業(yè)社會(huì)的嘗試。大眾文化理論是否能適用于江戶時(shí)代的文化研究呢?假如近世存在著“大眾文化雛形”,即大眾文化理論可以應(yīng)用于近世領(lǐng)域,那么這個(gè)“日本大眾文化雛形”產(chǎn)生的時(shí)間又位于何處呢? 首先,筆者認(rèn)為大眾文化理論是可以應(yīng)用于近世領(lǐng)域的。其次,這個(gè)“日本大眾文化雛形”的起源就在于商品經(jīng)濟(jì)深入,庶民文化勃興的江戶時(shí)代前期。基于這一基本思路,本文的緒論主要闡述選題的意義、先行研究的回顧、范疇的界定、理論應(yīng)用和研究方法、創(chuàng)新點(diǎn)與未來需要繼續(xù)探索的不足之處。第一章介紹江戶時(shí)代前期文化的發(fā)生基礎(chǔ),第二章到第五章從四個(gè)與這一時(shí)期文化的“近代性”、“大眾性”密切相關(guān)的方面對(duì)“大眾文化雛形”的存在進(jìn)行證明,并分析這種文化雛形的意義。結(jié)論部分總結(jié)了正文的主要觀點(diǎn),歸納并闡釋了江戶時(shí)代前期文化的來源、江戶時(shí)代前期文化與商業(yè)的關(guān)系,最終為“日本近代化進(jìn)程”問題的解答提供了一個(gè)新的視角。 本文的收獲及主要?jiǎng)?chuàng)新點(diǎn)體現(xiàn)在以下幾個(gè)方面: 第一,無論是在日本還是中國(guó)學(xué)界,對(duì)明治期以前屬于“近世文化史”的領(lǐng)域進(jìn)行大眾文化雛形探源研究,,本文都屬于首例。學(xué)者們誠(chéng)然在近世庶民文化研究,近世文化史、近世文學(xué)、近世生活史的構(gòu)架下已取得了十分豐碩的成果。不過上世紀(jì)80年代以來才開始在各國(guó)文化史研究中初步應(yīng)用的大眾文化理論的引入,未必不能解決一些新問題,開辟前人未涉及的嶄新領(lǐng)域,為探索日本文化近代化、甚至日本整體近代化進(jìn)程的研究做出一點(diǎn)拋磚引玉的貢獻(xiàn)。 第二,對(duì)日本大眾文化的追根溯源,對(duì)我國(guó)文化事業(yè)建設(shè)有一定的借鑒意義。中國(guó)在發(fā)展的過程中同樣面臨著不少問題。其中之一是,與迅猛工業(yè)現(xiàn)代化相對(duì)的,文化現(xiàn)代化的缺失。正如在中國(guó)改革開放之初,面臨諸多經(jīng)濟(jì)問題的時(shí)候,中國(guó)的日本學(xué)研究中興起了一股研究日本經(jīng)濟(jì)近代化的熱潮。鑒于中國(guó)和日本都經(jīng)歷了比較漫長(zhǎng)的封建社會(huì)時(shí)期,中日兩國(guó)同屬“漢字、儒教文化圈”,中國(guó)明末清初和日本元祿時(shí)代都發(fā)生了市民文化的興盛。日本江戶時(shí)代前期的大眾文化雛形探源研究很可能對(duì)我國(guó)傳統(tǒng)文化的傳承、發(fā)揚(yáng)問題,以及適合現(xiàn)代中國(guó)的文化產(chǎn)業(yè)振興等問題有極大的借鑒意義。 第三,區(qū)別與傳統(tǒng)的文化史研究,本文還具有整體性、實(shí)踐性和民眾性的特點(diǎn)!罢w性”即文章始終注意將經(jīng)濟(jì)、社會(huì)基礎(chǔ)與上層建筑作為一個(gè)整體,分析完整的社會(huì)生活中諸要素之間的關(guān)系,指出民眾日常生活與文化間具體的交互影響。“實(shí)踐性”指本文不僅分析靜態(tài)的文化現(xiàn)象,精神產(chǎn)品,還留意它們是如何得到接受和傳播的!懊癖娦浴笔且援(dāng)時(shí)新興商人階級(jí)的崛起、以及商品經(jīng)濟(jì)的勃興等社會(huì)經(jīng)濟(jì)特征為突破口,以盡量豐富翔實(shí)的史料重現(xiàn)當(dāng)時(shí)人民豐富多彩的生活,以期弄清他們生產(chǎn)、消費(fèi)著怎樣的文化。
[Abstract]:The modernization of Japan has become the focus and hot issue in the study of Chinese and foreign historians. Traditional Japanese economic historians generally believe that Meiji period Japan is the starting point of modern capitalism and the true sense, until the last century in 70s "with economic history number", more and more scholars have realized and endorse the view: Modern and modern industrialization of Japan before industrialization is coherent, as in pre modern (or quasi modern) in the internal society has already contained the required elements of economic modernization. The economic base and the superstructure of the Marx culture view of dialectical materialism view of history, economy the history of the "pre modern" is likely to contain a cultural history of the "pre modern". This is the first problem consciousness. In this paper, the mass culture prototype of Japanese culture as " In order to explain the existence of "the embryonic form of the mass culture" and analyze its nature, the "modern sprout" has been carried out to explain the reasons for the modernization of Japanese culture.
Is generally believed that Japan's mass culture originated from the Taisho years (1912-1926). However, the mass culture of Japan as a commodity economy (consumption) of the twins, in fact in the Edo popular cultural emergence period of the Edo period (early seventeenth Century early ~18 century early) have been emerging. As far as I know it has not been studied circle of Japanese popular culture should be paid more attention to the problem. However, in the western historiography we have seen some theory of mass culture research into the pre industrial society. Try whether mass culture theory can be applied to the cultural studies of the Edo period? If there is a "modern mass culture, mass culture is the prototype of the theory can be applied to in the field, then the" Japanese popular culture prototype "produces time and in what place?
First of all, the author thinks that the theory of mass culture can be applied in modern field. Secondly, the origin of the "Japanese popular culture prototype" lies in the commodity economy deeply, the culture prosperity of the Edo period early. The basic ideas based on the introduction of this paper mainly explains the significance, review of previous researches, the definition of the theory, application and research methods, innovation and the future need to continue to explore the shortcomings. The first chapter introduces the basis of pre culture of the Edo period, the second chapter to the fifth chapter from the four and the culture of this period of "modern times", "public" is closely related to the existence of "mass culture prototype" the proof and analysis of the cultural prototype significance. It summarizes the main points of the text, summarize and explain the source of the culture of the Edo period, before the period of culture and taking the Edo period The relationship of the industry finally provides a new perspective for the answer to the question of "the process of modernization of Japan".
The achievements of this paper and the main innovation points are reflected in the following aspects:
First, both in Japan and China academia, for the mass culture of embryo research on Meiji period belonged to the "modern cultural history" in the field, this paper is the first case. The scholars in modern popular cultural studies indeed, modern cultural history, literature in modern architecture, modern life history has made a very fruitful the last century. But since 80s began to introduce preliminary application in the study of national culture in the history of mass culture theory, can not solve some new problems, opened up a new field of our predecessors did not involve, in order to explore the Japanese modern culture, make a little more even Japan's overall modernization research contribution.
Second, the origin of Japanese popular culture, have certain reference significance for cultural undertakings in our country. China construction in the process of development is also facing many problems. One of them is, and the relative rapid industrial modernization, lack of cultural modernization. Chinese as in the beginning of reform and opening, when faced with many economic problems. The study of Japan Chinese ZTE up a study on modernization of the Japanese economy boom. In view of Chinese and Japan have experienced a relatively long period of feudal society, China and Japan belong to "Chinese characters, cultural circle of Confucianism", China and Japan in late Ming and early Qing Dynasty Genroku period occurred in the prosperity of citizen culture. Mass culture of embryo study on the early Edo period in Japan is likely to China's traditional cultural heritage, carry forward the problem, is of great significance and suitable for modern China culture industry promotion.
Third, the difference with the traditional cultural history study, this paper also has the integrity, practical features. And the people of the "integrity" of articles will always pay attention to the economic and social foundation and superstructure as a whole, analysis the relationship between the elements of complete social life, pointed out that the people's daily life and culture the specific interaction of "practice". This paper not only refers to the static analysis of the cultural phenomenon, the spirit of products, also paid attention to how they are accepted and spread. "People" was a new merchant class rise, social and economic characteristics and the prosperity of the commodity economy as a breakthrough, in order to reproduce the rich historical data at that time the people rich and colorful life, in order to find out their production, a kind of consumption culture.
【學(xué)位授予單位】:南開大學(xué)
【學(xué)位級(jí)別】:博士
【學(xué)位授予年份】:2012
【分類號(hào)】:K313.36;G131.3
【參考文獻(xiàn)】
相關(guān)期刊論文 前8條
1 童家洲;明末清初日本長(zhǎng)崎福建籍華僑述略[J];福建師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);1990年04期
2 李世龍;市民社會(huì)與中日的近代化[J];哈爾濱工業(yè)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2005年04期
3 韓東育;;“八千天日記”中隱藏的近世日本[J];歷史研究;2006年03期
4 唐月梅;;近松門左衛(wèi)門的藝術(shù)世界──以悲劇創(chuàng)作和戲劇論為中心[J];日本研究;2007年02期
5 李均洋;;金錢+享樂=模范町人——《日本永代藏》的町人道德文明觀建構(gòu)[J];外國(guó)文學(xué)評(píng)論;2006年01期
6 李秀卿,彭體春;禪宗與日本俳句[J];西昌師范高等?茖W(xué)校學(xué)報(bào);2003年02期
7 權(quán)宇;;蕉門俳諧的“景氣”句與“輕淡”說的闡釋意向[J];延邊大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2006年01期
8 石文;;井原西鶴《好色五人女》中的“哀憐”[J];現(xiàn)代語文(文學(xué)研究版);2007年02期
相關(guān)博士學(xué)位論文 前1條
1 王雨;日本近世町人的生命悲歌[D];吉林大學(xué);2009年
本文編號(hào):1622262
本文鏈接:http://sikaile.net/shekelunwen/xifanglishiwenhua/1622262.html