發(fā)布時(shí)間：2018-03-01 08:35

  本文關(guān)鍵詞： 印度尼西亞 蘇加諾 繪畫 藝術(shù)家 繪畫收藏　出處：《中央美術(shù)學(xué)院》2009年碩士論文　論文類型：學(xué)位論文

【摘要】： 中國的許多讀者對(duì)印尼第一任總統(tǒng)蘇加諾并不感到陌生。蘇加諾是印度尼西亞第一任總統(tǒng),他領(lǐng)導(dǎo)印尼人民取得了獨(dú)立。但是,蘇加諾不僅僅是一位政治家,他還是建筑師、藝術(shù)品收藏家。在建國之初,他領(lǐng)導(dǎo)本國藝術(shù)家、建筑師對(duì)城市進(jìn)行了一系列的規(guī)劃,包括設(shè)計(jì)自己的住所、酒店及平民的房屋。他的藝術(shù)品收藏?zé)o論在數(shù)量還是質(zhì)量上,都可以與國際一流的收藏家相媲美。本文撇開蘇加諾政治上的是與非,力圖對(duì)蘇加諾的繪畫收藏做系統(tǒng)的個(gè)案研究。蘇加諾在建國前后為推動(dòng)藝術(shù)發(fā)展做出了各種努力,他不只是自己愛好藝術(shù),還帶動(dòng)周圍的人欣賞藝術(shù),并且建議一些朋友開工作室、畫廊,把印尼的藝術(shù)介紹給其他國家。 簡(jiǎn)單地說,蘇加諾的收藏可以分為兩大類:即個(gè)人喜歡的作品和為國家收藏的作品。不難發(fā)現(xiàn),蘇加諾不止是藝術(shù)愛好者,他收藏藝術(shù)品不純粹為了個(gè)人的喜好,更多的是考慮到印尼藝術(shù)的發(fā)展情況。蘇加諾清楚地知道,他的許多藏品是為印尼而收藏的,一開始便想讓它們成為國家的藝術(shù)品。他的藏品可以讓藝術(shù)家及愛好者參觀,可以說初步具有了國家博物館和美術(shù)館的功能。如今,印尼總統(tǒng)府的繪畫仍然主要源自蘇加諾的收藏。 本文主要采用案例分析、數(shù)據(jù)統(tǒng)計(jì)和綜合分析的研究方法,對(duì)六冊(cè)《蘇加諾藏畫集》(由中國人民美術(shù)出版社出版)中的作品進(jìn)行梳理后,從蘇加諾的家庭、教育背景及所處的社會(huì)環(huán)境各個(gè)方面進(jìn)行分析,找出其愛好藝術(shù)的緣由,通過分析其藏品的來源、構(gòu)成,分析出他的藝術(shù)品味及好尚,并且以此來看其收藏對(duì)印尼當(dāng)代藝術(shù)收藏的影響。
[Abstract]:Many Chinese readers are no stranger to Indonesia's first president, Sukarno, who led the Indonesian people to independence. But Sukarno is not just a politician, he is an architect. In the early days of his country, he led artists and architects in a series of plans for the city, including the design of his own residence, hotels and civilian houses. His art collection was of both quantity and quality. This article, apart from Sukarno's political and non-political aspects, tries to make a systematic case study of Sukarno's painting collection. Sukarno made various efforts to promote the development of art before and after the founding of the people's Republic of China. He is not only interested in art, but also encourages people around him to appreciate it. He also suggests that some friends open studios, galleries and introduce Indonesian art to other countries. To put it simply, Sukarno's collection can be divided into two broad categories: works of personal interest and collections for the country. It is not hard to find that Sukarno is not just an art lover. More to consider the development of Indonesian art. Sukarno is well aware that many of his collections are for Indonesia and wanted them to be national works of art from the outset. His collection can be visited by artists and enthusiasts. It can be said that the National Museum and Museum of Art functions initially. Today, the paintings of the Indonesian presidential palace still originate mainly from Sukarno's collection. This article mainly uses the case analysis, the data statistics and the comprehensive analysis research method, after combing the works in the six volumes of "Sukarno's Collection of Tibetan paintings" (published by the Chinese people's Fine Arts Publishing House), from Sukarno's family, By analyzing the educational background and the social environment in which he lives, to find out the reasons for his love of art, and by analyzing the source and composition of his collection, he can find out his artistic taste and his good taste. And to see its collection of contemporary art collection in Indonesia.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J209.3;K342.5

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 賀靜;山藝術(shù)文教基金會(huì)收藏研究[D];中央美術(shù)學(xué)院;2012年

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本文編號(hào)：1551185