手工藝類非物質(zhì)文化遺產(chǎn)傳承困境闡釋及發(fā)展路徑探究——以江西文港毛筆為例
發(fā)布時(shí)間:2018-10-22 19:29
【摘要】:隨著經(jīng)濟(jì)的快速發(fā)展,工具理性主義的極度膨脹,科技幾乎主宰著人類生活的一切。在這樣的時(shí)代背景下,手工藝類非物質(zhì)文化遺產(chǎn)踟躇于傳統(tǒng)與現(xiàn)代之間,現(xiàn)代適應(yīng)性較差,面臨著逐步衰微、邊緣化的困境。文港毛筆亦然,其衰微源于文化生態(tài)迅速變遷、制筆技藝半市場(chǎng)化屬性及筆業(yè)市場(chǎng)競(jìng)爭(zhēng)的失序等原因,因此,一方面需要對(duì)毛筆功能價(jià)值進(jìn)行生產(chǎn)性保護(hù),另一方面需要對(duì)其符號(hào)價(jià)值進(jìn)行創(chuàng)意開(kāi)發(fā),這可能是毛筆產(chǎn)業(yè)及制筆技藝未來(lái)發(fā)展的重要路徑。
[Abstract]:With the rapid development of economy and the extreme expansion of instrumental rationalism, technology almost dominates everything in human life. In this background, handicraft intangible cultural heritage hesitated between tradition and modern, modern adaptability is poor, facing the plight of gradual decline, marginalization. The decline of Wengang brush is due to the rapid changes of cultural ecology, the semi-marketization of pen making skills and the disorder of market competition in pen industry. Therefore, on the one hand, it is necessary to protect the functional value of brushes productively. On the other hand, it is necessary to develop its symbolic value, which may be an important way for the future development of brush industry and pen making technology.
【作者單位】: 江西師范大學(xué)歷史文化與旅游學(xué)院;南京大學(xué)國(guó)家文化產(chǎn)業(yè)研究中心;
【基金】:中國(guó)博士后科學(xué)基金第57批面上資助項(xiàng)目“‘非遺’視域下的毛筆制作技藝生產(chǎn)性保護(hù)研究”(資助編號(hào):2015M571724) 江西省社會(huì)科學(xué)“十二五”規(guī)劃項(xiàng)目“毛穎之技:江西文港毛筆制作技藝傳承與創(chuàng)意開(kāi)發(fā)研究”(批準(zhǔn)號(hào):YS1510) 江西師范大學(xué)青年成長(zhǎng)基金“文化生態(tài)視域下的毛筆文化保護(hù)與傳承”(項(xiàng)目編號(hào):4530)的階段性成果
【分類號(hào)】:G122;TS951.11
本文編號(hào):2288096
[Abstract]:With the rapid development of economy and the extreme expansion of instrumental rationalism, technology almost dominates everything in human life. In this background, handicraft intangible cultural heritage hesitated between tradition and modern, modern adaptability is poor, facing the plight of gradual decline, marginalization. The decline of Wengang brush is due to the rapid changes of cultural ecology, the semi-marketization of pen making skills and the disorder of market competition in pen industry. Therefore, on the one hand, it is necessary to protect the functional value of brushes productively. On the other hand, it is necessary to develop its symbolic value, which may be an important way for the future development of brush industry and pen making technology.
【作者單位】: 江西師范大學(xué)歷史文化與旅游學(xué)院;南京大學(xué)國(guó)家文化產(chǎn)業(yè)研究中心;
【基金】:中國(guó)博士后科學(xué)基金第57批面上資助項(xiàng)目“‘非遺’視域下的毛筆制作技藝生產(chǎn)性保護(hù)研究”(資助編號(hào):2015M571724) 江西省社會(huì)科學(xué)“十二五”規(guī)劃項(xiàng)目“毛穎之技:江西文港毛筆制作技藝傳承與創(chuàng)意開(kāi)發(fā)研究”(批準(zhǔn)號(hào):YS1510) 江西師范大學(xué)青年成長(zhǎng)基金“文化生態(tài)視域下的毛筆文化保護(hù)與傳承”(項(xiàng)目編號(hào):4530)的階段性成果
【分類號(hào)】:G122;TS951.11
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