【摘要】：正這些年,當(dāng)代文藝的熱點(diǎn)總是圍繞在網(wǎng)絡(luò)文學(xué)、IP、小鎮(zhèn)青年等帶有綜合性的文藝現(xiàn)象或者文藝問(wèn)題之上,這也說(shuō)明,我們要理解當(dāng)前文藝的復(fù)雜現(xiàn)象,必須超越文藝本體的視角,將文藝置于當(dāng)代社會(huì)的變遷之中加以觀察。2017年,當(dāng)《戰(zhàn)狼2》帶著強(qiáng)烈的話題性超越了電影這一藝術(shù)載體,成為廣泛的社會(huì)熱點(diǎn),我們發(fā)現(xiàn),無(wú)論是以"民粹"批判它還是以"愛國(guó)"肯定它,無(wú)論以"模仿好萊塢"漠視它的創(chuàng)新還是以"荷爾蒙爆棚"贊賞它的精彩,在當(dāng)前
[Abstract]:In recent years, the hot spots of contemporary literature and art have always revolved around comprehensive literary phenomena or literary problems such as network literature, young people in IP, small towns, etc. This also shows that we should understand the complex phenomena of current literature and art. We must go beyond the perspective of literature and art and put it in the midst of the changes of contemporary society. In 2017, when Wolf Warriors 2 transcended the art carrier of film with a strong topic, it became a widespread social hot spot. Whether it is judged by "populist" or "patriotic", whether by "imitating Hollywood" to ignore its innovation, or by "hormone explosion", in the current
【作者單位】： 中國(guó)社會(huì)科學(xué)院文學(xué)研究所;
【分類號(hào)】：G122
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本文編號(hào)：2287106