【摘要】：隨著現(xiàn)代化的發(fā)展,文化轉(zhuǎn)型面臨很多問題,不同文化交流與沖突的過程中,人們的生活方式和價(jià)值觀念發(fā)生了轉(zhuǎn)變。產(chǎn)生出文化生態(tài)結(jié)構(gòu)不平衡、文化環(huán)境污染,人的信仰缺失、精神空虛、道德淪落,文化產(chǎn)業(yè)畸形發(fā)展等問題。良性的文化生態(tài)可以使人們抵抗文化中的負(fù)面因素,堅(jiān)定信仰,抵御價(jià)值危機(jī)等問題。保持文化生態(tài)平衡,可以解決物化世界的現(xiàn)實(shí)困境,為實(shí)現(xiàn)社會(huì)的發(fā)展提供良好的精神氛圍。同時(shí)它也是人類和文化生存和發(fā)展的先決條件,對(duì)于精神家園的建設(shè)、人的全面發(fā)展、社會(huì)的和諧發(fā)展、國(guó)家文化軟實(shí)力的提升都有著重要意義。本文從當(dāng)前我國(guó)文化生態(tài)的現(xiàn)狀出發(fā),總結(jié)文化生態(tài)建設(shè)所取得的成就以及在文化生態(tài)結(jié)構(gòu)、文化生態(tài)主體、文化產(chǎn)業(yè)發(fā)展等方面出現(xiàn)的問題,分析了文化生態(tài)不平衡的原因,為構(gòu)建一個(gè)良性的文化生態(tài)提供相應(yīng)的路徑。全文由引言和四個(gè)部分組成。引言主要論述了本文的背景和意義,以及國(guó)內(nèi)和國(guó)外相關(guān)文獻(xiàn)對(duì)文化生態(tài)的研究概況,并闡述了本文的研究方法和創(chuàng)新點(diǎn)。該研究有利于進(jìn)一步豐富文化生態(tài)學(xué)的理論,深入理解文化結(jié)構(gòu)中不同文化成分的作用和特征,加深人們對(duì)良性文化生態(tài)構(gòu)成的理解。第一部分主要闡述了文化生態(tài)的相關(guān)概念、良性文化生態(tài)的基本內(nèi)涵和馬克思主義的文化生態(tài)思想。概括出良性文化生態(tài)的含義是人類生活和文化發(fā)展的理想狀態(tài),就是追求一種人、文化、社會(huì)的和諧生存發(fā)展方式,以及不同文化之間相互共存,有序發(fā)展的一種秩序,以此來滿足人類的精神文化需要。第二部分探討了良性文化生態(tài)的基本結(jié)構(gòu)、主要特征以及構(gòu)建良性文化生態(tài)的意義。在良性文化生態(tài)結(jié)構(gòu)中,不同文化形態(tài)之間是一種和諧共存的發(fā)展?fàn)顟B(tài)。只有加強(qiáng)各種文化之間的關(guān)系,遵循自身的發(fā)展規(guī)律,堅(jiān)持文化地位的層次性、發(fā)展的有序性、共存的包容性以及傳承的協(xié)調(diào)性,才能發(fā)揮最大的作用。第三部分概括了當(dāng)前我國(guó)的文化生態(tài)建設(shè)中的一些成就以及問題,并指出文化生態(tài)發(fā)展不平衡的原因。文化生態(tài)失衡的具體表現(xiàn):一是它的內(nèi)部結(jié)構(gòu)不協(xié)調(diào)。精神生活被物質(zhì)化的行為代替;主流文化地位消解,精英文化發(fā)展缺位,大眾文化世俗泛濫;對(duì)傳統(tǒng)文化理解上有偏差,使之被邊緣化;外來文化蠶食我國(guó)文化多樣性的發(fā)展。二是文化生態(tài)主體的片面發(fā)展,人被工具異化,出現(xiàn)了科學(xué)精神與人文精神之間的摩擦。三是文化產(chǎn)業(yè)畸形發(fā)展,文藝作品缺乏創(chuàng)意、品牌意識(shí)不強(qiáng)、資源污染嚴(yán)重等。第四部分從優(yōu)化文化生態(tài)結(jié)構(gòu)、文化生態(tài)主體、繁榮文化產(chǎn)業(yè)三個(gè)方面,針對(duì)文化生態(tài)失衡的問題,提出了建設(shè)的有效路徑。我國(guó)良性文化生態(tài)的構(gòu)建要牢固馬克思主義的重要地位,以實(shí)現(xiàn)人的自由全面發(fā)展為價(jià)值目標(biāo)。一是不同文化之間要協(xié)調(diào)發(fā)展。用發(fā)展的眼光,全面認(rèn)識(shí)并傳承優(yōu)秀的傳統(tǒng)文化,積極吸收世界優(yōu)秀的文明成果,弘揚(yáng)主旋律,加強(qiáng)精英教育,提升和引領(lǐng)大眾文化的發(fā)展。二是通過社會(huì)主義核心價(jià)值觀的育人作用,提升國(guó)民素質(zhì),追求簡(jiǎn)單、有意義的生活方式。三是通過完善政策法制,鼓勵(lì)文化產(chǎn)業(yè)創(chuàng)新發(fā)展,提升文化經(jīng)營(yíng)者的責(zé)任意識(shí),保護(hù)文化資源,增強(qiáng)文藝產(chǎn)品在國(guó)際上的競(jìng)爭(zhēng)力和影響力。
[Abstract]:With the development of modernization, cultural transformation is facing many problems. In the process of cultural exchanges and conflicts, people's lifestyles and values have changed. Benign cultures have emerged, such as unbalanced cultural ecological structure, cultural environmental pollution, lack of beliefs, spiritual emptiness, moral degradation, and abnormal development of cultural industries. Ecology can make people resist the negative factors in culture, firm their beliefs, resist the value crisis and so on. Maintaining the balance of culture and ecology can solve the Realistic Plight of the materialized world and provide a good spiritual atmosphere for the development of society. It is also a prerequisite for the survival and development of human beings and culture, and for the construction of spiritual homeland. The all-round development of human beings, the harmonious development of society and the promotion of the soft power of national culture are of great significance. Starting from the current situation of cultural ecology in China, this paper summarizes the achievements of cultural ecology construction and the problems in cultural ecology structure, cultural ecology subject and the development of cultural industry, and analyzes the cultural ecology. The introduction mainly discusses the background and significance of this paper, as well as the domestic and foreign literature on cultural ecology research survey, and elaborates the research methods and innovations of this paper. This study is conducive to further enrichment. The theory of rich cultural ecology, in-depth understanding of the role and characteristics of different cultural components in the cultural structure, to deepen people's understanding of the composition of a benign cultural ecology. The first part mainly expounds the related concepts of cultural ecology, the basic connotation of benign cultural ecology and Marxist cultural ecology. Meaning is the ideal state of human life and cultural development, that is, the pursuit of a harmonious way of survival and development of people, culture and society, and the coexistence and orderly development of different cultures in order to meet the spiritual and cultural needs of mankind. The significance of building a benign cultural ecology is that in the benign cultural ecology structure, different cultural forms coexist in a harmonious state of development. Only by strengthening the relationship between different cultures, following their own laws of development, upholding the hierarchy of cultural status, orderliness of development, coexistence and compatibility of inheritance, can we play the most important role. The third part summarizes some achievements and problems in the construction of cultural ecology in China, and points out the reasons for the unbalanced development of cultural ecology. The second is the one-sided development of cultural ecology subject, the alienation of human being by means of tools, and the friction between scientific spirit and humanistic spirit. The fourth part puts forward the effective way of construction from three aspects of optimizing cultural ecological structure, cultural ecological subject and prospering cultural industry, aiming at the unbalance of cultural ecology. The first is to coordinate the development of different cultures. From the perspective of development, we should fully understand and inherit the excellent traditional culture, actively absorb the outstanding achievements of the world's civilization, carry forward the theme, strengthen elite education, and promote and guide the development of popular culture. The second is to promote the country through the role of educating people of socialist core values. The third is to improve the policy and legal system, encourage the innovation and development of cultural industry, enhance the sense of responsibility of cultural operators, protect cultural resources, and enhance the competitiveness and influence of literary and artistic products in the world.
【學(xué)位授予單位】：延安大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：G02

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本文編號(hào)：2236220