【摘要】：在侗族聚居地,風雨橋是非常有代表的建筑物,它與侗族居民日常生活緊密相關(guān),風雨橋中有著豐富的侗族文化內(nèi)涵。從風雨橋的起源而言,風雨橋蘊含了侗族居民多神崇拜和天人合一的居住觀念;從建橋技藝而言,侗族風雨橋是集亭、廊、橋于一身的建筑物,它集合了侗族鼓樓和“干欄式”民居的木構(gòu)工藝,代表了侗族建筑藝術(shù)的最高水平;從建橋儀式而言,風雨橋?qū)⒍弊寰用竦纳袷ヅc世俗融合到一起的空間,儀式不僅有求神、娛神以及酬神的意義,還使侗民族內(nèi)部的團結(jié)得到強化,增強了侗族人民自豪感。風雨橋不僅僅是一項建筑,更是一項文化事物,它與侗族的生境和文化氛圍有著尤為密切的聯(lián)系。可以說,風雨橋已經(jīng)成為了一種物化的象征符號,其背后隱藏著尤為豐富的意義。然而目前有關(guān)侗族風雨橋的研究,基本是從民俗、建筑等視角出發(fā),簡單地分析風雨橋的文化表象與建筑工藝等,難以讓更多的人對風雨橋蘊含的內(nèi)涵產(chǎn)生更加深入的了解,形成更加深入系統(tǒng)完整的認識。論文基于民族學視野,圍繞風雨橋展示它所蘊含的文化信息,進而對其深意進行動態(tài)的分析。論文首先對侗族及其生境以及風雨橋的成因、作用進行了討論,然后從圖像、聲音、地理、規(guī)約、建筑和儀式六個方面對風雨橋的文化符號進行了分類分析;再從歷史淵源、傳統(tǒng)生計方式、家族社區(qū)結(jié)構(gòu)、宗教信仰觀念和心理歸屬五個方面對風雨橋文化符號進行了解讀,最后對風雨橋符號的價值進行了討論和分析。論文通過基于民族視野下的風雨橋文化符號的研究,打破了傳統(tǒng)的從民俗學、建筑學等角度的研究局限性,實現(xiàn)了對風雨橋文化,乃至侗族文化的更深層次挖掘,更好地解讀風雨橋?qū)Χ弊迳鐣哂械奈幕饬x。
[Abstract]:Wind and rain bridge is a representative building in the settlement of Dong nationality. It is closely related to the daily life of Dong people, and the bridge has rich cultural connotations of Dong nationality. As far as the origin of the bridge is concerned, the bridge contains the concept of multi-gods worship and the unity of nature and man among the Dong people. In terms of bridge building skills, the bridge is a building that gathers pavilions, corridors and bridges. It combines the woodwork of the Dong Drum Tower and the "Gan Lan style" dwelling, and represents the highest level of the Dong's architectural art. In terms of the ceremony of building bridges, the wind and rain bridge combines the sacred and secular customs of the Dong people in a space where the ceremony is not only about seeking gods, The meaning of amusing God and reward God also strengthens the unity of the Dong nationality and strengthens the pride of the Dong nationality. Wind and rain bridge is not only a building, but also a cultural thing. It can be said that the bridge has become a symbolic symbol of materialization, behind which there is a particularly rich meaning. However, the current research on the wind and rain bridge of Dong nationality is based on the perspective of folklore, architecture and so on. It is difficult for more people to have a deeper understanding of the connotation of wind and rain bridge by simply analyzing the cultural appearance and building technology of the bridge. Form a deeper and more systematic and complete understanding. Based on the view of ethnology, the paper shows the cultural information contained in the bridge around the wind and rain, and then analyzes its profound meaning dynamically. The paper first discusses the causes and functions of Dong nationality and its habitat, and then classifies and analyzes the cultural symbols of the bridge from the aspects of image, sound, geography, statute, architecture and ceremony, and then analyzes the historical origin of the bridge. The traditional way of livelihood, family community structure, religious beliefs and psychological ownership of the five aspects of the interpretation of the wind and rain bridge cultural symbols, and finally discussed and analyzed the value of the wind and rain bridge symbols. Through the research on the symbol of wind and rain bridge culture based on the national vision, this paper breaks the limitations of traditional research from the perspectives of folklore and architecture, and realizes the deeper excavation of the wind and rain bridge culture and even the Dong nationality culture. A better understanding of the wind-rain bridge to the Dong society has a cultural significance.
【學位授予單位】：吉首大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：G122;TU-05

【參考文獻】

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本文編號：2187574