本文選題：赫勒　切入點：現(xiàn)代性批判　出處：《學術交流》2017年04期 　論文類型：期刊論文

【摘要】：赫勒從現(xiàn)代性的結(jié)構根源出發(fā),確立了現(xiàn)代性的兩種想象制度,即歷史想象和技術想象。正是在這兩種想象的雙重制衡下,文化在現(xiàn)代性的場域中得以延續(xù)。同時,技術文明與道德文明、理性合理性與智力合理性共同構成了現(xiàn)代性的內(nèi)在結(jié)構張力。這些概念相互對立、依存、包含和轉(zhuǎn)化,共同構成了現(xiàn)代性的鐘擺運動。如果任其發(fā)展到一個極端,將導致現(xiàn)代性的毀滅,這也是現(xiàn)代性的危機。現(xiàn)代性的鐘擺運動構成了現(xiàn)代文化與文明的運動軌跡。綜上,可以看出赫勒對現(xiàn)代性肯定與批判反思的雙重立場,透視出現(xiàn)代性的矛盾性、悖論性特征。赫勒的思想有利于促進我們對現(xiàn)代文化藝術多元存在樣態(tài)的深刻理解,并有利于豐富我們對現(xiàn)代性的認識。
[Abstract]:Starting from the structural origin of modernity, Heller established two imagination systems of modernity, namely, historical imagination and technical imagination. It is under the dual checks and balances of these two imaginations that culture continues in the field of modernity. Technological civilization and moral civilization, rational rationality and intellectual rationality constitute the internal structural tension of modernity. The pendulum movement of modernity together constitutes the pendulum movement of modernity. If it is allowed to develop to an extreme, it will lead to the destruction of modernity, which is also the crisis of modernity. The pendulum movement of modernity constitutes the track of movement of modern culture and civilization. It can be seen that Heller's dual stand on the affirmation of modernity and critical reflection, and the contradictory and paradoxical characteristics of modernity, are helpful to promote our profound understanding of the pluralistic existence of modern culture and art. And to enrich our understanding of modernity.
【作者單位】： 四川大學文學與新聞學院;
【基金】：國家社科基金重大項目“東歐馬克思主義美學文獻整理與研究”(15ZDB022)
【分類號】：G02
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本文編號：1607978