本文關(guān)鍵詞： 阿多爾諾 文化工業(yè)批判理論 文化精英主義 文化民粹主義　出處：《學(xué)習(xí)與探索》2017年05期 　論文類型：期刊論文

【摘要】：阿多爾諾的文化工業(yè)批判理論經(jīng)常被籠統(tǒng)地簡(jiǎn)化為“文化精英主義”。這樣標(biāo)簽化的理解方式不但遮蓋了阿多爾諾批判理論原有的豐富內(nèi)涵,而且還會(huì)割裂阿多爾諾的文化理論和其非同一性哲學(xué)之間的內(nèi)在聯(lián)系。通過(guò)對(duì)阿多爾諾關(guān)于現(xiàn)代哲學(xué)認(rèn)識(shí)論批判的梳理,他關(guān)于現(xiàn)代社會(huì)文化領(lǐng)域理解的激進(jìn)一面得以呈現(xiàn)出來(lái)。相比于諸多對(duì)文化產(chǎn)品生產(chǎn)方式、內(nèi)容和傳播手段的批判,阿多爾諾更重視文化產(chǎn)品接受者的重要意義。這也提示我們,為使社會(huì)免于滑向文化精英主義和文化民粹主義的兩極,其決定性的力量在于具有反思能力的文化消費(fèi)者。
[Abstract]:Adorno's critique theory of cultural industry is often reduced to "cultural elitism" in general. Such a tagged way of understanding not only covers the rich connotations of Adorno's critique theory, In addition, it will separate Adorno's cultural theory from his non-identity philosophy. By combing Adorno's critique of modern philosophical epistemology, His radical understanding of the field of modern society and culture has emerged. Compared with many criticisms of the way of production, content and means of communication of cultural products, Adorno pays more attention to the importance of cultural product recipients. It also suggests that the decisive force for society to avoid sliding into the two poles of cultural elitism and cultural populism lies in the reflective cultural consumers.
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本文編號(hào)：1517850