本文關鍵詞： 供給側結構性改革 文化產業(yè) 供需錯配 互聯(lián)網(wǎng)+　出處：《福建論壇(人文社會科學版)》2017年08期 　論文類型：期刊論文

【摘要】：文化產業(yè)供給側的"結構性"改革主要是優(yōu)化產品結構、產業(yè)結構和區(qū)域結構。產品結構上要增強產品特色,提高內容價值,培育文化品牌;產業(yè)結構上要實現(xiàn)傳統(tǒng)業(yè)態(tài)與新興業(yè)態(tài)、實體經(jīng)濟與虛擬經(jīng)濟的跨界混流;區(qū)域結構上要加強跨區(qū)域的供求匹配。文化產業(yè)的供給側改革需要以要素新供給來提升全要素生產率,實現(xiàn)從要素驅動向創(chuàng)新驅動轉變。勞動力、土地、資本、技術等生產資源要素生產率的提升,是推動供給側結構性改革的動力源。文化產業(yè)的供給側結構性改革需要一個有限但有效的政府,既要減少政府管制,又要體現(xiàn)文化例外要求。
[Abstract]:The cultural industry supply side structural reform is mainly to optimize the product structure, industrial structure and regional structure. The product structure to enhance product features, improve the content of value, cultivate the cultural brand; industrial structure to achieve the traditional formats and emerging formats, the real economy and virtual economy cross-border flow; to strengthen the supply and demand of cross regional structure regional matching. The supply side reform of cultural industry needs to supply new elements to enhance total factor productivity, realize the transition from factor driven to innovation driven. Labor, land, capital, technology and other factors of production resource productivity, is the driving force for the supply side structural reform. The supply side structural reform of cultural industry needs a a limited but effective government, not only to reduce government regulation, but also reflects the cultural exception.

【作者單位】： 上海交通大學國家文化產業(yè)創(chuàng)新與發(fā)展研究基地;
【分類號】：G124
【正文快照】： 經(jīng)濟學是關于選擇的學問,不管如何選擇,歸根到底都要回到供給和需求兩個側面來思考問題。在實際的經(jīng)濟生活中,供給與需求總是在動態(tài)中實現(xiàn)均衡,均衡只是例外,不均衡則是常態(tài)。中國正在面臨生產過剩的局面,到底是供給側出了問題,還是需求側有了麻煩,需要給出解釋和建議。2015年，

本文編號：1450052