【摘要】：在民族文化商品化的背景下,苗族女性逐漸參與到苗族刺繡的商品生產(chǎn)和銷售中。通過傳統(tǒng)身體規(guī)訓(xùn)而習(xí)得的刺繡技藝,恰恰成為女性施展能動性的媒介。她們藉此改變家戶內(nèi)的性別分工,擴(kuò)展女性的自主空間,并重塑傳統(tǒng)的性別角色規(guī)范。在此過程中,苗族女性并非僅僅聚焦于族群內(nèi)的性別權(quán)利轉(zhuǎn)移,而是同時(shí)通過彰顯其族群身份和刺繡技藝,建立起自己在苗繡生產(chǎn)與商品化中不可替代的主體性,挑戰(zhàn)了在市場經(jīng)濟(jì)中苗族被邊緣化和客體化的狀況,展現(xiàn)了她們?yōu)闋幦∥幕灾鳈?quán)和話語權(quán)所作的努力。
[Abstract]:Under the background of the commercialization of national culture, Miao women gradually participate in the commodity production and marketing of Miao embroidery. Embroidery skills acquired through traditional body discipline have become an active medium for women. They change the gender division of labor, expand women's self-determination space, and reshape the traditional gender role norms. In this process, Miao women not only focus on the transfer of gender rights within the ethnic group, but at the same time establish their own irreplaceable subjectivity in the production and commercialization of Miao embroidery by revealing their ethnic identity and embroidery skills. It challenges the marginalized and objectified situation of Miao nationality in the market economy and demonstrates their efforts to strive for cultural autonomy and right to speak.
【作者單位】： 四川大學(xué)文學(xué)與新聞學(xué)院;
【基金】：國家留學(xué)基金委2013年“國家建設(shè)高水平公派研究生聯(lián)合培養(yǎng)博士”項(xiàng)目資助
【分類號】：C913.68
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本文編號：2455575