本文選題：趣味　切入點(diǎn)：區(qū)隔　出處：《社會(huì)科學(xué)》2017年08期

【摘要】：社會(huì)學(xué)視野中的審美趣味被看成一種群體集合特征和階層界限的標(biāo)識(shí),但大眾文化的盛行,趣味表現(xiàn)的趨同趨勢在模糊著這種界限�？梢詮膶�(shí)物、時(shí)間和權(quán)力三個(gè)指標(biāo)來考察趣味與階層之間的關(guān)系,它們構(gòu)成趣味差異的表征機(jī)制,發(fā)揮著從區(qū)分到區(qū)隔的功能�，F(xiàn)代社會(huì)的多種因素妨礙了這一機(jī)制,表現(xiàn)為三個(gè)指標(biāo)呈現(xiàn)出一種無序和紊亂的狀態(tài)。其中社會(huì)流動(dòng)對(duì)權(quán)力指標(biāo)的瓦解,使得趣味在文化結(jié)構(gòu)中有了一種越界與整合的表現(xiàn),區(qū)隔的功能發(fā)生了流變。
[Abstract]:In the view of sociology aesthetics has been viewed as a kind of ensemble feature and strata identification, but the popularity of popular culture, the convergence of interest trend in the performance of the fuzzy boundaries. In real time and power, three indicators to examine the relationship between interest and class, they constitute the difference interest representation mechanism to distinguish from play, segment function. Many factors of modern society hinder this mechanism for the performance of the three indicators showing a state of disorder. The social mobility of power index collapsed, making fun with a cross-border and integration in the cultural structure, the the rheological segment function.

【作者單位】： 中國人民大學(xué)社會(huì)學(xué)理論與方法研究中心;中國人民大學(xué)社會(huì)學(xué)系;
【基金】：教育部人文社科重點(diǎn)基地重大課題“新型城市化中的社會(huì)矛盾與治理創(chuàng)新”(項(xiàng)目編號(hào):16JJD840014)的階段性成果
【分類號(hào)】：C912

【相似文獻(xiàn)】

相關(guān)期刊論文 前1條

1 魏萬青;;區(qū)隔、沖突與融入——民工對(duì)都市生活的適應(yīng)性研究[J];前沿;2009年01期

，

本文編號(hào)：1673990