發(fā)布時間：2018-03-14 23:14

  本文選題：身體神話　切入點：美圖亞文化　出處：《中國青年研究》2017年03期 　論文類型：期刊論文

【摘要】：網(wǎng)絡(luò)技術(shù)的革新讓傳統(tǒng)的文字社交方式產(chǎn)生視覺化轉(zhuǎn)向,青年人越發(fā)喜歡用視覺內(nèi)容進(jìn)行社交實踐,如在社交媒體上展現(xiàn)自拍。為了不斷滿足人們的視覺審美需求,視覺修飾性軟件如美圖秀秀等應(yīng)運而生。美圖生產(chǎn)要求秀圖者在日常生活的審美經(jīng)驗及自我個性表達(dá)中,重新組裝身體符號,最終形成新的富有意指功能的身體神話。當(dāng)神話化的身體視圖進(jìn)入社交空間后,一場場自戀與凝視的表演秀也隨之上演。美圖文化繁榮了視覺修飾符號,同時也產(chǎn)生了視覺超載等現(xiàn)象,進(jìn)而迸發(fā)出各種網(wǎng)絡(luò)文化癥候,這些都理應(yīng)得到重視。
[Abstract]:Innovations in Internet technology have led to a visual shift in traditional text socializing, and young people are increasingly interested in using visual content for social practices, such as showing selfies on social media, in order to constantly meet people's visual aesthetic needs. Visual decorating software such as Meitu came into being. The production of Meitu requires the artist to reassemble body symbols in the aesthetic experience of daily life and self-expression of personality. Finally, a new functional body myth is formed. As the mythical body view enters social space, so does a show of narcissism and gaze. Meitu culture flourishes the visual modifier number. At the same time, it also produces the phenomenon of visual overload, and then burst out a variety of network culture symptoms, which should be paid attention to.
【作者單位】： 暨南大學(xué)新聞與傳播學(xué)院;
【分類號】：C912.1
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本文編號：1613373