本文選題：青年亞文化　切入點(diǎn)：審美維度　出處：《四川師范大學(xué)》2011年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：在現(xiàn)代多元文化語(yǔ)境中,青年亞文化作為一種獨(dú)特的文化現(xiàn)象,對(duì)青年人乃至整個(gè)社會(huì)的審美文化和時(shí)代精神的形成都具有深刻的影響。在中國(guó)正處于經(jīng)濟(jì)文化快速發(fā)展的社會(huì)轉(zhuǎn)型期,揭示青年亞文化在新的歷史條件下審美思維和審美價(jià)值的獨(dú)特內(nèi)涵與成因,有助于對(duì)青年亞文化和青年群體更為深刻、全面的了解,為社會(huì)審美研究和美育方法探討提供支持借鑒,豐富中華民族的審美殿堂。筆者將當(dāng)前中國(guó)青年亞文化整體看做一個(gè)“巨型文本”,通過(guò)對(duì)其典型文本的解讀來(lái)理解中國(guó)青年亞文化審美形態(tài)中“大風(fēng)格”的形成特點(diǎn)和歷史成因。通過(guò)對(duì)豐富而個(gè)性的青年亞文化審美文化現(xiàn)象的分析,理清青年亞文化獨(dú)特的審美思維,是本文的核心任務(wù)。 本文選取了流行語(yǔ)、耽美文學(xué)、非主流圖片攝影、跑酷運(yùn)動(dòng)四個(gè)當(dāng)前中國(guó)青年亞文化的典型代表,解讀了當(dāng)前青年亞文化追求個(gè)性、酷感,具有排他性,熱衷感性表達(dá)等突出的風(fēng)格特點(diǎn),并將青年亞文化置于審美維度的層面進(jìn)行關(guān)照,從三個(gè)方面論述了青年亞文化的審美思維和審美意義:青年亞文化帶有反權(quán)威、顛覆性、通俗化、多元化等鮮明的后現(xiàn)代主義特征,它積極消解“后喻式文化”,顛覆既有主導(dǎo)價(jià)值觀念和審美意識(shí),建設(shè)屬于青年亞文化群體的話語(yǔ)權(quán),取得自我認(rèn)同的快感;青年亞文化以當(dāng)下性的目光關(guān)注生活和個(gè)體經(jīng)驗(yàn),引發(fā)了青年亞文化的審美泛化和崇尚快感體驗(yàn)的鑒賞品味,表現(xiàn)出對(duì)大眾流行文化和俗文化“惡趣味”的熱衷,這也是青年群體企圖通過(guò)頌揚(yáng)禁忌和異常的事物,形成對(duì)權(quán)威意識(shí)形態(tài)教化和訓(xùn)導(dǎo)的反抗;青年亞文化映射出對(duì)于生活急切的熱愛(ài)和對(duì)社會(huì)形態(tài)的思考,但當(dāng)代的青年亞文化絕大部分停滯在“生活關(guān)切”層面,呈現(xiàn)混沌審美境界下無(wú)信仰的繁殖。 筆者還綜合國(guó)內(nèi)外對(duì)青年亞文化成因的理論分析,著重從中國(guó)傳統(tǒng)教育模式和觀念對(duì)青年亞文化影響的角度,闡述了青年亞文化對(duì)主流文化反叛意識(shí)的形成以及缺乏創(chuàng)新思維的歷史成因。
[Abstract]:In the context of modern multiculturalism, youth subculture is a unique cultural phenomenon. It has a profound influence on the formation of aesthetic culture and the spirit of the times for young people and the whole society. In China, it is in the period of rapid economic and cultural development in the period of social transformation. Revealing the unique connotations and causes of the aesthetic thinking and aesthetic value of the youth subculture under the new historical conditions is helpful to a deeper and more comprehensive understanding of the youth subculture and the youth group. For the study of social aesthetics and aesthetic education methods to provide support for reference, In order to enrich the aesthetic palace of the Chinese nation, the author regards the present Chinese youth subculture as a "giant text" and interprets its typical text to understand the formation of "big style" in the aesthetic form of Chinese youth subculture. Characteristics and historical causes. Through the analysis of the rich and individual youth subcultural aesthetic cultural phenomenon, It is the core task of this paper to clarify the unique aesthetic thinking of youth subculture. This paper selects four typical representatives of Chinese youth subculture, such as catchwords, danmei literature, non-mainstream photo photography and parkour, and interprets the pursuit of personality, cool feeling and exclusiveness of the current youth subculture. Keen on perceptual expression and other outstanding style characteristics, and put the youth subculture on the level of aesthetic dimension to take care of, from three aspects discussed the youth subculture aesthetic thinking and aesthetic significance: youth subculture with anti-authority, subversive, subversive. The characteristics of post-modernism, such as popularization and pluralism, are active in dispelling "post-figurative culture", subverting the existing dominant values and aesthetic consciousness, constructing the right of speech belonging to the subcultural group of youth, and obtaining the pleasure of self-identification. The youth subculture pays attention to life and individual experience with the present eyes, which leads to the aesthetic generalization of youth subculture and appreciation taste of advocating pleasure experience, and shows the enthusiasm for popular culture and vulgar culture "evil taste". This is also an attempt by youth groups to resist the ideological indoctrination and discipline of authority by glorifying taboos and anomalies; the youth subculture reflects a keen love for life and a reflection on social formation. However, most of the contemporary youth subculture stagnates at the level of "life concern", showing the propagation of no belief under the chaotic aesthetic realm. The author also synthesizes the theoretical analysis of the causes of youth subculture at home and abroad, focusing on the influence of Chinese traditional education mode and concept on youth subculture. This paper expounds the formation of youth subculture's rebellious consciousness to mainstream culture and the historical causes of lack of innovative thinking.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：C913.5

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 凌藝婷;;基于模特電視選秀節(jié)目的青年亞文化傳播研究[J];今傳媒;2013年05期

2 劉黎黎;;當(dāng)代大學(xué)生審美文化調(diào)查分析及對(duì)策研究——以江蘇省大學(xué)生為例[J];美與時(shí)代(下旬);2013年08期

3 侯正e，

本文編號(hào)：1596845