本文關鍵詞： 毛澤東 書法 草書　出處：《黨的文獻》2016年06期 　論文類型：期刊論文

【摘要】：毛澤東的書法生涯,經歷了青少年時期的楷書學習、中年時期的行書拓展,自1949年前后,開始進入草書階段。隨后他臨池不輟,其書法在經歷了小草、大草的創(chuàng)作實踐后,大約在1963年前后,進入到狂草的階段,完成了其書法草書由"有法"到"無法"的升華。毛澤東的草書,是建立在長期書寫實踐基礎上,進而對書法藝術主動追求的結果,是對書法傳統(tǒng)進行"取法"與"破法"辯證揚棄的典范,開辟了"帖學"書法在20世紀新的審美境界。
[Abstract]:Mao Zedong's calligraphy career experienced the study of regular script as a teenager, and the extension of running script in middle age. Since 1949, Mao Zedong has entered the cursive writing stage. Then he stopped by the pool, and his calligraphy has gone through the creative practice of grass and grass. Around 1963, it entered the stage of craziness, and completed the sublimation of its cursive calligraphy from "having laws" to "not being able." Mao Zedong's cursive script was based on long-term writing practice and was the result of active pursuit of calligraphy art. It is a model of dialectical sublation of the tradition of calligraphy, which opens up a new aesthetic realm of calligraphy in 20th century.
【作者單位】： 中共中央文獻研究室;
【分類號】：A841.5

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