【摘要】： 中華文明經歷了幾千年的沉淀,紋飾藝術作為中華文明的一個部分,也在這樣一個漫長的歷史發(fā)展過程中逐漸形成了自身的特色。任何一種傳統(tǒng)紋飾的產生都有著特定的歷史環(huán)境,東周楚國青銅器龍紋飾經歷了怎樣的一個發(fā)展歷程,才最終形成了繁縟富麗、生氣盎然的藝術風格成為本文研究對象。 本文通過對東周楚國青銅器龍紋紋飾的收集與分類,概括出紋飾的內容,類型,對紋飾的表現形式和藝術特征進行了研究。透過這些紋飾表面所展現的美,分析其形成原因。 把楚國青銅器龍紋飾所表現出來的運動之美,神秘之美,和諧之美都與當時楚地的社會環(huán)境因素聯系起來進行探討。分析楚人的飾美心態(tài)、青銅鑄造技術、楚地巫術文化、理性唯物主義思想對龍紋飾形成發(fā)展的影響。 本文通過分析、總結,主要得出了以下幾點結論： (1)東周楚國青銅器紋飾由于受到中原文化、地域土著文化、宗教信仰、時代特殊性等歷史原因的影響,形成了其富有浪漫主義色彩的紋飾特征。其紋飾的題材豐富、種類繁多,但卻以龍紋為主要的裝飾紋樣,且在龍紋這一大宗里面又變化出多種多樣的形式,不僅反映了楚人“崇龍尚鳳”的社會風氣,同時也反映了當時楚國人們的豐富想象力,以及對精湛技藝的追求。 (2)通過舉例、歸納、分析紋飾的內容和形式,提煉出東周楚國青銅器紋飾的幾點重要的美學特征：一是紋飾造型多變,靈動而具有生氣,顯示了楚人對生命運動之美的追求；二是著力于“繁飾”,其紋飾在器物上顯得飽滿、繁復、精致；三是透著巫術的神秘氣息,使得青銅器紋飾具有一種神秘的美感；四是做工之精細,展現了一種技藝之美。 (3)通過對東周楚國青銅器紋飾的內涵和美學特征的整理,最后探討楚青銅器龍紋飾的社會價值和藝術價值,以及對現代設計的價值。楚國青銅器龍紋飾為現代設計的創(chuàng)作提供了豐富的設計元素。只有讀懂這其背后的意義,才能更好的延續(xù)龍紋的生命力。
[Abstract]:Chinese civilization has experienced thousands of years of precipitation. As a part of Chinese civilization, ornamentation art has gradually formed its own characteristics in such a long historical development process. The emergence of any kind of traditional ornaments has a specific historical environment. What kind of development process did the bronze dragon ornaments of the Chu State of the Eastern Zhou Dynasty go through, and finally formed the elaborate and rich artistic style became the research object of this paper. Based on the collection and classification of bronze dragon ornaments in the Eastern Zhou Dynasty, this paper summarizes the contents and types of ornaments, and studies the expression forms and artistic characteristics of ornaments. Through the beauty shown on the surface of these ornaments, the causes of their formation are analyzed. This paper probes into the beauty of movement, mystery and harmony shown by the bronze dragon ornaments of the State of Chu at that time, and the social and environmental factors of Chu at that time. This paper analyzes the influence of Chu people's aesthetic mentality, bronze casting technology, Chu witchcraft culture and rational materialism on the formation and development of dragon ornaments. Through analysis and summary, this paper mainly draws the following conclusions: (1) due to the influence of Central Plains culture, regional indigenous culture, religious belief, particularity of the times and other historical reasons, the bronze ornamentation of Chu State in the Eastern Zhou Dynasty has formed its romantic decorative characteristics. The theme of its ornamentation is rich and varied, but the dragon pattern is the main decorative pattern, and a variety of forms have changed in the dragon grain, which not only reflects the social atmosphere of the Chu people, but also reflects the rich imagination of the people of Chu at that time and the pursuit of exquisite skills. (2) through examples, summing up and analyzing the content and form of ornamentation, this paper abstracts some important aesthetic characteristics of bronze ornaments in Chu State of Eastern Zhou Dynasty: first, the styling of ornaments is changeable, flexible and lively, which shows the pursuit of the beauty of life movement of Chu people; second, it focuses on "complex ornaments", whose ornaments appear full, complex and exquisite on utensils; Third, permeated with the mysterious smell of witchcraft, so that bronze ornaments have a mysterious aesthetic feeling; fourth, the fine workmanship, showing the beauty of a kind of skill. (3) through the collation of the connotation and aesthetic characteristics of Chu bronze ornaments in the Eastern Zhou Dynasty, this paper finally discusses the social value and artistic value of Chu bronze dragon ornaments, as well as the value to modern design. Chu bronze dragon ornaments provide rich design elements for modern design. Only by reading the meaning behind this, can we better continue the vitality of dragon lines.
【學位授予單位】：武漢理工大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：K876.41

【引證文獻】

相關碩士學位論文 前1條

1 時蕾;論龍紋的演變及在現代服裝設計中的應用[D];江南大學;2011年

，

本文編號：2501898