【摘要】：本文對(duì)宜城跑馬堤墓地三座戰(zhàn)國(guó)中期的墓葬所出仿銅陶禮器的制作工藝進(jìn)行了考察和分析,認(rèn)為陶禮器簡(jiǎn)化工藝、降低制作難度的理念與青銅器是一致的,而具體成形方式則采用陶器的制作方法。正是在東周楚地禮制普遍化的背景之下,陶禮器作為墓中陳設(shè)禮器而非實(shí)用器的性質(zhì)使得它能夠采用銅器的制作理念來(lái)達(dá)到簡(jiǎn)化工藝的目的。同時(shí),本文還就制作工藝所反映的楚墓等級(jí)問(wèn)題進(jìn)行了討論,認(rèn)為制作工藝的規(guī)范性也是楚墓等級(jí)差異的表征之一。
[Abstract]:In this paper, the fabrication technology of imitating copper pottery from three tombs in the middle warring States period in Yicheng Happy Matti Cemetery is investigated and analyzed, and it is considered that the idea of simplifying the process and reducing the difficulty of making pottery is consistent with that of bronze. The specific forming method adopts the making method of pottery. It is under the background of the universality of the Chu ritual system in the Eastern Zhou Dynasty that the pottery ritual ware, as a ritual in the tomb rather than a practical one, makes it possible to adopt the making idea of bronze ware to achieve the purpose of simplifying the process. At the same time, this paper also discusses the grade of Chu tomb reflected by the production technology, and holds that the standardization of the production process is also one of the representations of the grade difference of Chu tomb.
【作者單位】： 武漢大學(xué)歷史學(xué)院考古系;
【分類(lèi)號(hào)】：K876
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本文編號(hào)：2495495