【摘要】： 廣漢三星堆祭祀坑出土的大量青銅器,顯示出早期巴蜀文明的獨特風(fēng)格,代表了我國商周時代青銅器鑄造藝術(shù)的另一種特色。先秦文獻中對于巴蜀地區(qū)的記載處于空白狀態(tài),秦漢之后的追記文獻也很有限,這一度使先秦時期巴蜀地區(qū)的美學(xué)研究無人涉足。三星堆遺址的發(fā)現(xiàn),為巴蜀地區(qū)的先秦文化美學(xué)研究提供了根據(jù)。三星堆遺址中的青銅器制作精良,工藝成熟,其承載的豐富內(nèi)涵和美學(xué)意蘊給予研究者龐大的想象空間。三星堆出土的青銅器可大致分為青銅禮器、青銅人像和青銅動植物像三類,這些器物多用于禮儀祭祀,彼此之間在造型紋飾上相互聯(lián)系,顯示出獨特的審美風(fēng)格。本文通過對各類青銅器的造型、紋飾、工藝等方面進行解析,力圖揭示三星堆先民蘊藏在器物之中的審美意識。在造型上,三星堆青銅器像生描摹和夸張變異共用,多數(shù)器物上顯現(xiàn)出高瘦的特質(zhì)；在紋飾上,表現(xiàn)為附屬像生性和抽象象征性,在中原地區(qū)青銅器紋飾的基礎(chǔ)上有所變化發(fā)展；在審美風(fēng)格上,以磅礴壯闊的氣勢和奇譎神秘的氣息展示出其獨特之處,富于變化的同時顯示出多元統(tǒng)一的特征。
[Abstract]:A large number of bronze wares unearthed in the Sanxingdui sacrificial pit of the Guanghan and Han dynasties show the unique style of the early Bashu civilization and represent another characteristic of bronze casting art in the Shang and Zhou dynasties in China. The records of Bashu area in pre-Qin literature are in blank state, and the recall documents after Qin and Han dynasties are also very limited, which once made the aesthetic study of Bashu area in pre-Qin period no one dabbled in. The discovery of Sanxingdui site provides a basis for the study of pre-Qin cultural aesthetics in Bashu region. The bronze ware in Sanxingdui site is well-made and mature, and its rich connotation and aesthetic implication give researchers huge imagination space. The bronze utensils unearthed in Sanxingdui can be roughly divided into three types: bronze ceremonial objects, bronze figures and bronze animal and plant statues. These objects are mostly used for rituals and sacrificial rituals, and they are related to each other in modelling and ornaments, showing a unique aesthetic style. This paper tries to reveal the aesthetic consciousness of the ancestors of Sanxingdui by analyzing the modeling, ornamentation and craft of all kinds of bronze ware in order to reveal the aesthetic consciousness of the ancestors of Sanxingdui. On the modeling, Sanxingdui bronze ware is used together with exaggeration and variation, and most of the objects show the characteristics of high and thin. On the decoration, it shows the appurtenant image nature and abstract symbolism, which has changed and developed on the basis of the bronze ornaments in the Central Plains region; In the aesthetic style, with the majestic momentum and mysterious breath to show its unique, rich in changes at the same time show the characteristics of multi-unity.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K876.41

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