【摘要】：內(nèi)丘紙馬被稱為中國(guó)木刻版畫的活化石,在漫長(zhǎng)的發(fā)展過(guò)程中至今仍保持著人類早期藝術(shù)的主要特征。內(nèi)丘紙馬既是傳統(tǒng)民俗中的一種物質(zhì)承載者,同時(shí)也是農(nóng)業(yè)社會(huì)民間信仰、認(rèn)知觀念和民間生活的體現(xiàn)。作為一個(gè)特定時(shí)期文化與技術(shù)的產(chǎn)物,內(nèi)丘紙馬體現(xiàn)出所處時(shí)代的地域特征和時(shí)代風(fēng)貌。內(nèi)丘紙馬保護(hù)與傳承的研究,以內(nèi)丘紙馬生成和發(fā)展歷史背景為基礎(chǔ),透過(guò)民俗學(xué)角度闡述紙馬與人們的生活、信仰、審美、精神的關(guān)系。將內(nèi)丘紙馬作為文化生態(tài)中的一部分,并以文化生態(tài)學(xué)視角理解其生存的本質(zhì)。通過(guò)這個(gè)視角的研究,可以更全面、客觀的理解民間傳統(tǒng)文化,并發(fā)展繼承。 論文的主體部分從“藝術(shù)特征與人文精神”和“傳承與發(fā)展的現(xiàn)實(shí)基礎(chǔ)”兩個(gè)方面對(duì)內(nèi)丘紙馬進(jìn)行闡述。對(duì)內(nèi)丘紙馬所處的自然環(huán)境、生產(chǎn)環(huán)境、哲學(xué)環(huán)境進(jìn)行分析,并 從民俗學(xué)角度出發(fā)將紙馬中所包含的風(fēng)俗禮節(jié)和宗教信仰進(jìn)行闡述,把握內(nèi)丘紙馬與各種生產(chǎn)、生活的關(guān)系,剖析紙馬中蘊(yùn)涵的神性與人性。進(jìn)而,從內(nèi)丘紙馬的所處的當(dāng)代環(huán)境出發(fā)分析發(fā)展中的現(xiàn)實(shí)基礎(chǔ),并結(jié)合文化生態(tài)觀形成傳承與保護(hù)的正確觀念。最后,論文闡述了內(nèi)丘紙馬傳承與保護(hù)的可行性措施,探討其在現(xiàn)代市場(chǎng)環(huán)境和文化環(huán)境中的生存策略,以及技藝傳承的培養(yǎng)方向。 目前尚無(wú)關(guān)于內(nèi)丘紙馬人文精神的系統(tǒng)理論研究,希望本論文能夠?yàn)槲覈?guó)內(nèi)丘紙馬理論中的研究體系,以及為后人在相關(guān)的領(lǐng)域中的研究提供一定的理論依據(jù)。
[Abstract]:Neiqiu paper horse, known as the living fossil of Chinese woodcut prints, still maintains the main characteristics of early human art in the long process of development. Neiqiu paper horse is not only a kind of material carrier in traditional folk custom, but also the embodiment of folk belief, cognition and folk life in agricultural society. As a product of culture and technology in a specific period, Neiqiu paper horse reflects the regional characteristics and features of the times. On the basis of the historical background of the formation and development of Neiqiu paper horse, this paper expounds the relationship between paper horse and people's life, belief, aesthetics and spirit from the perspective of folklore. Neiqiu paper horse is regarded as a part of cultural ecology, and the essence of its existence is understood from the angle of cultural ecology. Through the research from this perspective, we can understand the folk traditional culture more comprehensively and objectively, and develop inheritance. The main part of the thesis is described from two aspects: artistic characteristics and humanistic spirit and the realistic foundation of inheritance and development. The natural environment, production environment and philosophical environment of Neiqiu Paper Horse are analyzed, and the customs, etiquette and religious beliefs contained in Paper Horse are expounded from the point of view of folklore, and the Inner Hill Paper Horse and all kinds of production are grasped. The relationship of life, analysis of the paper horse contained in the divine and human nature. Then, from the contemporary environment of Neiqiu paper horse, the realistic foundation of development is analyzed, and the correct concept of inheritance and protection is formed according to the view of cultural ecology. Finally, the paper expounds the feasible measures of the inheritance and protection of Neiqiu paper horse, discusses its survival strategy in the modern market environment and cultural environment, as well as the training direction of the technical inheritance. At present, there is no systematic theoretical research on the humanistic spirit of Neiqiu paper horse. It is hoped that this paper can provide a certain theoretical basis for the research system of Neiqiu paper horse theory in our country and for the future generations to study in related fields.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K876.3

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 鄭君玲;段建坤;;內(nèi)丘紙馬造型藝術(shù)及審美意蘊(yùn)[J];藝術(shù)評(píng)論;2012年02期

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本文編號(hào)：2465955