【摘要】：龍紋是中國歷史悠久的典型傳統(tǒng)裝飾紋樣,曾經(jīng)在傳統(tǒng)服飾以及其他領(lǐng)域中都有廣泛的應(yīng)用,蘊(yùn)含著豐富的文化內(nèi)涵。而今,盡管龍紋的美好寓意仍留在人們的記憶里,但在現(xiàn)代服裝設(shè)計中,很少見到龍紋的身影。因此,對龍紋在歷代服飾領(lǐng)域的研究及在現(xiàn)代服裝設(shè)計中的應(yīng)用就顯得尤為必要。 本文從服飾的角度出發(fā),對龍紋的歷史演變和造型特點、審美分析和文化內(nèi)涵、龍紋在現(xiàn)代服裝設(shè)計中的應(yīng)用現(xiàn)狀分析以及在現(xiàn)代服裝設(shè)計中的應(yīng)用四個部分進(jìn)行研究。其中,歷史演變和造型特點、審美分析和文化內(nèi)涵這兩部分為本文研究的重點,為龍紋在現(xiàn)代服裝設(shè)計應(yīng)用提供理論與文化基礎(chǔ)。龍紋在現(xiàn)代服裝設(shè)計中的應(yīng)用現(xiàn)狀分析是將其應(yīng)用到服裝中進(jìn)行設(shè)計實踐的前提。 本文首先采用文獻(xiàn)搜索與實地調(diào)查相結(jié)合的方式,從各大圖書館和館藏數(shù)據(jù)庫中,收集了大量的與本研究課題相關(guān)的文獻(xiàn)資料,又走訪了一些博物館獲取了一手的圖片資料。將文獻(xiàn)與圖片進(jìn)行分類整理,通過圖文互證,歸納得出龍紋從服飾角度經(jīng)歷了夔龍期、應(yīng)龍期、黃龍期、新龍期四個歷史時期的發(fā)展演變,并分析了龍紋在各個時期的造型特點。接著對其造型進(jìn)行進(jìn)一步地審美分析,在把握其造型的基礎(chǔ)上探尋龍紋背后的文化內(nèi)涵,指出龍紋在其造型演變時期分別對應(yīng)的是“巫”、“權(quán)”、“�！薄ⅰ皣钡南笳鳌Ｈ缓�,立足于現(xiàn)代服裝設(shè)計的定義及其特點的基礎(chǔ)上,分別從龍紋在現(xiàn)代服裝設(shè)計中的應(yīng)用價值與應(yīng)用前景兩方面進(jìn)行應(yīng)用現(xiàn)狀分析,得出將龍紋應(yīng)用到現(xiàn)代服裝設(shè)計中具有可行性。最后,在現(xiàn)代服裝設(shè)計中龍紋的應(yīng)用原則與應(yīng)用內(nèi)容指導(dǎo)下,對其造型從具象和抽象兩方面的表達(dá)形式進(jìn)行案例設(shè)計實踐,達(dá)到研以致用的目的。
[Abstract]:Dragon pattern is a typical traditional decorative pattern with a long history in China. It has been widely used in traditional dress and other fields and contains rich cultural connotation. Today, although the beautiful meaning of dragon pattern remains in people's memory, but in modern clothing design, rarely see dragon grain figure. Therefore, it is especially necessary to study the dragon pattern in the field of clothing and the application in the modern fashion design. From the point of view of clothing, this paper studies the historical evolution and modeling characteristics of dragon grain, aesthetic analysis and cultural connotation, the analysis of the application of dragon pattern in modern garment design and the application of dragon pattern in modern garment design. Among them, the historical evolution and modeling characteristics, aesthetic analysis and cultural connotation are the focus of this study, and provide the theoretical and cultural basis for the application of dragon grain in modern garment design. The analysis of the application of dragon grain in modern garment design is the premise of its application to garment design practice. In this paper, a large number of literature materials related to this research subject are collected from libraries and library databases by means of combination of literature search and field investigation, and some museums are visited to obtain first-hand picture materials. The paper classifies the documents and pictures and concludes the development and evolution of dragon grain in the four historical periods of Kuilong period, Yinglong period, Huanglong period and New Dragon period from the angle of clothing, through the mutual evidence of pictures and texts. And analyzed the dragon grain in each period of modeling characteristics. Then further aesthetic analysis of its shape, on the basis of grasping its shape to explore the cultural connotation behind the dragon grain, pointed out that the dragon grain in its modeling evolution period corresponding to the "witch", "power", "blessing", "country" symbol. Then, based on the definition and characteristics of modern garment design, this paper analyzes the application status of dragon grain in modern garment design from two aspects: application value and application prospect. It is concluded that it is feasible to apply dragon pattern to modern garment design. Finally, under the guidance of the application principle and application content of dragon grain in modern garment design, the case design practice is carried out in the form of concrete and abstract expressions, so as to achieve the purpose of practical application.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K876.3

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 蔡云;;龍紋裝飾在酒包裝設(shè)計中的創(chuàng)新[J];黑龍江科技信息;2013年22期

相關(guān)碩士學(xué)位論文 前3條

1 譚娟;中國元素在競技體育服裝中運(yùn)用的現(xiàn)狀與發(fā)展趨勢[D];東華大學(xué);2013年

2 文觀秀;明清時期鳳紋樣在現(xiàn)代女式休閑服飾中的創(chuàng)新設(shè)計研究[D];湖南師范大學(xué);2012年

3 喻林;龍鳳紋在清式家具中的雕刻特征研究[D];中南林業(yè)科技大學(xué);2013年

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本文編號：2442445