【摘要】：正戲曲是中國傳統(tǒng)文化體系中不可或缺的組成部分,也是一種重要的藝術(shù)表現(xiàn)形式。作為一種源于民間的歌舞、說唱為主的表演形式,戲曲的"地方性"尤為突出,不同地方戲產(chǎn)生、發(fā)展、完善過程中都離不開地域文化的熏陶,凝結(jié)著當(dāng)?shù)氐拿耧L(fēng)民俗,從而彰顯出別具一格的藝術(shù)魅力和表演風(fēng)格。然而,任何一種地方戲曲的表演都不可能脫離空間支撐,"戲臺"不僅是戲曲表演的重要道具,同時也是戲曲藝術(shù)形式的載體、符號,被深深地烙上地域文化的
[Abstract]:Orthodox opera is not only an indispensable part of Chinese traditional culture system, but also an important form of artistic expression. As a form of singing and dancing originated from the folk, the "local" of opera is especially prominent. In the process of producing, developing and perfecting different local operas, they all depend on the edification of regional culture and condense the local folk customs. Thus show the unique artistic charm and performance style. However, the performance of any kind of local opera can not be separated from the support of space. "stage" is not only the important prop of opera performance, but also the carrier of opera art form, symbol, which is deeply branded with regional culture.
【作者單位】： 江西財經(jīng)大學(xué)藝術(shù)學(xué)院;
【基金】：江西省社會科學(xué)規(guī)劃辦課題(YS:16YS22)“新媒體藝術(shù)在江西古戲臺文化保護(hù)與傳播中的應(yīng)用研究”
【分類號】：J809.2;K879.1

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