【摘要】： 獨(dú)山玉雕是中國(guó)玉雕文化的重要組成部分,它是南陽(yáng)文化的物化形式和形象載體。它不僅是南陽(yáng)文化的產(chǎn)物,也是南陽(yáng)文化的內(nèi)容和組成部分。其中人物玉雕是獨(dú)山玉雕中最具地域特色和民間特色的,人物形象的造型設(shè)計(jì)、創(chuàng)作素材、文化表現(xiàn)和工藝傳承等方面都離不開當(dāng)?shù)孛耧L(fēng)、民俗生活。人物形象的雕刻是當(dāng)?shù)乇就廖幕男蜗筝d體,蘊(yùn)含南陽(yáng)人民的價(jià)值觀念、信仰觀念及審美觀念等。 本論文從人物藝術(shù)的角度研究獨(dú)山玉雕藝術(shù),著眼點(diǎn)是在分析玉雕中人物的造型、素材、文化等基礎(chǔ)上探討?yīng)毶接竦裰腥宋锼囆g(shù)的特色,并且繼承和發(fā)揚(yáng)。本論文首先講述了獨(dú)山玉雕的發(fā)展及在中國(guó)的地位,指出獨(dú)山玉雕文化的重要和目前存在的問題。其次闡述了獨(dú)山玉雕的空間構(gòu)成,造型中點(diǎn)、線、面、體各要素的表現(xiàn)特點(diǎn),從仕女、老人、佛像這三類人物玉雕中分析獨(dú)山玉雕人物造型的特點(diǎn)。然后,從玉雕人物創(chuàng)作的素材上分析民間玉雕創(chuàng)作的源泉和文化底蘊(yùn),探討玉雕工藝與南陽(yáng)地域文化,民間文化及人們具體生活細(xì)節(jié)的緊密聯(lián)系,反映出民眾對(duì)玉雕的情感和對(duì)美好生活的渴望。最后,從審美和文化角度來闡述人物玉雕的藝術(shù)特征。 獨(dú)山玉雕工藝作為非物質(zhì)文化遺產(chǎn)名錄中的一項(xiàng),已經(jīng)開始受到關(guān)注,但在迅速發(fā)展的同時(shí)還存在著很多待解決的現(xiàn)實(shí)問題,其中最重要的就是如何將人物玉雕注入文化內(nèi)涵,打響品牌戰(zhàn)略,確保獨(dú)山玉雕既得到很好的保護(hù)又能夠健康的發(fā)展,這是值得思考的努力的方向。本課題在獨(dú)山玉雕中人物的造型特點(diǎn)、題材內(nèi)容、文化功能等方面的研究,可以為后續(xù)玉雕中人物藝術(shù)的研究提供理論和資料支持,帶動(dòng)相關(guān)研究的深入發(fā)展,同時(shí)促進(jìn)獨(dú)山玉雕業(yè)的發(fā)展。
[Abstract]:Dushan jade carving is an important part of Chinese jade carving culture. It is the materialized form and image carrier of Nanyang culture. It is not only the product of Nanyang culture, but also the content and component of Nanyang culture. Among them, the figure jade carving is the most regional and folk characteristics in Dushan jade carving. The modeling design, creation, cultural expression and craft inheritance of the character image are inseparable from the local folk style and folk life. The carving of characters is the image carrier of local culture, and contains the values, beliefs and aesthetic concepts of Nanyang people. This paper studies the art of Dushan Jade carving from the angle of character art, focusing on the analysis of the shape, material and culture of the characters in Dushan Jade Sculpture, and on the basis of discussing the characteristics of Dushan Jade carving Art, and inheriting and developing it. This paper first describes the development of Dushan Jade carving and its status in China, and points out the importance and problems of Dushan Jade carving Culture. Secondly, the space composition, modeling point, line, face and body of Dushan jade carving are described, and the characteristics of Dushan jade sculpture are analyzed from the three types of jade sculptures: ladies, old people and Buddha statues. Then, from the material of jade carving characters' creation, this paper analyzes the source and cultural background of folk jade carving creation, and probes into the close connection between jade carving craft and Nanyang regional culture, folk culture and people's specific life details. Reflects the people's feelings for jade sculpture and the desire for a better life. Finally, from the aesthetic and cultural point of view to elaborate the artistic characteristics of jade sculpture. As one of the intangible cultural heritage lists, Dushan jade carving technology has been paid close attention to, but there are still many practical problems to be solved while it is developing rapidly, the most important of which is how to inject figures jade carvings into cultural connotations. Brand strategy to ensure that Dushan jade sculpture can be well protected and healthy development, this is worth thinking about the direction of efforts. The research on the modeling characteristics, subject matter and cultural function of the characters in Dushan Jade carving can provide theoretical and data support for the further study of the characters in the jade carvings, and promote the further development of the related research. At the same time promote the development of Dushan jade carving industry.
【學(xué)位授予單位】：武漢紡織大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K876.8

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