【摘要】：聚焦現(xiàn)收藏于荷蘭阿姆斯特丹國(guó)立博物院的7幅清代繪畫(huà)《天后圣跡圖》,對(duì)該圖的傳承情況、基本內(nèi)容、使用功能、藝術(shù)水平以及地域文化特色等進(jìn)行綜合考察。指出荷蘭藏《天后圣跡圖》的使用功能很可能像中國(guó)國(guó)家博物館藏《天后圣母事跡圖志》一樣,作為皇室成員或高級(jí)官員的私人收藏與交流之用。并認(rèn)為此圖當(dāng)為京津一帶的畫(huà)師所繪,在一定程度上反映出北方的地域文化特色。
[Abstract]:Focusing on the seven paintings of Qing Dynasty (the Divine Saints), which are now collected at the National Museum of Amsterdam, Holland, the inheritance, basic content, use function, artistic level and regional and cultural characteristics of the paintings are comprehensively investigated. It is pointed out that the use function of the Dutch collection of the Divine Monument is likely to be the same as that of the National Museum of China for the private collection and communication of royal members or senior officials. It is considered that this picture should be drawn by the painters in the area of Beijing and Tianjin, reflecting to a certain extent the regional and cultural characteristics of the north.
【作者單位】： 廣東省博物館;
【基金】：中國(guó)博士后科學(xué)基金面上資助“媽祖圖像研究”(2014M550980)的階段性成果
【分類(lèi)號(hào)】：K86

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1 蔣維錟;;清代《天后圣母圣跡圖志》版系探佚[J];莆田學(xué)院學(xué)報(bào);2009年04期

2 郭秀閣;;寫(xiě)繪本《圣跡全圖》[J];紫禁城;2008年09期

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本文編號(hào)：2345628