【摘要】：在古代宋朝時(shí)耀州窯的青瓷就在全國(guó)很有影響力，因其燒造的陶瓷造型和工藝精巧細(xì)致，且品質(zhì)上乘，作為貢瓷深受皇室的偏愛。耀州窯在經(jīng)過了1400多年的歷史洗禮，從唐代黃堡創(chuàng)燒，到宋代鼎盛，再到金后來的燒造中心東移，延續(xù)至今，歷史的顛簸并沒有把這一瑰寶所磨滅，耀州窯作為國(guó)家非常重要的非物質(zhì)文化遺產(chǎn)，它的巨大發(fā)展?jié)摿κ怯心抗捕玫摹?由于一些內(nèi)在和外在的原因?qū)е陆┠暌莞G陶瓷產(chǎn)業(yè)發(fā)展的遲緩，對(duì)于現(xiàn)發(fā)展階段來說，構(gòu)建起一整套耀州窯遺址區(qū)域開發(fā)保護(hù)的發(fā)展模式理論是至關(guān)重要的，這就需要對(duì)耀州窯的重新定位，筆者在文章中首提“關(guān)中古窯”，這也是從區(qū)域發(fā)展角度對(duì)耀州窯的再定義。文章第三章通過四方面的依據(jù)為再定義提供了有力證明。通過對(duì)古今耀州窯體系具備的整體因素分析，試圖引出耀州窯區(qū)域開發(fā)保護(hù)的重要性作用。 在國(guó)內(nèi)古窯遺址數(shù)不勝數(shù)，許多古窯研究的內(nèi)容還都是以陶瓷的考古發(fā)掘和歷史背景，燒制工藝的研究，，所以相關(guān)的古窯遺址研究理論和窯區(qū)開發(fā),保護(hù)，發(fā)展模式方面還需完善，尤其是在關(guān)中區(qū)域古窯這一塊還有待填補(bǔ)。本研究課題以銅川耀州窯遺址區(qū)域的開發(fā)保護(hù)為主線，建立一條符合關(guān)中古窯開發(fā)和保護(hù)的完善理論體系。文章第四部分主要寫的關(guān)于古窯地區(qū)未來發(fā)展模式，文章時(shí)刻圍繞“整體式”開發(fā)理念和三方面的內(nèi)容相結(jié)合，對(duì)耀州窯進(jìn)行全方面，多角度，深層次的開發(fā)保護(hù)。三方面相結(jié)合是指：遺址保護(hù)與地區(qū)建設(shè)相結(jié)合、發(fā)展規(guī)劃與保護(hù)文化遺產(chǎn)理念相結(jié)合、老民藝，老工藝與新技術(shù)，新工藝相結(jié)合。同時(shí)，在具體的開發(fā)保護(hù)措施上要分別對(duì)古窯遺址開發(fā)保護(hù)、窯區(qū)總體規(guī)劃設(shè)計(jì)、窯區(qū)旅游產(chǎn)品開發(fā)保護(hù)這三方面進(jìn)行細(xì)致的規(guī)劃設(shè)計(jì)，試圖完善關(guān)中古窯遺址和區(qū)域開發(fā)保護(hù)這一理論體系，通過對(duì)耀州窯的總體規(guī)劃設(shè)計(jì)，指導(dǎo)以耀州窯為主體的關(guān)中古窯系未來發(fā)展模式。 文章第五部分首提現(xiàn)階段應(yīng)建立“新耀州窯系”，以“關(guān)天經(jīng)濟(jì)區(qū)”發(fā)展為平臺(tái)，竭力打造“西北瓷文化”。為當(dāng)?shù)厝嗣裰\福利，為陜西發(fā)展帶來新動(dòng)力，為西北的經(jīng)濟(jì)文化建設(shè)提供發(fā)展新方向。從去年國(guó)家公開的《2012年中國(guó)城市競(jìng)爭(zhēng)力藍(lán)皮書》數(shù)據(jù)，顯示了近十年中國(guó)城市發(fā)展中競(jìng)爭(zhēng)力提升速度最快的50個(gè)城市，陜西就有3個(gè)城市入圍，分別為榆林第5名、銅川第7名和延安第41名。銅川位居10年競(jìng)爭(zhēng)力提升最快的50個(gè)城市之一，且銅川躋身全國(guó)前10名，這對(duì)于銅川來說，更體現(xiàn)出當(dāng)下發(fā)展的前景無限，這其中，耀州窯的作用不可估量，因此在以后的城市發(fā)展中更應(yīng)該打好耀州瓷產(chǎn)業(yè)的品牌形象，讓它根深蒂固，枝繁葉茂，為未來關(guān)中“瓷”文化的打造做好基礎(chǔ)，這一文化產(chǎn)業(yè)鏈將為西部的建設(shè)具有重要意義。
[Abstract]:In the ancient Song Dynasty, the celadon of Yaozhou Kiln was very influential in the whole country, because of its exquisite and meticulous ceramic shape and craft, and the superior quality, it was favored by the royal family. After more than 1400 years of historical baptism, the Yao Zhou Kiln, from Huang Bao in Tang Dynasty to the peak of the Song Dynasty, to the eastward relocation of the burning center in the Jin Dynasty, continues to this day. The turbulence of history has not wiped out this treasure. As an important national intangible cultural heritage, Yaozhou kiln has great potential for development. Due to some internal and external reasons, the development of the Yao Zhou kiln ceramics industry has been slow in recent years. For the present stage of development, it is very important to construct a whole set of development model theory for the development and protection of the Yao Zhou kiln site. This needs to reposition the Yaozhou kiln, the author first puts forward "Guanzhong ancient kiln" in the article, which is also the redefinition of the Yaozhou kiln from the angle of regional development. Chapter three provides a strong proof for redefinition through four aspects. Based on the analysis of the whole factors of the Yao Zhou kiln system in ancient and modern times, this paper tries to draw the importance of the development and protection of the Yao Zhou kiln area. There are numerous ancient kiln sites in China. Many ancient kilns are also studied on the basis of the archaeological excavation and historical background of ceramics and the study of firing techniques. Therefore, relevant research theories on ancient kiln sites and the development and protection of kiln sites have been developed and protected. The development model still needs to be improved, especially in Guanzhong region, the ancient kiln still needs to be filled. Based on the development and protection of Yazhou Kiln site in Tongchuan, this paper establishes a perfect theoretical system for the development and protection of Guanzhong ancient kiln. The fourth part of the article is mainly about the future development mode of the ancient kiln area. The article always combines the "integral" development concept with the three aspects of content, and carries on the all-sided, multi-angle, deep level development protection to the Yaizhou kiln. The combination of three aspects means: the combination of site protection and regional construction, the combination of development planning and cultural heritage protection, the combination of old folk art, old technology and new technology, and the combination of new technology and new technology. At the same time, in the specific development and protection measures, the development and protection of the ancient kiln site, the overall planning and design of the kiln area, and the development and protection of tourism products in the kiln area should be carefully planned and designed respectively. This paper attempts to perfect the theoretical system of Guanzhong ancient kiln ruins and regional development and protection, and through the overall planning and design of the Yao Zhou kiln, guides the future development model of the Guanzhong ancient kiln system with Yaizhou kiln as the main body. In the fifth part, it is suggested that "Xinyaozhou kiln system" should be established at the present stage, with the development of "Guantian economic zone" as the platform, and making every effort to create "northwest porcelain culture". For the welfare of the local people, for Shaanxi development to bring new power, for the northwest of the economic and cultural construction to provide a new direction of development. From the data released by the State last year on the 2012 Blue Book on the Competitiveness of China's cities, it shows that in the past ten years, the 50 cities with the fastest increasing competitiveness in China's urban development, Shaanxi Province has three cities in the list, respectively, the fifth place in Yulin. Tongchuan No. 7 and Yan'an No. 41. Tongchuan ranks among the 50 cities with the fastest competitive edge in 10 years, and Tongchuan ranks among the top 10 in the country. For Tongchuan, the prospects for the present development are even more limitless. Among these, the role of the Yao Zhou kiln is incalculable. Therefore, in the future development of the city, we should make a good brand image of the Yaozhou porcelain industry, let it be deep-rooted, flourish, and lay a good foundation for the future Guanzhong "porcelain" culture. This cultural industrial chain will be of great significance for the construction of the western region.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：K878;J527

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 劉紅;魏天剛;;從陜北本土民間藝術(shù)看藝術(shù)造物與地域性關(guān)系[J];電影評(píng)介;2012年11期

2 田鴻喜;張娜娜;;從景觀規(guī)劃的角度論景德鎮(zhèn)陶瓷創(chuàng)意產(chǎn)業(yè)園區(qū)的打造[J];大眾文藝;2011年07期

3 謝炎午;曹志峰;;感受耀州窯 過去與現(xiàn)在[J];城色;2008年Z1期

4 單海瀾;;陳爐窯的歷史與現(xiàn)狀[J];美術(shù)界;2012年11期

5 趙英;;耀州瓷在現(xiàn)代發(fā)展中的問題分析[J];設(shè)計(jì)藝術(shù)(山東工藝美術(shù)學(xué)院學(xué)報(bào));2008年06期

6 楊東晨;宋代耀州窯[J];陜西師大學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);1984年04期

7 劉子建;耀州窯青瓷藝術(shù)特點(diǎn)及其成因[J];陶瓷科學(xué)與藝術(shù);2004年01期

8 劉紅;魏天剛;;耀州窯的開發(fā)保護(hù)和關(guān)中古陶瓷文化傳承[J];數(shù)位時(shí)尚(新視覺藝術(shù));2012年05期

9 黨燕寧;耀州窯歷史沿革[J];文博;1999年04期

10 孫家正;提高民族文化自覺,做好我國(guó)非物質(zhì)文化遺產(chǎn)保護(hù)工作[J];文藝研究;2005年10期

相關(guān)重要報(bào)紙文章 前2條

1 王軍;[N];銅川日?qǐng)?bào);2006年

2 記者 王冰峰 通訊員 王軍;[N];銅川日?qǐng)?bào);2007年

相關(guān)博士學(xué)位論文 前3條

1 田林;大遺址遺跡保護(hù)問題研究[D];天津大學(xué);2004年

2 劉軍民;中國(guó)文物大遺址保護(hù)利用與區(qū)域經(jīng)濟(jì)發(fā)展研究[D];西北大學(xué);2006年

3 艾進(jìn);中國(guó)城市遺址類博物館開發(fā)模式研究[D];西南財(cái)經(jīng)大學(xué);2009年

相關(guān)碩士學(xué)位論文 前9條

1 崔瑛;非物質(zhì)文化遺產(chǎn)視角下耀州窯制瓷工藝的保護(hù)和傳承研究[D];西安外國(guó)語(yǔ)大學(xué);2011年

2 梁玲玲;小城鎮(zhèn)建設(shè)中文物古跡保護(hù)研究[D];河北農(nóng)業(yè)大學(xué);2001年

3 鄭國(guó);關(guān)中地區(qū)城市空間發(fā)展的動(dòng)力機(jī)制研究[D];西北大學(xué);2002年

4 董欣;陜西大遺址保護(hù)與可持續(xù)利用研究[D];西北大學(xué);2004年

5 程睿;遺址保護(hù)中的建筑設(shè)計(jì)研究[D];太原理工大學(xué);2006年

6 楊麗霞;文化遺產(chǎn)保護(hù)和旅游發(fā)展[D];東南大學(xué);2005年

7 王慧慧;古代窯爐遺址保護(hù)研究[D];西安建筑科技大學(xué);2007年

8 尚昕;陜西省陳爐古鎮(zhèn)南灣里空間形態(tài)研究[D];西安建筑科技大學(xué);2008年

9 趙春燕;試論耀州窯陶瓷裝飾紋樣的民俗風(fēng)格[D];西安美術(shù)學(xué)院;2008年

本文編號(hào)：2326164