【摘要】：廣州南越王墓是西漢第二代南越王趙昧(胡)的墓葬。該墓出土文物器型多樣、造型獨特、工藝精湛,加之該墓保存完好,未被盜掘,因此這批文物是研究南越國傳統(tǒng)裝飾紋樣珍貴的實物資料。南越王墓紋樣是南越國藝術最為直觀的寫照,因自身特定的歷史背景,本土圖形與外來圖形元素相雜糅,是嶺南地區(qū)重要的文化遺產(chǎn),它佐證了該時期的歷史發(fā)展狀況,展示了地方特有的審美趣味,體現(xiàn)了南越國時期的藝術特色。 隨著新學科、新材料、國外各種藝術思潮的涌入,中國傳統(tǒng)文化觀念受到了前所未有的沖擊,傳統(tǒng)藝術也面臨如何在現(xiàn)代設計中傳承再發(fā)展的問題,純粹的模仿、簡單的復制將使我們的藝術流于表面,喪失活力。在繼承的同時,實現(xiàn)對傳統(tǒng)紋樣的重構,衍生既具有民族特色又符合時代發(fā)展的平面視覺元素是我撰寫此文的目的。 本文以廣州南越王墓出土的器物紋樣為研究對象,南越王墓考古發(fā)掘報告為第一手研究資料,首先將南越王墓紋樣按照題材內(nèi)容歸類為動物紋、植物紋、幾何紋、天象紋以及人物紋五個大系；然后運用現(xiàn)代紋樣學、圖形分析學、圖案學等知識解讀南越國時期的審美理念和藝術設計構成,分析紋樣的視覺元素和構成法則,包括構圖法則和形式法則；最后通過對南越王墓紋樣進行解構、重組,創(chuàng)造一系列新的設計紋樣,為傳統(tǒng)紋樣在現(xiàn)代設計中的再運用提供新的思路,探索傳統(tǒng)元素在現(xiàn)代設計中的傳承,增加現(xiàn)代設計的文化內(nèi)涵。
[Abstract]:The tomb of the South Yue King of Guangzhou is the tomb of Zhao Wei (Hu), the second generation of the Western Han Dynasty. The cultural relics unearthed from the tomb are of various types, unique shapes, exquisite workmanship, and the tomb is well preserved and has not been excavated, so this batch of cultural relics is a precious material for studying the traditional decorative patterns of South Vietnam. The tomb pattern of the King of South Vietnam is the most intuitionistic portrayal of the art of South Vietnam. Due to its own special historical background, the mixture of local and external graphic elements is an important cultural heritage in Lingnan region, which supports the historical development of this period. It shows the local special aesthetic taste and reflects the artistic characteristics of the period of South Vietnam. With the influx of new disciplines, new materials and various artistic trends of thought abroad, Chinese traditional cultural concepts have been subjected to unprecedented impact. Traditional art is also faced with the problem of how to inherit and develop in modern design, pure imitation. Simple reproduction will cause our art to flow to the surface and lose vitality. At the same time, it is my purpose to reconstruct the traditional pattern and derive the plane visual elements which have national characteristics and are in line with the development of the times. This paper takes the patterns of artifacts unearthed from the tomb of Nanyue Wang in Guangzhou as the research object, and the archaeological excavation report of the tomb of the South Vietnam King as the first-hand research material. Firstly, the patterns of the tombs of Nanyue are classified according to the subject matter as animal, plant, geometric, etc. Then using modern pattern science, graphic analysis, pattern science and other knowledge to interpret the aesthetic concept and artistic design structure of the period of Nanyu, and to analyze the visual elements and constitution rules of the pattern. Finally, by deconstructing, reorganizing, creating a series of new design patterns, providing a new way of thinking for the reuse of traditional patterns in modern design. To explore the inheritance of traditional elements in modern design and increase the cultural connotation of modern design.
【學位授予單位】：廣東工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：K878.8

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