【摘要】：巍山是國(guó)家級(jí)歷史文化古城，其中的傳統(tǒng)建筑物不僅歷史悠久，而且保存相對(duì)完好。巍山的傳統(tǒng)古建筑具備深厚的文化底蘊(yùn)是因?yàn)槠浞e淀了深厚的歷史文化精髓，表現(xiàn)出了一些其他古建筑所沒(méi)有的審美特征。通過(guò)在實(shí)習(xí)中對(duì)各類項(xiàng)目的參與，了解到巍山古建筑裝飾和雕刻藝術(shù)具有很大的民族特色和審美價(jià)值，尤其是巍寶山長(zhǎng)春洞古建筑上的雕刻藝術(shù)，具備很高的藝術(shù)研究?jī)r(jià)值�；趯�(duì)巍寶山長(zhǎng)春洞古建筑雕刻藝術(shù)的興趣，選擇了這篇論文的研究方向。隨著全球經(jīng)濟(jì)一體化的趨勢(shì)的不斷發(fā)展，我國(guó)本土的文化受到了巨大的沖擊，正是因?yàn)槿绱�，本文在深入探析大理巍寶山長(zhǎng)春洞古建筑雕刻藝術(shù)的自身審美價(jià)值和藝術(shù)理念的同時(shí)，還從道教文化民族文化角度討論了長(zhǎng)春洞古建筑雕刻藝術(shù)與當(dāng)?shù)刈诮涛幕兔褡逦幕年P(guān)系，還分析應(yīng)該如何保護(hù)和傳承大理巍寶山古建筑具有本民族的優(yōu)秀藝術(shù)文化精髓，這不僅是大理巍寶山古典藝術(shù)文化需要面對(duì)的問(wèn)題，也是我國(guó)當(dāng)代古建筑及其他古典藝術(shù)需要共同面對(duì)的迫在眉睫的問(wèn)題。當(dāng)代節(jié)奏快捷的都市生活已經(jīng)讓大多數(shù)人遺忘了諸如巍寶山長(zhǎng)春洞建筑雕刻藝術(shù)所呈現(xiàn)出的美感，僅僅將對(duì)于民族文化的研究維系在一些專家學(xué)者身上，普通人對(duì)這些幾乎也是一個(gè)事不關(guān)己的狀態(tài)，這不僅不利于中國(guó)傳統(tǒng)古典文化的發(fā)揚(yáng)光大，，對(duì)于現(xiàn)存古典建筑藝術(shù)的保護(hù)和傳承也是有害無(wú)益的。少數(shù)民族文化受到現(xiàn)代文明和漢文化的影響沖擊巨大，因此，深入研究巍寶山長(zhǎng)春洞古建筑的雕刻藝術(shù)更能深思這個(gè)問(wèn)題。
[Abstract]:Weishan is a national historical and cultural city, in which the traditional buildings not only have a long history, but also relatively intact. Weishan's traditional ancient architecture has profound cultural heritage because it has accumulated profound historical and cultural essence, showing some aesthetic characteristics that other ancient buildings do not have. Through the participation of various projects in practice, it is found that the decoration and carving art of ancient architecture in Weishan has great national characteristics and aesthetic value, especially the carving art of Changchun Cave in Weimaoshan, which has high artistic research value. Based on the interest in the ancient architecture carving art of Changchun Cave, Weibaoshan, the research direction of this paper is chosen. With the continuous development of the trend of global economic integration, the local culture of our country has been greatly impacted, which is precisely because of this, While deeply analyzing the aesthetic value and artistic concept of the ancient architectural carving art of Changchun Cave in Weimaoshan, Dali, From the angle of Taoist culture, this paper also discusses the relationship between the carving art of the ancient architecture in Changchun Cave and the local religious culture and national culture, and analyzes how to protect and inherit the essence of the excellent art culture of this nationality in the ancient architecture of Weimaoshan in Dali. This is not only a problem to be faced by the classical art culture of Weimaoshan, Dali, but also an urgent problem that the contemporary ancient architecture and other classical arts in our country need to face together. The rapid pace of contemporary urban life has made most people forget the beauty of sculpture in Changchun Cave, such as Weimaoshan, and only hold the study of national culture to some experts and scholars. It is not only not conducive to the development of Chinese traditional classical culture, but also harmful to the protection and inheritance of the existing classical architectural art. The culture of ethnic minorities is greatly impacted by modern civilization and Han culture. Therefore, it is more important to study the carving art of Changchun Cave in Weimaoshan.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：K879.1

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