【摘要】： 彩陶作為史前時期很重要的文化遺存,是中國藝術發(fā)展鏈條中的一個重要環(huán)節(jié),在一定程度上形塑了中國藝術的形式基礎,受到了不同研究領域學者們的關注,到目前為止,國內(nèi)已經(jīng)出現(xiàn)了不少論述彩陶的學術專著。然而,從當前的研究狀況來看,學者們或是把彩陶作為一種文化進行綜合研究,或是從美術史或考古學角度對彩陶進行研究,或是把彩陶作為工藝美術,對其制作工藝和裝飾特點進行研究,而對彩陶重要構成部分的紋飾的研究卻并不多,尤其是對彩陶紋飾所蘊含的審美思想及其理論意義對于美學發(fā)展的意義的研究極其不夠,這與彩陶發(fā)掘已經(jīng)取得的成果相比很不平衡。因此,本文從彩陶紋飾著手,解讀其蘊含的豐富的文化內(nèi)涵,從彩陶紋飾的演變中找出美學規(guī)律,進而來認識史前先民的審美意識。 導論部分重點在于對論文的選題及意義的探討,以及國內(nèi)外研究現(xiàn)狀的描述,并指出本文的研究思路、研究方法以及研究的重點和難點。通過這種描述,希望能夠使讀者對本文的基本框架有所了解。 第一章“彩陶紋飾概論”,主要觀照的是彩陶紋飾的起源、分類、構成要素和形式法則,并對特殊的彩陶紋飾圖案做簡單的個案分析,以期借此獲得對彩陶紋飾的系統(tǒng)梳理。 第二章“彩陶紋飾與原始思維”,重點在于從彩陶紋飾中去認識它對史前社會生活的反映,以及對宗教情感和原始生殖崇拜的表現(xiàn)等。 第三章“彩陶紋飾與中國史前審美意識”’,是本文的論述重點。該部分從彩陶紋飾的演變中尋找美學規(guī)律,從而去探討中國史前審美意識。 最后是本文的結語部分,試著探討了彩陶紋飾對中國藝術尤其是中國繪畫的線條特征和寫意特色等方面的積極影響,并希望亦能借此表明彩陶紋飾在中國審美意識發(fā)生上的重大意義。
[Abstract]:As an important cultural relic of the prehistoric period, painted pottery is an important link in the development chain of Chinese art. To a certain extent, it has shaped the formal basis of Chinese art and has attracted the attention of scholars in different fields of study. So far, There have been many academic monographs on painted pottery in China. However, from the point of view of the current research situation, scholars either comprehensively study painted pottery as a kind of culture, or study painted pottery from the perspective of art history or archaeology, or use painted pottery as an arts and crafts. In this paper, the process of making and the decorative characteristics are studied, but there are few researches on the patterns of the important components of the painted pottery, especially the aesthetic thought and the theoretical significance of the color pottery ornaments, which are extremely insufficient in the study of the significance of the development of aesthetics. This is very uneven compared with the achievements made in the exploration of painted pottery. Therefore, this article starts from the color pottery decoration, unscrambles its rich cultural connotation, finds out the esthetics rule from the color pottery decoration evolution, and then realizes the prehistoric people's aesthetic consciousness. The introduction focuses on the discussion of the topic and significance of the thesis, as well as the description of the present research situation at home and abroad, and points out the research ideas, research methods, key points and difficulties of this paper. Through this description, we hope to make readers understand the basic framework of this paper. The first chapter is an introduction to the pattern of painted pottery, which mainly focuses on the origin, classification, elements of composition and rules of form, and makes a simple case study of the special pattern of painted pottery, in order to obtain a systematic combing of the pattern of painted pottery. The second chapter, "Color pottery decoration and primitive thinking", focuses on understanding its reflection on prehistoric social life, religious emotion and the performance of primitive reproductive worship from the perspective of painted pottery ornaments. The third chapter, "Color pottery decoration and Chinese prehistoric aesthetic consciousness", is the focus of this paper. This part looks for the aesthetic law from the evolution of the painted pottery ornaments, and probes into the Chinese prehistoric aesthetic consciousness. The last part is the conclusion of this paper, which tries to explore the positive influence of painted pottery decoration on Chinese art, especially on the characteristics of lines and freehand brushwork of Chinese painting. It also hopes to show the great significance of the color pottery decoration in the occurrence of Chinese aesthetic consciousness.
【學位授予單位】：蘭州大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：K876.3

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本文編號：2160640