本文選題：荊楚文化 + 鳳圖形　； 參考：《武漢理工大學》2010年碩士論文

【摘要】： 中國是一個具有五千年悠久文化歷史、幅員遼闊的多民族國家,中國的地域民族文化的底蘊是非常濃厚的。荊楚文化作為中國南方文化的代表,更是中國傳統(tǒng)文化的一顆璀璨的明珠。對荊楚文化的研究既是對中國濃重深厚的傳統(tǒng)文化的深入了解,也可以更好的向世界展示我們偉大祖國的文化瑰寶,讓世界更加的了解中國,了解中國文化。荊楚文化歷史悠久、源遠流長。本文正是以此為出發(fā)點來研究荊楚文化中龍鳳圖形紋飾的基本形式及其演變規(guī)律,以明確荊楚文化龍鳳圖形的代表符號,便于以后的研究和運用。 不同的文化背景,不同的地域背景,不同的時期背景就會產生不用文化形式。一個民族對某種紋飾的信仰和崇拜正是這個民族文化背景、地域文化的最好反映,所以荊楚文化下的龍鳳圖形紋飾也就是楚人所創(chuàng)造的荊楚文化的最好反映之一。本文正是以此為出發(fā)點來論述研究荊楚文化下的龍鳳圖形紋飾,以期通過對荊楚文化的地域背景、時期背景和大量的圖片相結合來比較分析,可以得出荊楚文化下龍鳳圖形紋飾基本形式特征。本文主要有兩個論述要點：首先是通過對當時的時代背景、圖形紋飾的主要適用人群和主要載體進行大量的分析,同時結合相應的圖片,得出荊楚龍鳳圖形紋飾的基本形式特征。通過荊楚龍鳳圖形紋飾的基本特征也可以反映楚人當時的社會形態(tài)、生活背景和他們的信仰,同時也可以從中分析得出楚人崇鳳,對鳳懷有特殊喜愛情感的原因；其次,本文的另一個論述重點就是結合不同時期和不同地域下的龍鳳圖形紋飾進行對比分析,得出荊楚龍鳳圖形紋飾的時期和地域演變規(guī)律。將楚地的龍鳳圖形紋飾同中原、巴蜀和吳越三地的龍鳳圖形紋飾進行對比分析,得出不同地域文化背景下所產生的龍鳳圖形紋飾的基本形式特征的差異和相似之處。在將春秋戰(zhàn)國時期荊楚龍鳳圖形紋飾同前一個時期(商周時期)和后一個時期(秦漢時期)的龍鳳圖形紋飾對比分析,從而得出荊楚龍鳳圖形紋飾的時期演變規(guī)律,得出不同時期背景對荊楚龍鳳圖形紋飾的基本形式特征有哪些影響以及不同時期背景下荊楚龍鳳圖形紋飾的差異和相似之處。通過對荊楚龍鳳圖形紋飾的時期和地域演變規(guī)律的總結分析,可以對荊楚龍鳳圖形紋飾做一個整體的把握,也可以對荊楚文化有一個更深的了解。
[Abstract]:China is a multinational country with a long cultural history of five thousand years and a vast territory. Jingchu culture, as a representative of southern Chinese culture, is a bright pearl of Chinese traditional culture. The study of Jingchu culture is not only a deep understanding of Chinese traditional culture, but also a better display to the world of the cultural treasures of our great motherland, so that the world can learn more about China and Chinese culture. Jingchu culture has a long history and has a long history. This paper takes this as the starting point to study the basic form and evolution law of dragon and Phoenix figure patterns in Jingchu culture, so as to make clear the symbol of dragon and Phoenix figure in Jingchu culture, which is convenient for future research and application. Different cultural background, different regional background, different time background will produce no cultural form. The belief and worship of a nation to a certain decoration is the best reflection of this national cultural background and the regional culture, so the dragon and Phoenix figure pattern decoration under the Jingchu culture is one of the best reflection of the Jingchu culture created by the Chu people. This paper is based on this to discuss the study of dragon and Phoenix patterns in Jingchu culture, in order to compare and analyze the geographical background, period background and a large number of pictures of Jingchu culture. We can get the basic form characteristics of dragon and Phoenix figure patterns in Jingchu culture. There are two main points in this paper: firstly, through the analysis of the background of the times, the main applicable crowd and the main carrier of the pattern decoration, and combining with the corresponding pictures, The basic form characteristics of Jingchu dragon and Phoenix figure ornaments are obtained. The basic features of Jingchu dragon and Phoenix figure patterns can also reflect the social formation, life background and their beliefs of Chu people at that time. At the same time, we can also analyze the reason why Chu people worship Phoenix and have special affection for Phoenix. Secondly, Another key point of this paper is to compare and analyze the patterns of dragon and Phoenix in different periods and different regions, and to obtain the evolution law of dragon and Phoenix patterns in Jingchu. Comparing the dragon and Phoenix patterns of Chu with those of Central Plains, Bashu and Wuyue, the differences and similarities of the basic form characteristics of dragon and Phoenix patterns produced under different regional cultural backgrounds were obtained. In the Spring and Autumn period and warring States period Jingchu dragon and Phoenix figure pattern decoration with the previous period (Shang and Zhou period) and the latter period (Qin and Han dynasties) dragon and Phoenix figure pattern decoration comparative analysis, thus obtains Jingchu dragon and Phoenix figure pattern period evolution rule, The influence of the background of different periods on the basic formal characteristics of Jingchu dragon and Phoenix patterns and the differences and similarities between the patterns of Jingchu dragon and Phoenix patterns in different periods were obtained. Through summing up and analyzing the evolution law of Jingchu dragon and Phoenix figure pattern, we can make a whole grasp of Jingchu dragon and Phoenix figure pattern decoration, and can also have a deeper understanding of Jingchu culture.
【學位授予單位】：武漢理工大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：K877

【引證文獻】

相關期刊論文 前1條

1 王蕊;姜在新;;楚文化中鳳紋樣的演化特征及其應用研究[J];劍南文學(經典教苑);2012年08期

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本文編號：2059842