本文選題：清代 + 十里紅妝　； 參考：《中國美術(shù)學(xué)院》2011年碩士論文

【摘要】：清代寧紹地區(qū)婚俗中盛行“十里紅妝”,嫁妝家具的排場規(guī)模龐大,大到千工床、房前桌、紅櫥、床前櫥、衣架、春凳、馬桶、子孫桶、梳妝臺等,小到日用小木器、女工用的針頭線腦等一應(yīng)俱全�！笆锛t妝”的整套器物都是用“一兩黃金三兩朱”的朱漆髹涂,用黃金點(diǎn)染,紅金相間,顯得非常喜慶和高貴�！笆锛t妝”在一定程度上意味著明媒正娶,象征了女主人在夫家的身份和地位,從另一個程度上,“十里紅妝”不僅是聯(lián)姻兩家直觀地炫耀富裕程度的比對及象征,更是與中國古代婚俗中的聯(lián)姻制度直接相關(guān)。
[Abstract]:In the wedding customs of Ningshao area in Qing Dynasty, "ten li red dowry" prevailed. The scale of dowry furniture was huge, ranging from Qiangong bed, room front table, red cupboard, bed closet, clothes rack, spring stool, toilet, descendant bucket, dresser, etc., to small wooden articles for daily use. All the needlework used by women workers is complete. The whole set of "ten li red makeup" is painted with a "one or two gold two or two" ink lacquer, dyed with gold dots, red and gold, it appears very happy and noble. To a certain extent, "Shili Red makeup" means that the Ming media is marrying, symbolizing the status and status of the hostess in her husband's family. To another extent, "Shili Red makeup" is not only a comparison and symbol of the degree of affluence between the two marriage families. It is also directly related to the marriage system in ancient Chinese marriage customs.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K876.7;J527

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本文編號：2028024